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Summer 2017 (3.1)
Editors' Welcome
Issue 3.1
Sarah Burns
,
Jennifer Jane Marshall
Feature Article
Marmorean Ballplayer: Sheriff John McNamee of Brooklyn and His Sculptural Career in Florence
Paul H. D. Kaplan
Feature Article
The Thiele Family Monument: Vision of a Heavenly Future
Annette Stott
In the Round
State of the Field: American Sculpture
,
In the Round
Fifty Years of the History of American Sculpture
Roberta K. Tarbell
In the Round
Cemeteries and Sculpture: “Ideal” Material Culture Pedagogy
Elise Madeleine Ciregna
In the Round
Sculpture and Lived Space
Jennifer Wingate
Research Note
Looking through the Skiascope: Benjamin Ives Gilman and the Invention of the Modern Museum Gallery
Steven Lubar
Research Note
“It’s in My Mind”: William Merritt Chase and the Imagination
James Glisson
Research Note
A Portrait of Samuel Finley Attributed to John Hesselius
Megan Holloway Fort
Bully Pulpit
Jacqueline Francis
What are Museums For?
Bully Pulpit
Rocío Aranda-Alvarado
Rocío Aranda-Alvarado
Bully Pulpit
Tuliza Fleming
Tuliza Fleming
Bully Pulpit
Jonathan Frederick Walz
Jonathan Frederick Walz
Bully Pulpit
Neal Benezra
Neal Benezra
Bully Pulpit
Blake Shell
Blake Shell
Book Review
Women of Abstract Expressionism
Reviewed by
Lara Kuykendall
Book Review
Grand Illusions: American Art and the First World War
Reviewed by
Jennifer Wingate
Book Review
Barnstorming the Prairies: How Aerial Vision Shaped the Midwest
Reviewed by
Andrea M. Truitt
Book Review
A Strange Mixture: The Art and Politics of Painting Pueblo Indians
Reviewed by
Emily C. Burns
Book Review
Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene
Reviewed by
Amy Werbel
Exhibition Review
Sojourner Truth, Photography, and the Fight Against Slavery
Reviewed by
Jackie Clay
Exhibition Review
William Merritt Chase: A Modern Master
Reviewed by
Christina Michelon
Exhibition Review
Kerry James Marshall: Mastry
Reviewed by
Diana Tuite
Exhibition Review
Post Black Folk Art in America 1930–1980–2016
Reviewed by
Elaine Y. Yau
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