Spring 2020 (6.1)

Issue 6.1
Editors' Welcome

Issue 6.1

John P. Bowles, Naomi Slipp, Jacqueline Francis
Call for Papers: “Asian American Art: Past and Futures”
News

Call for Papers: “Asian American Art: Past and Futures”

Historical Memory, Reconciliation, and the Shaping of the Postbellum Landscape: The Civil War Monuments of Forest Park, St. Louis
Feature Article

Historical Memory, Reconciliation, and the Shaping of the Postbellum Landscape: The Civil War Monuments of Forest Park, St. Louis

Katherine Poole-Jones
“Little of Artistic Merit?”: The Art of the American South
In the Round

“Little of Artistic Merit?”: The Art of the American South

Naomi Slipp
“Whatever is un-Virginian is Wrong!”: The Loyal Slave Trope in Civil War Richmond and the Origins of the Lost Cause
In the Round

“Whatever is un-Virginian is Wrong!”: The Loyal Slave Trope in Civil War Richmond and the Origins of the Lost Cause

Rachel Stephens
The Architects of Reconstruction: Alcès Family Portraits as Emblems of Afro-Creole Leadership
In the Round

The Architects of Reconstruction: Alcès Family Portraits as Emblems of Afro-Creole Leadership

Wendy Castenell
Confederate Monuments: Southern Heritage or Southern Art?
In the Round

Confederate Monuments: Southern Heritage or Southern Art?

Sarah Beetham
Woman’s Work: A Confluence of Education, Design, and Craft
In the Round

Woman’s Work: A Confluence of Education, Design, and Craft

Elyse D. Gerstenecker
The Modernist Appalachian Aesthetic: The Art of Patty Willis
In the Round

The Modernist Appalachian Aesthetic: The Art of Patty Willis

Alison Printz
Questions of Texas: Avant Garde and Outlier
In the Round

Questions of Texas: Avant Garde and Outlier

Melissa L. Mednicov
Roaming in the South: Devin Lunsford’s Photographs from the Roadside
In the Round

Roaming in the South: Devin Lunsford’s Photographs from the Roadside

Peter Han-Chih Wang
The 1961 Mississippi Freedom Riders’ Mugshots: A Visual Intervention
In the Round

The 1961 Mississippi Freedom Riders’ Mugshots: A Visual Intervention

Johnna Margot Henry
Magic City Modern: A Short History of the Birmingham-Bessemer School
In the Round

Magic City Modern: A Short History of the Birmingham-Bessemer School

Aleesa Pitchamarn Alexander
Unenslaved through Art: Rice Culture Paintings by Jonathan Green
In the Round

Unenslaved through Art: Rice Culture Paintings by Jonathan Green

Rachel C. Kirby
A Portrait on the Move: Photography, Literature, and Transatlantic Exchanges in the Nineteenth Century
Research Note

A Portrait on the Move: Photography, Literature, and Transatlantic Exchanges in the Nineteenth Century

Katherine Mintie
“The Bulk of the Best Visible Things”: Judd’s Review of <em>Twentieth Century Engineering</em> at the Museum of Modern Art
Research Note

“The Bulk of the Best Visible Things”: Judd’s Review of Twentieth Century Engineering at the Museum of Modern Art

Susanneh Bieber
A “Studio-House” for Georgia O’Keeffe
Research Note

A “Studio-House” for Georgia O’Keeffe

Rovang, Sarah
What is the Place of Empire in the History of American Art?
Bully Pulpit
Maggie M. Cao

What is the Place of Empire in the History of American Art?

Seeing Empire
Bully Pulpit

Seeing Empire

Anna Arabindan-Kesson
Be Fruitful and Multiply: Food, National Expansion, and the Art of Empire
Bully Pulpit

Be Fruitful and Multiply: Food, National Expansion, and the Art of Empire

Shana Klein
Imperial Visions and Revisions
Bully Pulpit

Imperial Visions and Revisions

Taína Caragol, Kate Clarke Lemay
Inside the Outsider’s Gaze
Bully Pulpit

Inside the Outsider’s Gaze

Florina H. Capistrano-Baker
Enacting Empire: War and the History of American Art
Bully Pulpit

Enacting Empire: War and the History of American Art

J. M. Mancini
Empire and US Art History from an Oceanic Visual Studies Perspective
Bully Pulpit

Empire and US Art History from an Oceanic Visual Studies Perspective

Stacy L. Kamehiro
Iconoclasm in New York: Revolution to Reenactment
Book Review

Iconoclasm in New York: Revolution to Reenactment

Reviewed by Caroline Culp
The Commerce of Vision: Optical Culture and Perception in Antebellum America
Book Review

The Commerce of Vision: Optical Culture and Perception in Antebellum America

Reviewed by Catherine Holochwost
Triumph of the Dead: American World War II Cemeteries, Monuments, and Diplomacy in France
Book Review

Triumph of the Dead: American World War II Cemeteries, Monuments, and Diplomacy in France

Reviewed by Akela Reason
A Generous Vision: The Creative Life of Elaine de Kooning
Book Review

A Generous Vision: The Creative Life of Elaine de Kooning

Reviewed by Simona Čupić
Against Our Will: Sexual Trauma in American Art Since 1970
Book Review

Against Our Will: Sexual Trauma in American Art Since 1970

Reviewed by Lesley Shipley
Between Worlds: The Art of Bill Traylor
Book Review

Between Worlds: The Art of Bill Traylor

Reviewed by Aleesa Pitchamarn Alexander
Living on Campus: An Architectural History of the American Dormitory
Book Review

Living on Campus: An Architectural History of the American Dormitory

Reviewed by Mary R. Springer
Sculpture in Gotham: Art and Urban Renewal in New York City
Book Review

Sculpture in Gotham: Art and Urban Renewal in New York City

Reviewed by Marin R. Sullivan
Rufus Porter’s Curious World: Art and Invention in America, 1815–1860
Exhibition Review

Rufus Porter’s Curious World: Art and Invention in America, 1815–1860

Reviewed by Diana Jocelyn Greenwold
Edith Halpert and the Rise of American Art
Exhibition Review

Edith Halpert and the Rise of American Art

Reviewed by Eliza Butler
Edward Hopper and the American Hotel
Exhibition Review

Edward Hopper and the American Hotel

Reviewed by Lee Ann Custer
David Park: A Retrospective
Exhibition Review

David Park: A Retrospective

Reviewed by Alan Pocaro
Nicholas Galanin: Everything We’ve Ever Been, Everything We Are Right Now
Exhibition Review

Nicholas Galanin: Everything We’ve Ever Been, Everything We Are Right Now

Reviewed by Karín Aguilar-San Juan
Talk Back: Responses to “Isn’t It Time for Art History to Go Public?”
Talk Back

Talk Back: Responses to “Isn’t It Time for Art History to Go Public?”

Reviewed by Derrick R. Cartwright, Jayne Cole, Laura A. Macaluso, Kelli Morgan