This resource also offers a model for sharing the background research that is often too detailed, wide-ranging, and extraneous to be published in a conventional format, as well as too inaccessible in museum archives or scholars’ homes for general use.
To anyone who had the temerity to press a nose against the picture, to sniff at or try to smell it, he gave a clear message. . . . Just below his signature and the painting’s date, Homer wrote in light-colored script, as if it were flotsam from a wreck: “At 12 feet from this picture/you can see it.”
A Dash for the Timber, one of Frederic Remington’s (1861–1909) largest and most characteristic works, was acquired by the collector, Amon Carter, in 1945, and hangs today in the museum bearing his name in Fort Worth, Texas.
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