Book Review Fall 2022 (8.2) The Art of the Anthropological Diorama: Franz Boas, Arthur C. Parker, and Constructing Authenticity Reviewed by Dore Bowen
Book Review Fall 2022 (8.2) Alloys: American Sculpture and Architecture at Midcentury Reviewed by Sydney Skelton Simon
Book Review Fall 2022 (8.2) Painful Beauty: Tlingit Women, Beadwork, and the Art of Resilience Reviewed by Alison Ariss
Book Review Fall 2022 (8.2) “The Spanish Element in Our Nationality”: Spain and America at the World’s Fairs and Centennial Celebrations, 1876–1915 Reviewed by Vanesa Rodríguez-Galindo
Book Review Fall 2022 (8.2) Elevate the Masses: Alexander Gardner, Photography, and Democracy in Nineteenth-Century America Reviewed by Shalon Parker
Book Review Spring 2022 (8.1) Remade in America: Surrealist Art, Activism and Politics, 1940–1978 Reviewed by Sandra Zalman
Book Review Spring 2022 (8.1) Gems of Art on Paper: Illustrated American Fiction and Poetry, 1785–1885 Reviewed by Julie Mellby
Book Review Spring 2022 (8.1) The Word in the Wilderness: Popular Piety and the Manuscript Arts in Early Pennsylvania Reviewed by Christopher M. B. Allison
Book Review Spring 2022 (8.1) Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art Reviewed by Elizabeth L. Block
Book Review Fall 2021 (7.2) Guide to Historic Artists’ Homes & Studios and At First Light: Two Centuries of Maine Artists, Their Homes and Studios Reviewed by Emily D. Shapiro
Book Review Fall 2021 (7.2) Domesticating the Invisible: Form and Environmental Anxiety in Postwar America Reviewed by Ila Nicole Sheren
Book Review Fall 2021 (7.2) Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World Reviewed by C.C. McKee
Book Review Fall 2021 (7.2) Aesthetic Painting in Britain and America: Collectors, Art Worlds, Networks Reviewed by Adrienne Baxter Bell
Book Review Spring 2021 (7.1) With Pleasure: Pattern and Decoration in American Art 1972–1985 Reviewed by Anne Swartz
Book Review Spring 2021 (7.1) Moved to Tears: Rethinking the Art of the Sentimental in the United States Reviewed by Elizabeth Bacon Eager
Book Review Spring 2021 (7.1) Restless Enterprise: The Art and Life of Eliza Pratt Greatorex Reviewed by Andrea Pappas
Book Review To Describe A Life: Notes from the Intersection of Art and Race Terror Reviewed by Richard Hylton
Book Review Spring 2021 (7.1) Orozco’s American Epic: Myth, History, and the Melancholy of Race Reviewed by Maya Jiménez
Book Review Fall 2020 (6.2) Stick to the Skin: African American and Black British Art, 1965–2015 Reviewed by Ellen Tani
Book Review Fall 2020 (6.2) Race Experts: Sculpture, Anthropology, and the American Public in Malvina Hoffman’s Races of Mankind Reviewed by Renée Ater
Book Review Fall 2020 (6.2) Becoming Mary Sully: Toward an American Indian Abstract Reviewed by Manon Gaudet
Book Review Fall 2020 (6.2) Art for People’s Sake: Artists and Community in Black Chicago, 1965–1975 Reviewed by Abbe Schriber
Book Review Spring 2020 (6.1) Sculpture in Gotham: Art and Urban Renewal in New York City Reviewed by Marin R. Sullivan
Book Review Spring 2020 (6.1) A Generous Vision: The Creative Life of Elaine de Kooning Reviewed by Simona Čupić
Book Review Spring 2020 (6.1) Living on Campus: An Architectural History of the American Dormitory Reviewed by Mary R. Springer
Book Review Spring 2020 (6.1) Between Worlds: The Art of Bill Traylor Reviewed by Aleesa Pitchamarn Alexander
Book Review Spring 2020 (6.1) Triumph of the Dead: American World War II Cemeteries, Monuments, and Diplomacy in France Reviewed by Akela Reason
Book Review Spring 2020 (6.1) Iconoclasm in New York: Revolution to Reenactment Reviewed by Caroline Culp
Book Review Spring 2020 (6.1) Against Our Will: Sexual Trauma in American Art Since 1970 Reviewed by Lesley Shipley
Book Review Spring 2020 (6.1) The Commerce of Vision: Optical Culture and Perception in Antebellum America Reviewed by Catherine Holochwost
Book Review Fall 2019 (5.2) Fanny Palmer: The Life and Works of a Currier & Ives Artist Reviewed by Marie-Stéphanie Delamaire
Book Review Fall 2019 (5.2) A Revolution in Color: The World of John Singleton Copley Reviewed by George W. Boudreau
Book Review Fall 2019 (5.2) The Trans-Mississippi and International Expositions of 1898–1899: Art, Anthropology, and Popular Culture at the Fin de Siècle Reviewed by Kimberly Orcutt
Book Review Fall 2019 (5.2) Models of Integrity: Art and Law in Post-Sixties America Reviewed by Meryl Bailey
Book Review Fall 2019 (5.2) Selling Andrew Jackson: Ralph E. W. Earl and the Politics of Portraiture Reviewed by Alba Campo Rosillo, University of Delaware
Book Review Fall 2019 (5.2) Cultivating Citizens: The Regionalist Work of Art in the New Deal Era Reviewed by Keri Watson
Book Review Fall 2019 (5.2) Proud Raven, Panting Wolf: Carving Alaska’s New Deal Totem Parks Reviewed by Sascha T. Scott
Book Review Fall 2019 (5.2) The End of Landscape in Nineteenth-Century America Reviewed by Melissa Geisler Trafton
Book Review Spring 2019 (5.1) Transnational Frontiers: The American West in France Reviewed by Jennifer R. Henneman
Book Review Spring 2019 (5.1) A Material World: Culture, Society and the Life of Things in Early Anglo-America Reviewed by Wendy Jean Katz
Book Review Spring 2019 (5.1) The Americas Revealed: Collecting Colonial and Modern Latin American Art in the United States Reviewed by Dafne Cruz Porchini
Book Review Spring 2019 (5.1) Flintstone Modernism: or, The Crisis in Postwar American Culture Reviewed by Alexandra Fraser
Book Review Spring 2019 (5.1) Radical Eroticism: Women, Art, and Sex in the 1960s Reviewed by Miriam Kienle
Book Review Spring 2019 (5.1) Power and Posterity: American Art at Philadelphia’s 1876 Centennial Exhibition Reviewed by Erin Pauwels
