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Fall 2025 (11.2)
Editor's Welcome: Issue 11.2
Features
A Trail of Coins from Yemen to New York: Pirates, Plunder, and Enslavement in the World of Margrieta van Varick, ca. 1695
November 3, 2025
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Feature Article
Research Notes
The Whitewashing of John Marin
James Denison
“I can’t have a lot of young enthusiasts painting Lenin’s head on the Justice Building”: Words FDR Never Said
Robert W. Cherny
On White Surfaces: Beauford Delaney and Georgia O’Keeffe at An American Place
Tara Kohn
Colloquium
Why Federally Funded Art?
Jacqueline Francis, Mary Okin
Sargent Johnson’s
Athletics
: A Modernist Experiment in Public Art
John Bowles
ART/WORK: Civic Imagination and the Legacy of the CETA Arts Programs
Molly Garfinkel, Jodi Waynberg
Growing Up in a CETA City
Makeda Best
Federal Funding, Local Practice, and Teaching Art History Through CETA in San Francisco
Elizabeth Fair
Investing in Artists: Ripples of Return
Deborah Cullinan
Digital Dialogues
Save Our Signs: A Crowdsourced Project to Combat Censorship at US National Park Sites
Lena Bohman, Molly Blake, Jenny McBurney, Amelia Palacios, Henrik Schönemann
Book Reviews
Tastemakers, Collectors, and Patrons: Collecting American Art in the Long Nineteenth Century
Melissa Geisler Trafton
Mary Cassatt between Paris and New York: The Making of a Transatlantic Legacy
Allison Perelman
Eternal Sovereigns: Indigenous Artists, Activists, and Travelers Reframing Rome
Yve Chavez
Women Architects at Work: Making American Modernism
Eva Hagberg
Body Language: The Queer Staged Photographs of George Platt Lynes and PaJaMa
Miriam Kienle
Exhibition Reviews
Routed West: Twentieth-Century African American Quilts in California
Berit Potter
Southern/Modern
Claire Ittner
Boom: Art and Design in the 1940s
Maggie North
Elizabeth Catlett: A Black Revolutionary Artist
Ebonie Pollock
Dario Robleto: The Signal
Alexander Betz
Call Home
Brittany Myburgh
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