Editors' WelcomeIssue 8.2Naomi Slipp, Jacqueline Francis, Keri Watson, Katherine Jentleson NewsArt and Narrative: The 2022 AHAA Seventh Biennial SymposiumLauren Caskey NewsCall for Submissions: Research Notes Feature ArticleFrom Center to Periphery: The Lifespan of New York City’s Tenth Street Studio Building and the Canon of American ArtMary Okin with Celie Mitchard Feature ArticleNaming, Blaming, and Claiming: The Columbus Monument and the Struggle for Diversity Rights in Syracuse, New YorkKristina Borrman Feature ArticleMore Than a Museum: The Chinati Foundation, Home of the BraveMax Tolleson In the RoundAbout Time: Temporality in American Art and Visual CultureHélène Valance, Tatsiana Zhurauliova In the RoundPendant Across Time: John Singleton Copley and John Singer SargentCaroline Culp In the RoundIndigenous Temporal Enmeshment in Akwesasne NotesMargaret J. Schmitz In the RoundWaiting for Mlle Bourgeoise Noire and the Power of InterruptionJosé B. Segebre Salazar In the RoundEcstatic TimeAndrew Witt In the RoundInterview with the Artist Fabiola Jean-LouisFabiola Jean-Louis, Hélène Valance, Tatsiana Zhurauliova Research NoteAsserting Agency: Meta Vaux Warrick Fuller’s ScrapbookErika Schneider Research Note“American” Photographs Abroad: Traveling with Lewis HineNatalie Zelt Research NoteTurning a Corner: Reexamining Joe Jones’s Anthony, Kansas, Mural through Pandemic EyesMichaela Rife ColloquiumArt and Reproductive Rights in the Wake of Dobbs v. JacksonKeri Watson, Katherine Jentleson ColloquiumMr. President, How Long Must We Wait for Liberty? The Female Body and SocietyPatricia Cronin ColloquiumThe Cultural Invisibility of Reproductive HealthKristin Taylor, Karen Irvine ColloquiumNote to Self: An Artist’s Reflections on Black GirlhoodKéla B. Jackson ColloquiumBeyond the Line: Bessie Harvey’s Visual Commentary on the Persistence of the Black Maternity Crisis in the United StatesFrederica Simmons ColloquiumEssential LaborMichelle Millar Fisher Digital DialoguesPanorama’s 🆕 Section: Digital DialoguesTracy Stuber, Jennifer Way Digital DialoguesTelling Imperfect Histories with the DigitalJennifer Van Horn Digital DialoguesMaryland Institute Black Archives: A Post-Custodial ProjectEllen Y. Tani Book ReviewMuybridge and MobilityReviewed by David Wall Book ReviewElevate the Masses: Alexander Gardner, Photography, and Democracy in Nineteenth-Century AmericaReviewed by Shalon Parker Book Review“The Spanish Element in Our Nationality”: Spain and America at the World’s Fairs and Centennial Celebrations, 1876–1915Reviewed by Vanesa Rodríguez-Galindo Book ReviewPainful Beauty: Tlingit Women, Beadwork, and the Art of ResilienceReviewed by Alison Ariss Book ReviewThe Art of the Anthropological Diorama: Franz Boas, Arthur C. Parker, and Constructing AuthenticityReviewed by Dore Bowen Book ReviewAlloys: American Sculpture and Architecture at MidcenturyReviewed by Sydney Skelton Simon Exhibition ReviewSargent, Whistler & Venetian Glass: American Artists and the Magic of MuranoReviewed by Emily C. Burns Exhibition ReviewWayne Thiebaud: A Celebration, 1920–2021 and Wayne Thiebaud 100: Paintings, Prints, and DrawingReviewed by Elaine O’Brien Exhibition ReviewCathy Lu: Interior GardenReviewed by Sara Morris Exhibition ReviewMarta Pérez García: Restos-TracesReviewed by Mark L. Hanin
