Explore by KeywordAfrican American art AHAA Anniversary architectural history Asian American art Confederate monuments Contemporary Art Critical Race Art History critical theory digital art history Disability Studies ecocriticism eighteenth-century art feminist art film/video Gender Studies/Queer Studies Jacqueline Francis Jennifer Jane Marshall Jenni Sorkin Katherine Jentleson Keri Watson Latin American/Caribbean art M. Elizabeth Boone material culture modernism museums museum studies Naomi Slipp Native American art nineteenth-century art outsider/folk art pedagogy Performance Studies photography public art public monuments public scholarship Ross Barrett Sarah Burns sculpture textiles Toward a More Inclusive Digital Art History twentieth-century art visual culture works on paper Exhibition Review Spring 2026 (12.1) Singing in Unison, Part 13: Homage to Meyer Schapiro Reviewed by Melissa Rachleff Book Review Spring 2026 (12.1) Voices in Aerosol: Youth Culture, Institutional Attunement, and Graffiti in Urban Mexico Reviewed by Juan Carlos Guerrero-Hernández Exhibition Review Spring 2026 (12.1) Dyani White Hawk: Love Language Reviewed by Manon Gaudet Exhibition Review Spring 2026 (12.1) Alice Adams: Sculpture and Drawings, 1964–2025 Reviewed by Mark L. Hanin News Spring 2026 (12.1) Call for Papers: Research Notes Editors' Welcome Spring 2026 (12.1) Issue 12.1 Jenni Sorkin, Cyle Metzger, Elizabeth McGoey Book Review Spring 2026 (12.1) Hidden in Plain Sight: Concealing Enslavement in American Visual Culture Reviewed by Rachel Burke Colloquium Spring 2026 (12.1) The #CharlestonStrong Machine Kamau Pope Colloquium Spring 2026 (12.1) Navigating Archival Silences Through Art Zoe Hume Colloquium Spring 2026 (12.1) HBCU Art Survival in the Wake of Federal Cuts Aja Roache Colloquium Spring 2026 (12.1) Museum Studies Pedagogy as Noncompliance in an Era of Federal Censorship Ashleigh Dior Coren Colloquium Spring 2026 (12.1) With Unvarnished Eyes: Indexing Radical Pedagogy in Stephanie Syjuco’s Present Tense (Roll Call) at BAMPFA Matthew Villar Miranda Colloquium Spring 2026 (12.1) Confluence: Situating New Beginnings in the Work of Seitu K. Jones Alexandra Nicome Exhibition Review Spring 2026 (12.1) Ben Shahn, On Nonconformity Reviewed by Susan H. Edwards Book Review Spring 2026 (12.1) Forms of Persuasion: Art and Corporate Image in the 1960s Reviewed by Danielle O’Steen Research Note Spring 2026 (12.1) New Archival Evidence on Robert Duncanson from Two Lawsuits: “Taylor vs. Taylor” (1859) and “Succession of Milton Taylor” (1872, 1876) Katherine Gregory, Chris DeBow Research Note Spring 2026 (12.1) Queer Localities: Space, Class, and Desire in Thomas Painter’s Visual Archive Alex Del Dago Research Note Spring 2026 (12.1) Drive By or Fly Over: Alexander Calder in the Age of Aerial Art Shannon Bewley Feature Article Spring 2026 (12.1) Repetition, Resistance, and Remembering in the Prints of Elizabeth Catlett Mary Lee Corlett Book Review Spring 2026 (12.1) Criticism without Authority: Gene Swenson’s and Jill Johnston’s Queer Practices Reviewed by Stephen Moonie News Spring 2026 (12.1) Call for Nominations: Research Notes Editor In the Round Spring 2026 (12.1) Reimagining American Art at the Worcester Art Museum in Massachusetts Karen Sherry In the Round Spring 2026 (12.1) The Wadsworth’s “Look Again” Initiative Erin Monroe, Katherine Tycz In the Round Spring 2026 (12.1) American Art: The Stories We Carry at the Seattle Art Museum Theresa Papanikolas In the Round Spring 2026 (12.1) Local Connections at SLAM Melissa Wolfe, Amy Torbert In the Round Spring 2026 (12.1) New American Galleries at the Philadelphia Museum of Art Kathleen A. Foster, Julia Hamer-Light In the Round Spring 2026 (12.1) Where Creativity Meets Wonder Petra Slinkard In the Round Spring 2026 (12.1) American Art at the Museum of Fine Arts, Houston Kaylin H. Weber, Christine Gervais In the Round Spring 2026 (12.1) The Revolution Reimagined Elizabeth Driscoll Smith In the Round Spring 2026 (12.1) Homelands: Mnë’nának, Māēnāēwah, Tešišik, at the Milwaukee Art Museum Thomas Busciglio-Ritter
Exhibition Review Spring 2026 (12.1) Singing in Unison, Part 13: Homage to Meyer Schapiro Reviewed by Melissa Rachleff
Book Review Spring 2026 (12.1) Voices in Aerosol: Youth Culture, Institutional Attunement, and Graffiti in Urban Mexico Reviewed by Juan Carlos Guerrero-Hernández
Exhibition Review Spring 2026 (12.1) Alice Adams: Sculpture and Drawings, 1964–2025 Reviewed by Mark L. Hanin
Book Review Spring 2026 (12.1) Hidden in Plain Sight: Concealing Enslavement in American Visual Culture Reviewed by Rachel Burke
Colloquium Spring 2026 (12.1) Museum Studies Pedagogy as Noncompliance in an Era of Federal Censorship Ashleigh Dior Coren
Colloquium Spring 2026 (12.1) With Unvarnished Eyes: Indexing Radical Pedagogy in Stephanie Syjuco’s Present Tense (Roll Call) at BAMPFA Matthew Villar Miranda
Colloquium Spring 2026 (12.1) Confluence: Situating New Beginnings in the Work of Seitu K. Jones Alexandra Nicome
Book Review Spring 2026 (12.1) Forms of Persuasion: Art and Corporate Image in the 1960s Reviewed by Danielle O’Steen
Research Note Spring 2026 (12.1) New Archival Evidence on Robert Duncanson from Two Lawsuits: “Taylor vs. Taylor” (1859) and “Succession of Milton Taylor” (1872, 1876) Katherine Gregory, Chris DeBow
Research Note Spring 2026 (12.1) Queer Localities: Space, Class, and Desire in Thomas Painter’s Visual Archive Alex Del Dago
Research Note Spring 2026 (12.1) Drive By or Fly Over: Alexander Calder in the Age of Aerial Art Shannon Bewley
Feature Article Spring 2026 (12.1) Repetition, Resistance, and Remembering in the Prints of Elizabeth Catlett Mary Lee Corlett
Book Review Spring 2026 (12.1) Criticism without Authority: Gene Swenson’s and Jill Johnston’s Queer Practices Reviewed by Stephen Moonie
In the Round Spring 2026 (12.1) Reimagining American Art at the Worcester Art Museum in Massachusetts Karen Sherry
In the Round Spring 2026 (12.1) American Art: The Stories We Carry at the Seattle Art Museum Theresa Papanikolas
In the Round Spring 2026 (12.1) New American Galleries at the Philadelphia Museum of Art Kathleen A. Foster, Julia Hamer-Light
In the Round Spring 2026 (12.1) American Art at the Museum of Fine Arts, Houston Kaylin H. Weber, Christine Gervais
In the Round Spring 2026 (12.1) Homelands: Mnë’nának, Māēnāēwah, Tešišik, at the Milwaukee Art Museum Thomas Busciglio-Ritter