Editors' WelcomeIssue 12.1Jenni Sorkin, Cyle Metzger, Elizabeth McGoey NewsCall for Papers: Research Notes NewsCall for Nominations: Research Notes Editor Feature ArticleRepetition, Resistance, and Remembering in the Prints of Elizabeth CatlettMary Lee Corlett In the RoundIn the GalleriesElizabeth McGoey, Sara Picard Research NoteNew Archival Evidence on Robert Duncanson from Two Lawsuits: “Taylor vs. Taylor” (1859) and “Succession of Milton Taylor” (1872, 1876)Katherine Gregory, Chris DeBow Research NoteDrive By or Fly Over: Alexander Calder in the Age of Aerial ArtShannon Bewley Research NoteQueer Localities: Space, Class, and Desire in Thomas Painter’s Visual ArchiveAlex Del Dago ColloquiumCall and Response: DEIA Tensions in Scholarship, Practice, and National IdentityKeidra Daniels Navaroli, Frederica Simmons ColloquiumConfluence: Situating New Beginnings in the Work of Seitu K. JonesAlexandra Nicome ColloquiumWith Unvarnished Eyes: Indexing Radical Pedagogy in Stephanie Syjuco’s Present Tense (Roll Call) at BAMPFAMatthew Villar Miranda ColloquiumMuseum Studies Pedagogy as Noncompliance in an Era of Federal CensorshipAshleigh Dior Coren ColloquiumHBCU Art Survival in the Wake of Federal CutsAja Roache ColloquiumNavigating Archival Silences Through ArtZoe Hume ColloquiumThe #CharlestonStrong MachineKamau Pope Book ReviewHidden in Plain Sight: Concealing Enslavement in American Visual CultureReviewed by Rachel Burke Book ReviewCriticism without Authority: Gene Swenson’s and Jill Johnston’s Queer PracticesReviewed by Stephen Moonie Book ReviewForms of Persuasion: Art and Corporate Image in the 1960sReviewed by Danielle O’Steen Book ReviewVoices in Aerosol: Youth Culture, Institutional Attunement, and Graffiti in Urban MexicoReviewed by Juan Carlos Guerrero-Hernández Exhibition ReviewBen Shahn, On NonconformityReviewed by Susan H. Edwards Exhibition ReviewSinging in Unison, Part 13: Homage to Meyer SchapiroReviewed by Melissa Rachleff Exhibition ReviewAlice Adams: Sculpture and Drawings, 1964–2025Reviewed by Mark L. Hanin Exhibition ReviewDyani White Hawk: Love LanguageReviewed by Manon Gaudet
