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film/video

Exhibition Review Spring 2022 (8.1)

Cauleen Smith: Give It or Leave It

Reviewed by Emma Silverman
Feature Article Spring 2022 (8.1)

Visuality and the Plantationocene: The Panoramas of Regina Agu

Allison K. Young
Colloquium Spring 2022 (8.1)

BRUISED

Pamela Sneed
Film still from Alex Dolores Salerno's film El Dios Acostado. Echo lies on his side facing away from the camera in a clearing in the grass. In front of him are dense green trees and bushes and a few small buildings in the distance. Farther away is a large mountain overlooking the scene. The sky is bright and cloudy. There is a sense of serenity and rest.
Colloquium Spring 2022 (8.1)

Exploring Indisposability: The Entanglements of Crip Art

Jessica A. Cooley, Ann M. Fox
In the Round Spring 2021 (7.1)

Time Goes By, So Slowly: Tina Takemoto’s Queer Futurity

Jenni Sorkin
Woman with a pink scarf over her head
In the Round Spring 2019 (5.1)

“It’s Making a Little Noise”: Video Art, A Radical Mess

Miguel de Baca
In the Round Spring 2018 (4.1)

The Wandering Gaze of Carrie Mae Weems’s The Louisiana Project

Gwendolyn DuBois Shaw
Bully Pulpit Fall 2017 (3.2)

Classroom Patriotism

David M. Lubin
Book Review Summer 2016 (2.1)

Coney Island: Visions of an American Dreamland, 1861-2008

Reviewed by Christopher C. Oliver
In the Round Summer 2016 (2.1)

Interrogating Invention: Electronic Café and the Politics of Technology

Cary Levine, Philip Glahn
Exhibition Review Fall 2015 (1.2)

Coney Island: Visions of an American Dreamland, 1861–2008

Reviewed by Adam M. Thomas
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ISSN 2471-6839

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