In the Round Spring 2026 (12.1) Reimagining American Art at the Worcester Art Museum in Massachusetts Karen Sherry
In the Round Spring 2026 (12.1) American Art: The Stories We Carry at the Seattle Art Museum Theresa Papanikolas
In the Round Spring 2026 (12.1) New American Galleries at the Philadelphia Museum of Art Kathleen A. Foster, Julia Hamer-Light
In the Round Spring 2026 (12.1) American Art at the Museum of Fine Arts, Houston Kaylin H. Weber, Christine Gervais
In the Round Spring 2026 (12.1) Homelands: Mnë’nának, Māēnāēwah, Tešišik, at the Milwaukee Art Museum Thomas Busciglio-Ritter
In the Round Spring 2026 (12.1) New “Crossings” in the Collection of the High Museum of Art in Atlanta Katherine Jentleson, Anni A. Pullagura
In the Round Spring 2026 (12.1) Bay Area Abstract Expressionist Display at the de Young Museum Emma Acker
In the Round Spring 2026 (12.1) “A Variety of Perspectives”: American Art at the Chrysler Caroline Culp
In the Round Spring 2026 (12.1) Baltimore Museum of Art: War and Its Impact in the American Modernism Galleries Virginia M. G. Anderson
In the Round Spring 2026 (12.1) Paper Monument: Sandow Birk’s White Out at the Amon Carter Museum of American Art Michaela R. Haffner
In the Round Spring 2026 (12.1) American and Indigenous American Art at the Virginia Museum of Fine Arts, Richmond Siera Hyte, Leo Mazow
In the Round Spring 2025 (11.1) Can’t Get Enough: The Logics of Evidence, Anti-Blackness, and American Art History Alexis L. Boylan
In the Round Spring 2025 (11.1) The Real and Imagined Black-Built Environment of the Ashcan School Jessica Larson
In the Round Spring 2025 (11.1) Cakewalking the Color Line: George Luks, Racial Doublings, and Performance at the Turn of the Twentieth Century Meaghan M. Walsh
In the Round Spring 2025 (11.1) Blackness, the Ashcan School, and Modern American Art Jordana Moore Saggese, Gwendolyn DuBois Shaw
In the Round Spring 2024 (10.1) “No Art” Protests: Restricting and Withdrawing Artistic Labor Downtown Tom Day
In the Round Spring 2024 (10.1) Lee Lozano’s Revolution, or Quitting Art at the End of the 1960s Chloë Julius
In the Round Spring 2024 (10.1) The Artistic Life and Afterlives of William James Stillman Diana Strazdes
In the Round Fall 2023 (9.2) In Search of Asian-ness in America: Situating Wing Young Huie’s Photographic Road Trip Peter Han-Chih Wang
In the Round Fall 2023 (9.2) “It Happened”: Sophie Calle and Greg Shephard’s Road Trip Film Laura Elizabeth Shea
In the Round Fall 2023 (9.2) Roadside California: Tressa Prisbrey’s Bottle Village, Theme Parks, and Art Tourism in the Golden State Elizabeth Driscoll Smith
In the Round Fall 2023 (9.2) Holy Rollers: Religion and Modern Mobility in the Art of John Steuart Curry Jeffrey Richmond-Moll
In the Round Spring 2023 (9.1) Pos(t)ing Online, or the Other Side of the Glass for Looking Marissa Vigneault
In the Round Spring 2023 (9.1) “Shutterbug?”: Black Women Photographers and the Politics of Self-Representation Emily Brady
In the Round Spring 2023 (9.1) Self-Portraits and Photocopies: Anita Steckel’s Feminist Collage Rachel Middleman
In the Round Spring 2023 (9.1) Producing and Consuming the Image of the Female Artist Ellery E. Foutch
In the Round Fall 2022 (8.2) Interview with the Artist Fabiola Jean-Louis Fabiola Jean-Louis, Hélène Valance, Tatsiana Zhurauliova
In the Round Fall 2022 (8.2) Waiting for Mlle Bourgeoise Noire and the Power of Interruption José B. Segebre Salazar
In the Round Fall 2022 (8.2) Pendant Across Time: John Singleton Copley and John Singer Sargent Caroline Culp
In the Round Fall 2022 (8.2) About Time: Temporality in American Art and Visual Culture Hélène Valance, Tatsiana Zhurauliova
In the Round Spring 2022 (8.1) Beyond Land Acknowledgments Marina Tyquiengco, Layla Bermeo, Tess Lukey
In the Round Spring 2022 (8.1) Arabian Nights in the Mississippi Delta: The Embroideries of Ethel Wright Mohamed Rachel Winter
In the Round Spring 2022 (8.1) Obligations to the Local: Solidarity as Method in LaToya Ruby Frazier’s The Last Cruze Samuel Dylan Ewing
