Spring 2024 (10.1)

Psychedelic Patriotism: Peter Max Sparks a Debate on Modern Representations of America

June 18, 2024 / Feature Article

Peripheral Prints: Karamu House and the Rise of African American Art in the Midwest

June 18, 2024 / Feature Article

In the Round

Ex-Artists in America

C. Oliver O’Donnell

Jilted: Samuel F. B. Morse at Art’s End

Paul Staiti

The Artistic Life and Afterlives of William James Stillman

Diana Strazdes

Lee Lozano’s Revolution, or Quitting Art at the End of the 1960s

Chloë Julius

“No Art” Protests: Restricting and Withdrawing Artistic Labor Downtown

Tom Day

Research Notes

The Republic of the Spirit: Thomas Cole’s The Voyage of Life in Two Novels by Edith Wharton

Jessica Skwire Routhier

Sigismund Ivanowski: Illustrating Teddy Roosevelt

Mindy Farmer

Louis Carlos Bernal’s Photographs of TV Screens and Domestic Interiors

Jennifer Wingate

Digital Dialogues

The Florence Arquin Slide Project: Art, Pan-Americanism, and the Digital Humanities

Emily A. Fenichel, Camila Afanador-Llach

Art, Bananas, Cash: Learning from Banana Craze

Sonia de Laforcade

Act As If You Are a Curator: An AI-Generated Exhibition

Erin Dickey

Book Reviews

Portraits of Resistance: Activating Art During Slavery

Bruce Robertson

The Forest: A Fable of America in the 1830s

Rachael Z. DeLue

Speculative Landscapes: American Art and Real Estate in the Nineteenth Century

William L. Coleman

Ben Shahn: On Nonconformity

Katherine Mintie

When Eero Met His Match: Aline Louchheim Saarinen and the Making of an Architect

Annmarie Adams

Exhibition Reviews

Fashioned by Sargent

Lea C. Stephenson

A Movement in Every Direction: Legacies of the Great Migration

Chloe Ming

Marking an Era: Celebrating Self Help Graphics & Art at 50

Margot Yale

Han

Ashley E. Kim Duffey

Dawoud Bey: Elegy

Sharayah L. Cochran