Exhibition Review Fall 2022 (8.2) Wayne Thiebaud: A Celebration, 1920–2021 and Wayne Thiebaud 100: Paintings, Prints, and Drawing Reviewed by Elaine O’Brien
Exhibition Review Fall 2022 (8.2) Sargent, Whistler & Venetian Glass: American Artists and the Magic of Murano Reviewed by Emily C. Burns
Exhibition Review Spring 2022 (8.1) Whistler to Cassatt: American Painters in France Reviewed by Annette Stott
Exhibition Review Spring 2022 (8.1) Joseph E. Yoakum: What I Saw Reviewed by Elizabeth Driscoll Smith
Exhibition Review Fall 2021 (7.2) Sonya Clark: Tatter, Bristle, and Mend Reviewed by Jordana Moore Saggese
Exhibition Review Fall 2021 (7.2) Virginia Arcadia: The Natural Bridge in American Art Reviewed by Debra Hanson
Exhibition Review Fall 2021 (7.2) Joshua Johnson: Portraitist of Early American Baltimore Reviewed by Anne Verplanck
Exhibition Review Fall 2021 (7.2) Extra Ordinary: Magic, Mystery and Imagination in American Realism Reviewed by Kéla B. Jackson
Exhibition Review Spring 2021 (7.1) Writing the Future: Basquiat and the Hip-Hop Generation Reviewed by Peter R. Kalb
Exhibition Review Spring 2021 (7.1) Frida Kahlo: Appearances Can Be Deceiving Reviewed by Berit Potter
Exhibition Review Spring 2021 (7.1) Mythmakers: The Art of Winslow Homer and Frederic Remington Reviewed by Mark Thistlethwaite
Exhibition Review Spring 2021 (7.1) Alexander von Humboldt and the United States: Art, Nature, and Culture Reviewed by Tara Kaufman
Exhibition Review Fall 2020 (6.2) Follies: Architectural Whimsy in the Garden and Mark Dion: Follies Reviewed by Kerry Dean Carso
Exhibition Review Fall 2020 (6.2) The Levee: A Photographer in the American South Reviewed by Theresa Leininger-Miller
Exhibition Review Fall 2020 (6.2) Riffs and Relations: African American Artists and the European Modernist Tradition Reviewed by Anna O. Marley
Exhibition Review Fall 2020 (6.2) Vida Americana: Mexican Muralists Remake American Art, 1925–1945 Reviewed by James Oles
Exhibition Review Spring 2020 (6.1) Rufus Porter’s Curious World: Art and Invention in America, 1815–1860 Reviewed by Diana Jocelyn Greenwold
Exhibition Review Spring 2020 (6.1) Nicholas Galanin: Everything We’ve Ever Been, Everything We Are Right Now Reviewed by Karín Aguilar-San Juan
Exhibition Review Spring 2020 (6.1) Edith Halpert and the Rise of American Art Reviewed by Eliza Butler
Exhibition Review Fall 2019 (5.2) In the Vanguard: Haystack Mountain School of Crafts, 1950–1969 Reviewed by Sarah Parrish
Exhibition Review Fall 2019 (5.2) Once Upon a Time in America: Three Centuries of US-American Art Reviewed by Allison M. Stagg
Exhibition Review Fall 2019 (5.2) Constructing the World: Art and Economy 1919–1939 Reviewed by Anna O. Marley
Exhibition Review Spring 2019 (5.1) Artists Respond: American Art and the Vietnam War, 1965–1975 Reviewed by David M. Lubin
Exhibition Review Spring 2019 (5.1) Art of Native America: The Charles and Valerie Diker Collection Reviewed by Jami Powell
Exhibition Review Spring 2019 (5.1) Ida O’Keeffe: Escaping Georgia’s Shadow Reviewed by M. Rachael Arauz
Exhibition Review Spring 2019 (5.1) Nature’s Nation: American Art and Environment Reviewed by Emily Gephart
Exhibition Review Spring 2019 (5.1) The San Quentin Project: Nigel Poor and the Men of San Quentin State Prison Reviewed by Beth A. Zinsli
Exhibition Review Fall 2018 (4.2) Arte Diseño Xicágo: Mexican Inspiration from the World’s Columbian Exposition to the Civil Rights Era Reviewed by Mia Lopez
Exhibition Review Fall 2018 (4.2) Howardena Pindell: What Remains To Be Seen Reviewed by Andrea Douglas
Exhibition Review Fall 2018 (4.2) Brand New: Art and Commodity in the 1980s Reviewed by Andrew Wasserman
Exhibition Review Fall 2018 (4.2) Faith Ringgold: Paintings and Story Quilts, 1964–2017 Reviewed by Debra Hanson
Exhibition Review Fall 2018 (4.2) Charting the Divine Plan: The Art of Orra White Hitchcock (1796–1863) Reviewed by Amber Harper
Exhibition Review Fall 2018 (4.2) Thomas Cole: Eden to Empire and Ed Ruscha: Course of Empire Reviewed by David Brody
Exhibition Review Fall 2018 (4.2) Frederic Church: A Painter’s Pilgrimage and Costume & Custom: Middle Eastern Threads at Olana Reviewed by Katherine Manthorne
Exhibition Review Spring 2018 (4.1) California Mexicana, Myth and Mirage, and Found in Translation Reviewed by Patrick Frank
