Fall 2024 (10.2) Archives

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Tenth Anniversary Issue (10.2)

AHAA Recap: What Does the Future Hold for American Art History?

Call for Nominations: Co-Executive Editor

End-of-Year Appeal

In the Aggregate: Women Artists, Museum Work, and the Paths We Tread

Janet Sobel’s All Over, Everywhere

American Artists x American Symbols

Norman Parish’s Historical Gyrations

Red, Fried, and Blue: Kiyan Williams Remakes the Flag

How Free is Free? Ben Shahn, the Statue of Liberty, and the History of American Art

Kay WalkingStick’s Layered Landscapes and Critical Stewardship in American Art History

Teaching and/as/in Marie Watt’s Sewing Circles

Canyon: Robert Rauschenberg’s Declaration of Independence

Douglass’s Pictures, Julien’s Lessons

Closer to Mainstream: Dorothy Liebes Goes Digital

Zombie Humanism, Generative AI Images, and Photography

Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770

Glorious Lessons: John Trumbull, Painter of the American Revolution

The Awe of the Arctic: A Visual History

Reclaiming the Americas: Latinx Art and the Politics of Territory

Framing Freedom: The Harriet Hayden Albums

Georgia O’Keeffe: “My New Yorks”

Sargent Claude Johnson

Janet Sobel: All Over

Pacita Abad