Colloquium Fall 2025 (11.2) Federal Funding, Local Practice, and Teaching Art History Through CETA in San Francisco Elizabeth Fair
Exhibition Review Fall 2025 (11.2) Elizabeth Catlett: A Black Revolutionary Artist Reviewed by Ebonie Pollock
Exhibition Review Fall 2025 (11.2) Routed West: Twentieth-Century African American Quilts in California Reviewed by Berit Potter
Book Review Fall 2025 (11.2) Body Language: The Queer Staged Photographs of George Platt Lynes and PaJaMa Reviewed by Miriam Kienle
Book Review Fall 2025 (11.2) Women Architects at Work: Making American Modernism Reviewed by Eva Hagberg
Colloquium Fall 2025 (11.2) ART/WORK: Civic Imagination and the Legacy of the CETA Arts Programs Molly Garfinkel, Jodi Waynberg
Colloquium Fall 2025 (11.2) Sargent Johnson’s Athletics: A Modernist Experiment in Public Art John Bowles
Research Note Fall 2025 (11.2) On White Surfaces: Beauford Delaney and Georgia O’Keeffe at An American Place Tara Kohn
Research Note Fall 2025 (11.2) “I can’t have a lot of young enthusiasts painting Lenin’s head on the Justice Building”: Words FDR Never Said Robert W. Cherny
Exhibition Review Spring 2025 (11.1) For Dear Life: Art, Medicine, and Disability Reviewed by Suzanne Hudson
Exhibition Review Spring 2025 (11.1) Poke in the Eye: Art of the West Coast Counterculture Reviewed by Jacqueline Witkowski
Book Review Spring 2025 (11.1) Re-Envisioning the Everyday: American Genre Scenes, 1905–1945 Reviewed by Justin Wolff
Book Review Spring 2025 (11.1) The Harlem Renaissance and Transatlantic Modernism Reviewed by Maya Harakawa
Research Note Spring 2025 (11.1) “Made To Be Given”: Generosity as Methodology in Arthur Amiotte’s Collaborations Julia Hamer-Light
Research Note Spring 2025 (11.1) Paperwork: Bureaucracy and Legibility in a WPA Portrait Robin Owen Joyce
In the Round Spring 2025 (11.1) Can’t Get Enough: The Logics of Evidence, Anti-Blackness, and American Art History Alexis L. Boylan
In the Round Spring 2025 (11.1) The Real and Imagined Black-Built Environment of the Ashcan School Jessica Larson
In the Round Spring 2025 (11.1) Cakewalking the Color Line: George Luks, Racial Doublings, and Performance at the Turn of the Twentieth Century Meaghan M. Walsh
In the Round Spring 2025 (11.1) Blackness, the Ashcan School, and Modern American Art Jordana Moore Saggese, Gwendolyn DuBois Shaw
Digital Dialogues Fall 2024 (10.2) Zombie Humanism, Generative AI Images, and Photography Helen Lewandowski
Research Note Fall 2024 (10.2) In the Aggregate: Women Artists, Museum Work, and the Paths We Tread Annelise K. Madsen
Colloquium Fall 2024 (10.2) Canyon: Robert Rauschenberg’s Declaration of Independence Jonathan Frederick Walz
Book Review Fall 2024 (10.2) Reclaiming the Americas: Latinx Art and the Politics of Territory Reviewed by Mary K. Coffey
Colloquium Fall 2024 (10.2) How Free is Free? Ben Shahn, the Statue of Liberty, and the History of American Art Frances K. Pohl
In the Round Spring 2024 (10.1) “No Art” Protests: Restricting and Withdrawing Artistic Labor Downtown Tom Day
Exhibition Review Spring 2024 (10.1) Marking an Era: Celebrating Self Help Graphics & Art at 50 Reviewed by Margot Yale
Book Review Spring 2024 (10.1) When Eero Met His Match: Aline Louchheim Saarinen and the Making of an Architect Reviewed by Annmarie Adams
In the Round Spring 2024 (10.1) Lee Lozano’s Revolution, or Quitting Art at the End of the 1960s Chloë Julius
Research Note Spring 2024 (10.1) Louis Carlos Bernal’s Photographs of TV Screens and Domestic Interiors Jennifer Wingate
Digital Dialogues Spring 2024 (10.1) The Florence Arquin Slide Project: Art, Pan-Americanism, and the Digital Humanities Emily A. Fenichel, Camila Afanador-Llach
Feature Article Spring 2024 (10.1) Psychedelic Patriotism: Peter Max Sparks a Debate on Modern Representations of America David D. McKinney
Feature Article Spring 2024 (10.1) Peripheral Prints: Karamu House and the Rise of African American Art in the Midwest Erin Benay
Digital Dialogues Spring 2024 (10.1) Art, Bananas, Cash: Learning from Banana Craze Sonia de Laforcade
In the Round Fall 2023 (9.2) “It Happened”: Sophie Calle and Greg Shephard’s Road Trip Film Laura Elizabeth Shea
