
Philly Necrofutures: Digital Curation to Counter the Under-Resourcing of African Collections at the Philadelphia Museum of Art

Looking In, Looking Out: Mapping Chinese Exclusion and Imperial Expansion in a San Francisco Photographic Collage

A Collaborative Creation of Home: Recognizing the Multifarious Roles and Representations of Jessie Tanner

Interpretation as Introspection: Transforming Narratives of American Art at the Allen Memorial Art Museum

Naming Naquayouma: A Collaborative Approach to American Murals and Indigeneity at the 1937 International Exposition

Iconoclasm on Paper: Resistance in the Pages of Narrative of the Life and Adventures of Henry Bibb, an American Slave, 1849

A Research Portal for American Watercolors, Prints, and Drawings 1850–1925: A Source for Obscure Catalogues, Artists’ Societies, and Women Artists

Nature: A Nineteenth-Century Engraving Linking Charles Willson Peale, James Akin, and Peale’s Mastodon

“The Time Has Now Gone by When Things of This Nature Are to Be Hidden from the Public”: Mediating Bodily and Archival Violence
