Skip to content
Panorama Logo
  • AboutExpand
    • Past Issues
    • About the Journal
    • In Memoriam
    • People
    • Policies
    • Mailing List
  • Submit
  • Support
  • Explore
  • Explore Panorama
  • Search
Panorama Logo

Critical Race Art History

A kitchen counter displays items for pandemic-era home life and stress relief, including potted plants, a "ALWAYS CHOOSE HAPPY" sign, a "Thinking You!" card dated July 20
Colloquium Spring 2021 (7.1)

Ironic Pandemic Relief

Kelli Morgan
The word 'PANORAMA' in bold white capital letters on a black background, with 'PANO' on the first line and 'RAMA' on the second.
Research Note Spring 2021 (7.1)

“Anglo-Saxon”: Nationalism and Race in the Promotion of Edward Hopper

Gail Levin
The cover for "Slavery and the Post-Black Imagination" edited by Bertram D. Ashe and Ilka Saal features a silhouette of a person walking towards a bright sun on a black background, and an
Book Review Spring 2021 (7.1)

Slavery and the Post-Black Imagination

Reviewed by Sadé Ayorinde
Book cover for *To Describe A Life: Notes from the Intersection of Art and Race Terror* by Darby English, featuring a tall stack of James Baldwin's *The Fire Next Time*.
Book Review Spring 2021 (7.1)

To Describe A Life: Notes from the Intersection of Art and Race Terror

Reviewed by Richard Hylton
The cover of the book "Orozco’s American Epic: Myth, History, and the Melancholy of Race" by Mary K. Coffey, featuring an illustration of a person in a
Book Review Spring 2021 (7.1)

Orozco’s American Epic: Myth, History, and the Melancholy of Race

Reviewed by Maya Jiménez
Military personnel observe and photograph the statue of civil rights icon Rosa Parks in National Statuary Hall.
Special Section Spring 2021 (7.1)

Politics in the Pantheon: Commemoration, White Supremacy, and National Statuary Hall

Kelvin L. Parnell Jr.
John Vanderlyn's painting "The Landing of Columbus" depicts Christopher Columbus and his crew arriving in the New World, with Indigenous people observing from the shore.
Special Section Spring 2021 (7.1)

Columbus, Conquest, and the Capitol

Natalia Ángeles Vieyra
A blurred noose hangs from a wooden structure in the foreground, with the U.S. Capitol Building clearly visible in the background.
Special Section Spring 2021 (7.1)

White Supremacy, Lynchings, and Thomas Crawford’s Statue of Freedom

Vivien Green Fryd
Military personnel in camouflage uniforms tour the U.S. Capitol, observing statues of historical figures, including a prominent Native American leader.
Special Section Spring 2021 (7.1)

Casting the Republic in White

Christian Ayne Crouch
A man wearing a "TRUMP 45" beanie smiles and waves while carrying the Speaker of the House lectern through the U.S. Capitol Building during the January 6th attack
Special Section Spring 2021 (7.1)

Sights Made and Seen

Jacqueline Francis
A man carries a Confederate battle flag through a hallway inside the U.S. Capitol during the January 6th insurrection.
Special Section Spring 2021 (7.1)

The Confederate Flag in the Capitol and the Future of Artistic Expression

Amy Werbel
Facebook Instagram Email Linkedin

ISSN 2471-6839

Creative Commons License

Except where otherwise noted, content on this site is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

University of Minnesota Libraries Publishing logo.


UMN Libraries Publishing

Privacy | Acceptable Use of IT Resources

The copyright of these individual works published by the University of Minnesota Libraries Publishing remains with the original creator or editorial team. For uses beyond those covered by law or the Creative Commons license, permission to reuse should be sought directly from the copyright owner listed in the About pages.

Report Web Accessibility Issues

Scroll to top
  • About
    • Past Issues
    • About the Journal
    • In Memoriam
    • People
    • Policies
    • Mailing List
  • Submit
  • Support
  • Explore
  • Explore Panorama
  • Search