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Fall 2024 (10.2)
Editor's Welcome: Tenth Anniversary Issue (10.2)
Special Anniversary Issue
A Look Back: Thirty Years of AmArt-L
Keidra Daniels Navaroli
Americanist Questionnaire
Jenni Sorkin, Mia L. Bagneris, Maggie A. Cao, Sarah Burns, Adrienne L. Childs, Robert (Bob) Cozzolino, Erika Doss, Jennifer Greenhill, Eleanor Harvey, Amy Von Lintel, Elaine Yau, Sylvia Yount
Research Notes
In the Aggregate: Women Artists, Museum Work, and the Paths We Tread
Annelise K. Madsen
Janet Sobel’s All Over, Everywhere
Natalie Dupêcher
Colloquium
American Artists x American Symbols
Katherine Jentleson
Norman Parish’s Historical Gyrations
Michael Lobel
Red, Fried, and Blue: Kiyan Williams Remakes the Flag
Adria Gunter
How Free is Free? Ben Shahn, the Statue of Liberty, and the History of American Art
Frances K. Pohl
Kay WalkingStick’s Layered Landscapes and Critical Stewardship in American Art History
Erin Pauwels
Teaching and/as/in Marie Watt’s Sewing Circles
Charlotte Hecht, M. Stang
Canyon
: Robert Rauschenberg’s Declaration of Independence
Jonathan Frederick Walz
Digital Dialogues
Closer to Mainstream: Dorothy Liebes Goes Digital
Analisa Coats Sato
Zombie Humanism, Generative AI Images, and Photography
Helen Lewandowski
Book Reviews
Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770
Elizabeth Bacon Eager
Glorious Lessons: John Trumbull, Painter of the American Revolution
Paul Staiti
The Awe of the Arctic: A Visual History
Katherine Manthorne
Reclaiming the Americas: Latinx Art and the Politics of Territory
Mary K. Coffey
Exhibition Reviews
Framing Freedom: The Harriet Hayden Albums
Anne Strachan Cross
Georgia O’Keeffe: “My New Yorks”
Lee Ann Custer
Sargent Claude Johnson
Christine Garnier
Janet Sobel: All Over
Sandra Zalman
Pacita Abad
Marissa Vigneault
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