Editors' WelcomeIssue 10.1Keri Watson, Katherine Jentleson, Jenni Sorkin NewsPanorama to deliver keynote at AHAA Biennial Symposium Feature ArticlePeripheral Prints: Karamu House and the Rise of African American Art in the MidwestErin Benay Feature ArticlePsychedelic Patriotism: Peter Max Sparks a Debate on Modern Representations of AmericaDavid D. McKinney In the RoundEx-Artists in AmericaC. Oliver O’Donnell In the RoundJilted: Samuel F. B. Morse at Art’s EndPaul Staiti In the RoundThe Artistic Life and Afterlives of William James StillmanDiana Strazdes In the RoundLee Lozano’s Revolution, or Quitting Art at the End of the 1960sChloë Julius In the Round“No Art” Protests: Restricting and Withdrawing Artistic Labor DowntownTom Day Research NoteThe Republic of the Spirit: Thomas Cole’s The Voyage of Life in Two Novels by Edith WhartonJessica Skwire Routhier Research NoteSigismund Ivanowski: Illustrating Teddy RooseveltMindy Farmer Research NoteLouis Carlos Bernal’s Photographs of TV Screens and Domestic InteriorsJennifer Wingate Digital DialoguesThe Florence Arquin Slide Project: Art, Pan-Americanism, and the Digital HumanitiesEmily A. Fenichel, Camila Afanador-Llach Digital DialoguesArt, Bananas, Cash: Learning from Banana CrazeSonia de Laforcade Digital DialoguesAct As If You Are a Curator: An AI-Generated ExhibitionErin Dickey Book ReviewPortraits of Resistance: Activating Art During SlaveryReviewed by Bruce Robertson Book ReviewThe Forest: A Fable of America in the 1830sReviewed by Rachael Z. DeLue Book ReviewSpeculative Landscapes: American Art and Real Estate in the Nineteenth CenturyReviewed by William L. Coleman Book ReviewBen Shahn: On NonconformityReviewed by Katherine Mintie Book ReviewWhen Eero Met His Match: Aline Louchheim Saarinen and the Making of an ArchitectReviewed by Annmarie Adams Exhibition ReviewFashioned by SargentReviewed by Lea C. Stephenson Exhibition ReviewA Movement in Every Direction: Legacies of the Great MigrationReviewed by Chloe Ming Exhibition ReviewMarking an Era: Celebrating Self Help Graphics & Art at 50Reviewed by Margot Yale Exhibition ReviewHanReviewed by Ashley E. Kim Duffey Exhibition ReviewDawoud Bey: ElegyReviewed by Sharayah L. Cochran
![Typewritten letter on standard business paper, reading: "New York, October 30th—1920. / Societe Anonyme, Inc., / 19 East 47th Street, / New York, N. Y. / Dear Sirs: / I hereby tender my resignation as President of / your societe. / Very truly yours, / Marcel Duchamp [handwritten in black ink]](https://journalpanorama.org/wp-content/plugins/pt-content-views-pro/public/assets/images/lazy_image.png)