Feature Article Spring 2025 (11.1) Disability and Creativity: David Drake’s Vessels and the Art of Collaborative Craft Jennifer Van Horn, Natalie E. Wright
Feature Article Spring 2024 (10.1) Psychedelic Patriotism: Peter Max Sparks a Debate on Modern Representations of America David D. McKinney
Feature Article Spring 2024 (10.1) Peripheral Prints: Karamu House and the Rise of African American Art in the Midwest Erin Benay
Feature Article Fall 2023 (9.2) Sensing Pollution: Picturing “Bad Air” in Gilded Age New York Vanessa Meikle Schulman
Feature Article Spring 2023 (9.1) Framing Silver’s Void in Timothy H. O’Sullivan’s Photographs of the Gould & Curry Mine Christine Garnier
Feature Article Fall 2022 (8.2) Naming, Blaming, and Claiming: The Columbus Monument and the Struggle for Diversity Rights in Syracuse, New York Kristina Borrman
Feature Article Fall 2022 (8.2) From Center to Periphery: The Lifespan of New York City’s Tenth Street Studio Building and the Canon of American Art Mary Okin with Celie Mitchard
Feature Article Fall 2022 (8.2) More Than a Museum: The Chinati Foundation, Home of the Brave Max Tolleson
Feature Article Spring 2022 (8.1) Visuality and the Plantationocene: The Panoramas of Regina Agu Allison K. Young
Feature Article Spring 2022 (8.1) “The Sunflower’s Bloom of Women’s Equality”: New Contexts for Mary Cassatt’s La Femme au tournesol Nicole Georgopulos
Feature Article Spring 2022 (8.1) Seeing Flora’s Profile as Portrait Phillip Troutman, Jennifer Van Horn
Feature Article Fall 2021 (7.2) Commemoration of an Epoch: Monuments to the Women’s Suffrage Movement in the United States Sierra Rooney
Feature Article Fall 2021 (7.2) Art, Dance, and Social Justice: Franziska Boas, Dorothy Dehner, and David Smith at Bolton Landing, 1944–1949 Paula Wisotzki
Feature Article Spring 2020 (6.1) Historical Memory, Reconciliation, and the Shaping of the Postbellum Landscape: The Civil War Monuments of Forest Park, St. Louis Katherine Poole-Jones
Feature Article Fall 2019 (5.2) Mikva Dreams: Judaism, Feminism, and Maintenance in the Art of Mierle Laderman Ukeles David Sperber
Feature Article Fall 2019 (5.2) Of Masks, Mockery, and Modernism: Alexander Z. Kruse’s Self-Portrait of an Art Critic Samantha Baskind
Feature Article Spring 2019 (5.1) The Girl Behind the Counter: Elizabeth Sparhawk-Jones and the Modern Shop Girl Elizabeth Carlson
Feature Article Fall 2018 (4.2) “A Kind of Traveling Gazette”: Edward Lamson Henry’s The Latest Village Scandal, Gossip, and History at the Dawn of Sensational Journalism Nicole J. Williams
Feature Article Fall 2017 (3.2) City, River, Mountain: Wayne Thiebaud’s California Margaretta M. Lovell
Feature Article Fall 2017 (3.2) Mosquitoes, Malaria, and Cold Butter: Discourses of Hygiene and Health in the Panama Canal Zone in the Early Twentieth Century Sarah J. Moore
Feature Article Fall 2017 (3.2) Florine Stettheimer, the Department Store, and the Spaces of Display, New York 1916–1926 Heather Hole
Feature Article Summer 2017 (3.1) The Thiele Family Monument: Vision of a Heavenly Future Annette Stott
Feature Article Summer 2017 (3.1) Marmorean Ballplayer: Sheriff John McNamee of Brooklyn and His Sculptural Career in Florence Paul H. D. Kaplan
Feature Article Summer 2016 (2.1) Kara Walker’s About the title: The Ghostly Presence of Transgenerational Trauma as a “Connective Tissue” Between the Past and Present Vivien Green Fryd
Feature Article Fall 2015 (1.2) Dashing for America: Frederic Remington, National Myths, and Art Historical Narratives Margaretta M. Lovell
Feature Article Winter 2015 (1.1) The Language of Line: Chinese Writing, German Speech, and the Visual Poetics of John Winkler’s San Francisco Chinatown Etchings, 1916–1921 Louise Siddons
Feature Article Winter 2015 (1.1) “Art” Smith, Flying at Night, and the 1915 San Francisco World’s Fair Noelle Belanger, M. Elizabeth Boone
Feature Article Winter 2015 (1.1) Nature Defamiliarized: Picturing New Relationships between Humans and Nonhuman Nature in Northern Landscapes from the American Civil War Maura Lyons
Feature Article Fall 2015 (1.2) By Which Melancholy Occurrence: The Disaster Prints of Nathaniel Currier, 1835–1840 Genoa Shepley
