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African American art AHAA American studies Anniversary architectural history Asian American art College Art Association Confederate monuments Contemporary Art Critical Race Art History critical theory digital art history Disability Studies ecocriticism eighteenth-century art feminist art film/video Gender Studies/Queer Studies Jacqueline Francis Jennifer Jane Marshall Keri Watson Latin American/Caribbean art Lester Longman M. Elizabeth Boone material culture modernism museums Naomi Slipp Native American art nineteenth-century art outsider/folk art patriotism pedagogy Performance Studies photography public art public monuments public scholarship Ross Barrett Sarah Burns sculpture slavery twentieth-century art visual culture works on paper
News Fall 2022 (8.2)

Call for Submissions: Research Notes

Book Review Fall 2022 (8.2)

The Art of the Anthropological Diorama: Franz Boas, Arthur C. Parker, and Constructing Authenticity

Reviewed by Dore Bowen
Book Review Fall 2022 (8.2)

Alloys: American Sculpture and Architecture at Midcentury

Reviewed by Sydney Skelton Simon
Digital Dialogues Fall 2022 (8.2)

Panorama’s 🆕 Section: Digital Dialogues

Tracy Stuber, Jennifer Way
Book Review Fall 2022 (8.2)

Painful Beauty: Tlingit Women, Beadwork, and the Art of Resilience

Reviewed by Alison Ariss
Exhibition Review Fall 2022 (8.2)

Wayne Thiebaud: A Celebration, 1920–2021 and Wayne Thiebaud 100: Paintings, Prints, and Drawing

Reviewed by Elaine O’Brien
Book Review Fall 2022 (8.2)

Muybridge and Mobility

Reviewed by David Wall
Book Review Fall 2022 (8.2)

“The Spanish Element in Our Nationality”: Spain and America at the World’s Fairs and Centennial Celebrations, 1876–1915

Reviewed by Vanesa Rodríguez-Galindo
Interior view of an auditorium with an arched natural wood ceiling. On a screen in front is Panorama's logo.
News Fall 2022 (8.2)

Art and Narrative: The 2022 AHAA Seventh Biennial Symposium

Lauren Caskey
The bronze statue of Christopher Columbus that is at the top of the monument seen in fig. 3. The figure wears a Renaissance-era cap and cloak and carries a rolled chart in his left hand. His right hand is outstretched and his right foot steps forward off the pedestal.
Feature Article Fall 2022 (8.2)

Naming, Blaming, and Claiming: The Columbus Monument and the Struggle for Diversity Rights in Syracuse, New York

Kristina Borrman
Black-and-white historic photograph of building with large, arched windows
Feature Article Fall 2022 (8.2)

From Center to Periphery: The Lifespan of New York City’s Tenth Street Studio Building and the Canon of American Art

Mary Okin with Celie Mitchard
Editors' Welcome Fall 2022 (8.2)

Issue 8.2

Naomi Slipp, Jacqueline Francis, Keri Watson, Katherine Jentleson
Exhibition Review Fall 2022 (8.2)

Sargent, Whistler & Venetian Glass: American Artists and the Magic of Murano

Reviewed by Emily C. Burns
In the Round Fall 2022 (8.2)

Interview with the Artist Fabiola Jean-Louis

Fabiola Jean-Louis, Hélène Valance, Tatsiana Zhurauliova
Colloquium Fall 2022 (8.2)

Note to Self: An Artist’s Reflections on Black Girlhood

Kéla B. Jackson
Colloquium Fall 2022 (8.2)

Mr. President, How Long Must We Wait for Liberty? The Female Body and Society

Patricia Cronin
A selection of reproductive rights buttons, featuring the slogans "KEEP ABORTION SAFE AND LEGAL," "ABORTION: A PERSONAL DECISION," Abortion: a woman's right to choose," "ILLEGAL ABORTION: Never Again!" and "A woman's right to control her life: REPEAL ALL ABORTION LAWS," along with two buttons featuring a coat hanger with a diagonal red slash across it.
Colloquium Fall 2022 (8.2)

Essential Labor

Michelle Millar Fisher
Colloquium Fall 2022 (8.2)

Beyond the Line: Bessie Harvey’s Visual Commentary on the Persistence of the Black Maternity Crisis in the United States

Frederica Simmons
In the Round Fall 2022 (8.2)

Ecstatic Time

Andrew Witt
In the Round Fall 2022 (8.2)

Indigenous Temporal Enmeshment in Akwesasne Notes

Margaret J. Schmitz
In the Round Fall 2022 (8.2)

Waiting for Mlle Bourgeoise Noire and the Power of Interruption

José B. Segebre Salazar
In the Round Fall 2022 (8.2)

Pendant Across Time: John Singleton Copley and John Singer Sargent

Caroline Culp
Book Review Fall 2022 (8.2)

Elevate the Masses: Alexander Gardner, Photography, and Democracy in Nineteenth-Century America

Reviewed by Shalon Parker
Exhibition Review Fall 2022 (8.2)

Cathy Lu: Interior Garden

Reviewed by Sara Morris
Black-and-white historic photo of women in dark dresses marching in front of a gate, holding signs that read, in part, "MR. PRESIDENT HOW LONG MUST WOMEN WAIT FOR LIBERTY?"
Colloquium Fall 2022 (8.2)

Art and Reproductive Rights in the Wake of Dobbs v. Jackson

Keri Watson, Katherine Jentleson
Close-up of a brick wall with the word "MEXICO" stamped upside down into some of the bricks
Feature Article Fall 2022 (8.2)

More Than a Museum: The Chinati Foundation, Home of the Brave

Max Tolleson
Research Note Fall 2022 (8.2)

“American” Photographs Abroad: Traveling with Lewis Hine

Natalie Zelt
Research Note Fall 2022 (8.2)

Asserting Agency: Meta Vaux Warrick Fuller’s Scrapbook

Erika Schneider
Exhibition Review Fall 2022 (8.2)

Marta Pérez García: Restos-Traces

Reviewed by Mark L. Hanin
Research Note Fall 2022 (8.2)

Turning a Corner: Reexamining Joe Jones’s Anthony, Kansas, Mural through Pandemic Eyes

Michaela Rife
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