Spring 2025 (11.1)

Issue 11.1
Editors' Welcome

Issue 11.1

Katherine Jentleson, Jenni Sorkin, Cyle Metzger, Elizabeth McGoey
PANORAMA SEEKS RESEARCH NOTES SUBMISSIONS
News

PANORAMA SEEKS RESEARCH NOTES SUBMISSIONS

Close-up of inscription on fig. 13, reading "Mark and Dave"
Feature Article

Disability and Creativity: David Drake’s Vessels and the Art of Collaborative Craft

Jennifer Van Horn, Natalie E. Wright
Blackness, the Ashcan School, and Modern American Art
In the Round

Blackness, the Ashcan School, and Modern American Art

Jordana Moore Saggese, Gwendolyn DuBois Shaw
Cakewalking the Color Line: George Luks, Racial Doublings, and Performance at the Turn of the Twentieth Century
In the Round

Cakewalking the Color Line: George Luks, Racial Doublings, and Performance at the Turn of the Twentieth Century

Meaghan M. Walsh
The Real and Imagined Black-Built Environment of the Ashcan School
In the Round

The Real and Imagined Black-Built Environment of the Ashcan School

Jessica Larson
Oil painting of urban street scene, with elevated train tracks and storefronts converging in one-point perspective. Several figures gather in front of a theater marquee on the left, including men in dark suits, a woman in a white shift carrying a pail, and several more women with furs and hats.
In the Round

Locating Blackness in John Sloan’s Neighborhood Scene

Lee Ann Custer
John Sloan’s Slow Awakening
In the Round

John Sloan’s Slow Awakening

John Fagg
Can’t Get Enough: The Logics of Evidence, Anti-Blackness, and American Art History
In the Round

Can’t Get Enough: The Logics of Evidence, Anti-Blackness, and American Art History

Alexis L. Boylan
Encountering Edmonia Lewis in the Correspondence of Florence Freeman
Research Note

Encountering Edmonia Lewis in the Correspondence of Florence Freeman

Julia A. Sienkewicz
Paperwork: Bureaucracy and Legibility in a WPA Portrait
Research Note

Paperwork: Bureaucracy and Legibility in a WPA Portrait

Robin Owen Joyce
Abstract design in stripes of bright blue, red, yellow and deep black. Hanging over the stripes are three intricately beaded strips with tassels; the center one has a large red plume placed over the wide blue stripe.
Research Note

“Made To Be Given”: Generosity as Methodology in Arthur Amiotte’s Collaborations

Julia Hamer-Light
Critical Cataloging: Researching American Art History on Its Own Terms
Digital Dialogues

Critical Cataloging: Researching American Art History on Its Own Terms

Tracy Stuber, Jennifer Way
Critiquing the Catalog: The Fine Arts (N) Range of the Library of Congress Classification System, Systemic Bias, and the Potential of Digital Technologies
Digital Dialogues

Critiquing the Catalog: The Fine Arts (N) Range of the Library of Congress Classification System, Systemic Bias, and the Potential of Digital Technologies

Stefanie Hilles
Critical Cataloging, or Why Collection Descriptions Should Be Reviewed
Digital Dialogues

Critical Cataloging, or Why Collection Descriptions Should Be Reviewed

Martien de Vletter
The Incluseum logo: a triangle in shades of green and yellow, with a weblike pattern in black, over which appear the words "The Incluseum"
Digital Dialogues

The Incluseum Metadata Schema: An Ongoing Learning Journey

Rose Paquet
Considering Asian American Collections and Critical Cataloging
Digital Dialogues

Considering Asian American Collections and Critical Cataloging

Christina Ayson-Plank, Rihoko Ueno
A Conversation on Critical Cataloging
Digital Dialogues

A Conversation on Critical Cataloging

Bree Midavaine, Rosalie Hooper, Sophia Meyers
Beyond Vanity: The History and Power of Hairdressing
Book Review

Beyond Vanity: The History and Power of Hairdressing

Reviewed by Sarah Gold McBride
The Everyday Life of Memorials
Book Review

The Everyday Life of Memorials

Reviewed by Martyna Ewa Majewska
The Art of Remembering: Essays on African American Art and History
Book Review

The Art of Remembering: Essays on African American Art and History

Reviewed by James Smalls
The Harlem Renaissance and Transatlantic Modernism
Book Review

The Harlem Renaissance and Transatlantic Modernism

Reviewed by Maya Harakawa
Re-Envisioning the Everyday: American Genre Scenes, 1905–1945
Book Review

Re-Envisioning the Everyday: American Genre Scenes, 1905–1945

Reviewed by Justin Wolff
Poke in the Eye: Art of the West Coast Counterculture
Exhibition Review

Poke in the Eye: Art of the West Coast Counterculture

Reviewed by Jacqueline Witkowski
For Dear Life: Art, Medicine, and Disability
Exhibition Review

For Dear Life: Art, Medicine, and Disability

Reviewed by Suzanne Hudson