In the Round Spring 2022 (8.1) Of Dreams, Relatives, Spirits and the Peabody Museum of Archaeology and Ethnology at Harvard Anthony Trujillo
In the Round Spring 2022 (8.1) The Tide is Turning: Gullah Vernacular Knowledge and the Ecologies of Lowcountry Basketmaking Molly Robinson
In the Round Fall 2021 (7.2) Teaching and Creating Art in the Borderlands: A Conversation with Santa C. Barraza Mary Thomas
In the Round Fall 2021 (7.2) The Art of Flocking: Sapphire and Crystals, Education, Community Building and Collaboration Joanna Gardner-Huggett
In the Round Fall 2021 (7.2) “The Art of Living”: Selma Burke’s Progressive Art Pedagogies from the New Deal to the Black Arts Movement Rebecca Giordano
In the Round Fall 2021 (7.2) Institutional Time: Judy Chicago’s Career Through the Lens of Art Education Sally Brown
In the Round Fall 2021 (7.2) An Interview with Black Ash Basket Makers Kelly Church and Reneé Wasson Dillard Melynda Seaton
In the Round Fall 2021 (7.2) An Interview with Art Educator Professor Johnnie Mae Maberry, Tougaloo College Lynnette Gilbert
In the Round Fall 2021 (7.2) Women Artists and Teaching: An Intersectional View Liz Kim, Amy von Lintel
In the Round Spring 2021 (7.1) Asian American Art and the Obligation of Museums Aleesa Pitchamarn Alexander
In the Round Spring 2021 (7.1) Un-Disciplining the Archive: Jerome Reyes and Maia Cruz Palileo Ellen Yoshi Tani
In the Round Spring 2021 (7.1) Beyond Conflict, Toward Collaboration: The Korean American Arts Community in New York, 1980s–1990s Eunyoung Park
In the Round Spring 2021 (7.1) Returning to Dialectics of Isolation : The Non-Aligned Movement, Imperial Feminism, and a Third Way Sadia Shirazi
In the Round Spring 2021 (7.1) Commercial Design and Midcentury Asian American Art: The Greeting Cards of Tyrus Wong Karen Fang
In the Round Spring 2021 (7.1) Sadakichi Hartmann’s American Art: Citizenship, Asian America, and Critical Resistance Yinshi Lerman-Tan
In the Round Spring 2021 (7.1) In the Presence of Archival Fugitives: Chinese Women, Souvenir Images, and the 1893 Chicago World’s Fair Z. Serena Qiu
In the Round Spring 2021 (7.1) Time Goes By, So Slowly: Tina Takemoto’s Queer Futurity Jenni Sorkin
In the Round Spring 2021 (7.1) Asian American Art, Pasts and Futures Marci Kwon, Aleesa Pitchamarn Alexander
In the Round Fall 2020 (6.2) Material Matters: The Transatlantic Trade in Photographic Materials during the Nineteenth Century Katherine Mintie
In the Round Fall 2020 (6.2) Apsáalooke BacheeĂtuuk in Washington, DC: A Case Study in Re-Reading Nineteenth-Century Delegation Photography Wendy Red Star, Shannon Vittoria
In the Round Fall 2020 (6.2) “Photographic Weather”: A Posthumanist Approach to Western Survey Photography Elizabeth Hutchinson
In the Round Fall 2020 (6.2) Reading and Re-Reading Ansel Adams’s My Camera in the National Parks Lauren Johnson
In the Round Fall 2020 (6.2) Daguerreotypes and Humbugs: Pwan-Ye-Koo, Racial Science, and the Circulation of Ethnographic Images around 1850 Michelle Smiley
In the Round Fall 2020 (6.2) Undocumented Migration and Political Community in Susan Meiselas’s Crossings Photographs Sarah Bassnett
In the Round Fall 2020 (6.2) Siŋté Máza (Iron Tail)’s Photographic Opportunities: The Transit of Lakȟóta Performance and Arts Emily C. Burns
In the Round Fall 2020 (6.2) Frank Speck in N’Daki Menan: Anthropological Photography in an Extractive Zone Siobhan Angus
In the Round Fall 2020 (6.2) JosĂ© MarĂa Mora and the Migrant Surround in American Portrait Photography Erin Pauwels
In the Round Fall 2020 (6.2) A “Russianesque Camera Artist”: Margaret Bourke-White’s American-Soviet Photography Josie Johnson
In the Round Spring 2020 (6.1) The 1961 Mississippi Freedom Riders’ Mugshots: A Visual Intervention Johnna Margot Henry
In the Round Spring 2020 (6.1) The Architects of Reconstruction: Alcès Family Portraits as Emblems of Afro-Creole Leadership Wendy Castenell
In the Round Spring 2020 (6.1) “Whatever is un-Virginian is Wrong!”: The Loyal Slave Trope in Civil War Richmond and the Origins of the Lost Cause Rachel Stephens
In the Round Spring 2020 (6.1) Woman’s Work: A Confluence of Education, Design, and Craft Elyse D. Gerstenecker
In the Round Spring 2020 (6.1) Unenslaved through Art: Rice Culture Paintings by Jonathan Green Rachel C. Kirby
In the Round Spring 2020 (6.1) The Modernist Appalachian Aesthetic: The Art of Patty Willis Alison Printz
In the Round Spring 2020 (6.1) Roaming in the South: Devin Lunsford’s Photographs from the Roadside Peter Han-Chih Wang
In the Round Spring 2020 (6.1) Magic City Modern: A Short History of the Birmingham-Bessemer School Aleesa Pitchamarn Alexander
In the Round Spring 2020 (6.1) Confederate Monuments: Southern Heritage or Southern Art? Sarah Beetham
In the Round Spring 2020 (6.1) “Little of Artistic Merit?”: The Art of the American South Naomi Slipp
In the Round Fall 2019 (5.2) Bridging the Distance: Teaching and Curating with Mail Art from the Archives of American Art Miriam Kienle
In the Round Fall 2019 (5.2) Heritage and Hate: Teaching Confederate Monuments with Archives Akela Reason
In the Round Fall 2019 (5.2) Looking for What’s Not There in the Marcel Breuer Papers Andrew Wasserman
In the Round Fall 2019 (5.2) Artistic Journeys: Assignments Engaging Primary Source Materials Janice Simon
In the Round Spring 2019 (5.1) Walk with Me: William Anastasi’s Stenography of the Street Katie Anania
