Fall 2024 (10.2)

Tenth Anniversary Issue (10.2)
Editors' Welcome

Tenth Anniversary Issue (10.2)

Keri Watson, Katherine Jentleson, Jenni Sorkin, Cyle Metzger
AHAA Recap: What Does the Future Hold for American Art History?
News

AHAA Recap: What Does the Future Hold for American Art History?

Taylor Rose Payer
<em>Panorama</em> seeking Research Notes editor
News

Panorama seeking Research Notes editor

A Look Back: Thirty Years of AmArt-L
Special Anniversary Issue

A Look Back: Thirty Years of AmArt-L

Keidra Daniels Navaroli
Americanist Questionnaire
Special Anniversary Issue

Americanist Questionnaire

Jenni Sorkin, Mia L. Bagneris, Maggie A. Cao, Sarah Burns, Adrienne L. Childs, Robert (Bob) Cozzolino, Erika Doss, Jennifer Greenhill, Eleanor Harvey, Amy Von Lintel, Elaine Yau, Sylvia Yount
In the Aggregate: Women Artists, Museum Work, and the Paths We Tread
Research Note

In the Aggregate: Women Artists, Museum Work, and the Paths We Tread

Annelise K. Madsen
Janet Sobel’s All Over, Everywhere
Research Note

Janet Sobel’s All Over, Everywhere

Natalie Dupêcher
American Artists x American Symbols
Colloquium

American Artists x American Symbols

Katherine Jentleson
Norman Parish’s Historical Gyrations
Colloquium

Norman Parish’s Historical Gyrations

Michael Lobel
Red, Fried, and Blue: Kiyan Williams Remakes the Flag
Colloquium

Red, Fried, and Blue: Kiyan Williams Remakes the Flag

Adria Gunter
How Free is Free? Ben Shahn, the Statue of Liberty, and the History of American Art
Colloquium

How Free is Free? Ben Shahn, the Statue of Liberty, and the History of American Art

Frances K. Pohl
Kay WalkingStick’s Layered Landscapes and Critical Stewardship in American Art History
Colloquium

Kay WalkingStick’s Layered Landscapes and Critical Stewardship in American Art History

Erin Pauwels
Teaching and/as/in Marie Watt’s Sewing Circles
Colloquium

Teaching and/as/in Marie Watt’s Sewing Circles

Charlotte Hecht, M. Stang
<em>Canyon</em>: Robert Rauschenberg’s Declaration of Independence
Colloquium

Canyon: Robert Rauschenberg’s Declaration of Independence

Jonathan Frederick Walz
Douglass’s Pictures, Julien’s Lessons
Colloquium

Douglass’s Pictures, Julien’s Lessons

Dina Murokh
Closer to Mainstream: Dorothy Liebes Goes Digital
Digital Dialogues

Closer to Mainstream: Dorothy Liebes Goes Digital

Analisa Coats Sato
Book cover with an abstract geometric design in fuchsia and shades of gray surrounding a black-and-white photographs of diners in a restaurant. Above are the letters HURBBGR; below are the words "A Generated / Family of Man"
Digital Dialogues

Zombie Humanism, Generative AI Images, and Photography

Helen Lewandowski
Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770
Book Review

Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770

Reviewed by Elizabeth Bacon Eager
Glorious Lessons: John Trumbull, Painter of the American Revolution
Book Review

Glorious Lessons: John Trumbull, Painter of the American Revolution

Reviewed by Paul Staiti
The Awe of the Arctic: A Visual History
Book Review

The Awe of the Arctic: A Visual History

Reviewed by Katherine Manthorne
Reclaiming the Americas: Latinx Art and the Politics of Territory
Book Review

Reclaiming the Americas: Latinx Art and the Politics of Territory

Reviewed by Mary K. Coffey
Framing Freedom: The Harriet Hayden Albums
Exhibition Review

Framing Freedom: The Harriet Hayden Albums

Reviewed by Anne Strachan Cross
Georgia O’Keeffe: “My New Yorks”
Exhibition Review

Georgia O’Keeffe: “My New Yorks”

Reviewed by Lee Ann Custer
Sargent Claude Johnson
Exhibition Review

Sargent Claude Johnson

Reviewed by Christine Garnier
Janet Sobel: All Over
Exhibition Review

Janet Sobel: All Over

Reviewed by Sandra Zalman
Pacita Abad
Exhibition Review

Pacita Abad

Reviewed by Marissa Vigneault