Bully Pulpit Spring 2020 (6.1) Empire and US Art History from an Oceanic Visual Studies Perspective Stacy L. Kamehiro
Bully Pulpit Spring 2020 (6.1) Be Fruitful and Multiply: Food, National Expansion, and the Art of Empire Shana Klein
Bully Pulpit Spring 2020 (6.1) What is the Place of Empire in the History of American Art? Maggie M. Cao
Bully Pulpit Fall 2019 (5.2) When Your Topic Goes Viral: Building a Public Scholarship Practice Sarah Beetham
Bully Pulpit Fall 2019 (5.2) Library and Gallery Exhibitions as Public Scholarship Theresa Leininger-Miller
Bully Pulpit Fall 2019 (5.2) Museums Are Not Neutral: We Are Stronger Together La Tanya Autry, Mike Murawski
Bully Pulpit Spring 2019 (5.1) Ecocriticism, Environmental Justice, and the Rights of Nature Joni Adamson
Bully Pulpit Fall 2018 (4.2) Jami Powell, Associate Curator of Native American Art, Hood Museum of Art, Dartmouth College Jami Powell
Bully Pulpit Fall 2018 (4.2) Karen Kramer, Curator of Native American and Oceanic Art and Culture and Director of the Native American Fellowship Program, Peabody Essex Museum Karen Kramer
Bully Pulpit Fall 2018 (4.2) heather ahtone (Choctaw/Chickasaw), Senior Curator, American Indian Cultural Center and Museum, Oklahoma City heather ahtone
Bully Pulpit Fall 2018 (4.2) Textualizing Intangible Cultural Heritage: Querying the Methods of Art History Kathryn Bunn-Marcuse
Bully Pulpit Spring 2018 (4.1) Confederate Monuments and the Inevitable Forces of Change Sarah Beetham
Bully Pulpit Fall 2017 (3.2) What Is the Role of Patriotism in the Study of American Art? M. Elizabeth Boone, Lauren Lessing
Bully Pulpit Fall 2016 (2.2) Dream Projects Ross Barrett, Sarah Burns, Jennifer Jane Marshall, and Alan Wallach
