Spring 2024 (10.1) Archives

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Issue 10.1

Panorama to deliver keynote at AHAA Biennial Symposium

Peripheral Prints: Karamu House and the Rise of African American Art in the Midwest

Psychedelic Patriotism: Peter Max Sparks a Debate on Modern Representations of America

Ex-Artists in America

Jilted: Samuel F. B. Morse at Art’s End

The Artistic Life and Afterlives of William James Stillman

Lee Lozano’s Revolution, or Quitting Art at the End of the 1960s

“No Art” Protests: Restricting and Withdrawing Artistic Labor Downtown

The Republic of the Spirit: Thomas Cole’s The Voyage of Life in Two Novels by Edith Wharton

Sigismund Ivanowski: Illustrating Teddy Roosevelt

Louis Carlos Bernal’s Photographs of TV Screens and Domestic Interiors

The Florence Arquin Slide Project: Art, Pan-Americanism, and the Digital Humanities

Art, Bananas, Cash: Learning from Banana Craze

Act As If You Are a Curator: An AI-Generated Exhibition

Portraits of Resistance: Activating Art During Slavery

The Forest: A Fable of America in the 1830s

Speculative Landscapes: American Art and Real Estate in the Nineteenth Century

Ben Shahn: On Nonconformity

When Eero Met His Match: Aline Louchheim Saarinen and the Making of an Architect

Fashioned by Sargent

A Movement in Every Direction: Legacies of the Great Migration

Marking an Era: Celebrating Self Help Graphics & Art at 50

Han

Dawoud Bey: Elegy