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slavery

The cover for "Slavery and the Post-Black Imagination" edited by Bertram D. Ashe and Ilka Saal features a silhouette of a person walking towards a bright sun on a black background, and an
Book Review Spring 2021 (7.1)

Slavery and the Post-Black Imagination

Reviewed by Sadé Ayorinde
A blurred noose hangs from a wooden structure in the foreground, with the U.S. Capitol Building clearly visible in the background.
Special Section Spring 2021 (7.1)

White Supremacy, Lynchings, and Thomas Crawford’s Statue of Freedom

Vivien Green Fryd
A large crowd of people, some holding signs, gathers at night around the Silent Sam Confederate monument on August 22, 2018, during its final semester.
Bully Pulpit Spring 2018 (4.1)

Confederate Monuments, Public Memory, and Public History

Dell Upton
An 18th-century black and white print depicts American colonists toppling the equestrian statue of King George III with ropes.
Bully Pulpit Spring 2018 (4.1)

The #HimToo Movement

Dell Upton
A nude woman stands on a wooden block in the middle of a city street intersection with a yellow taxi driving past and tall buildings in the background.
Bully Pulpit Spring 2018 (4.1)

Kirsten Pai Buick

Kirsten Pai Buick
Kara Walker's monumental white sugar sculpture, "A Subtlety," depicting a mammy-sphinx figure in an industrial factory setting.
Book Review Fall 2017 (3.2)

Consuming Stories: Kara Walker and the Imagining of American Race

Reviewed by Vivien Green Fryd
Abolitionist and women's rights advocate Sojourner Truth sits knitting in a sepia-toned portrait, with the caption "I SELL THE SHADOW TO SUPPORT THE SUBSTANCE. SOJOURNER TRUTH."
Exhibition Review Summer 2017 (3.1)

Sojourner Truth, Photography, and the Fight Against Slavery

Reviewed by Jackie Clay
The word 'PANORAMA' in bold white capital letters on a black background, with 'PANO' on the first line and 'RAMA' on the second.
Exhibition Review Fall 2015 (1.2)

To Be Sold: Virginia and the American Slave Trade and Purchased Lives: New Orleans and the Domestic Slave Trade, 1808–1865

Reviewed by Rachel Stephens
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ISSN 2471-6839

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