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Fall 2017 (3.2)
Editors' Welcome
Issue 3.2
M. Elizabeth Boone
,
Lauren Lessing
Feature Article
City, River, Mountain: Wayne Thiebaud’s California
Margaretta M. Lovell
Feature Article
Florine Stettheimer, the Department Store, and the Spaces of Display, New York 1916–1926
Heather Hole
Feature Article
Mosquitoes, Malaria, and Cold Butter: Discourses of Hygiene and Health in the Panama Canal Zone in the Early Twentieth Century
Sarah J. Moore
In the Round
The Gustatory Turn in American Art
Shana Klein, Guy Jordan
In the Round
The California Raisin
Katherine Manthorne
In the Round
“A Harmony in Eggs and Milk”: Gustatory Synesthesia in the Reception of Whistler’s Art
Aileen Tsui
In the Round
Feeding the Conscience: Philanthropic Food Distribution and Difference in the Popular Press
Lauren Freese
In the Round
Food Photography, Anxiety, and Desire
Margaretta M. Lovell
Research Note
“Kicked About”: Native Culture at Thomas Jefferson’s Monticello
Kristine K. Ronan
Bully Pulpit
M. Elizabeth Boone, Lauren Lessing
What Is the Role of Patriotism in the Study of American Art?
Bully Pulpit
Classroom Patriotism
David M. Lubin
Bully Pulpit
Angela Miller
Angela Miller
Bully Pulpit
On Patriotism
Patricia Junker
Bully Pulpit
Lauren Lessing
Lauren Lessing
Bully Pulpit
Alan Wallach
Alan Wallach
Bully Pulpit
Sally Webster
Sally Webster
Book Review
Consuming Stories: Kara Walker and the Imagining of American Race
Reviewed by
Vivien Green Fryd
Book Review
Enduring Truths: Sojourner’s Shadows and Substance
Reviewed by
Rachel Stephens
Book Review
The American School: Artists and Status in the Late Colonial and Early National Era
Reviewed by
Marie-Stéphanie Delamaire
Book Review
Building the British Atlantic World: Spaces, Places, and Material Culture, 1600–1850
Reviewed by
Whitney Martinko
Book Review
The Early American Daguerreotype: Cross-Currents in Art and Technology
Reviewed by
Ellen Handy
Exhibition Review
Soul of a Nation: Art in the Age of Black Power
Reviewed by
Levi Prombaum
Exhibition Review
The Wall of Respect: Vestiges, Shards and the Legacy of Black Power
and
Eugene Eda’s Doors for Malcolm X College
Reviewed by
Marissa H. Baker
Exhibition Review
We Wanted a Revolution: Black Radical Women, 1965–85
Reviewed by
Kim Bobier
Exhibition Review
Marsden Hartley’s Maine
Reviewed by
Margarita Karasoulas
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