Spring 2018 (4.1) Archives

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Issue 4.1

Riff: African American Artists and the European Canon

Introduction: Riff: African American Artists and the European Canon

Sam Middleton: Freedom’s Song

The Wandering Gaze of Carrie Mae Weems’s The Louisiana Project

Romare Bearden’s “Mauritius” (1969): Wars, Nations, and Everything Else

Vibrations in the Soul: Moe Brooker’s Sacred Paintings

“Expressive Camouflage”: Classicism, Race, and Homoerotic Desire in the Male Nudes of Richmond Barthé

African American Artists as Agents of Modernism: A Challenge for American Art

“If You Can Read This . . .”: Winslow Homer’s The Gulf Stream and the Viewing of His Pictures

The Goddess in the Basement

From the Slipper of a Sylphide: A Box by Joseph Cornell

Confederate Monuments, Public Memory, and Public History

The #HimToo Movement

Renée Ater

Confederate Monuments and the Inevitable Forces of Change

Kirsten Pai Buick

The Power of Objects in Eighteenth-Century British America

Portrait of a Woman in Silk: Hidden Histories of the British Atlantic World

Plundered Skulls and Stolen Spirits: Inside the Fight to Reclaim Native America’s Culture

Officially Indian: Symbols That Define the United States

Searching for Mary Schäffer: Women Wilderness Photography

Ed Ruscha and the Great American West

Asking the Audience: Participatory Art in 1980s New York

What Can and Can’t Be Said: Race, Uplift, and Monument Building in the Contemporary South

Southern Accent: Seeking the American South in Contemporary Art

California Mexicana, Myth and Mirage, and Found in Translation

Judithe Hernández and Patssi Valdez: One Path Two Journeys and Laura Aguilar: Show and Tell

Painted in Mexico, Visual Voyages: Images of Latin American Nature, and Modern Masters from Latin America

Radical Women: Latin American Art, 1960–1985

Transpacific Borderlands: The Art of Japanese Diaspora in Lima, Los Angeles, Mexico City, and São Paulo

Circles and Circuits I and II