In the Round Spring 2019 (5.1) “It’s Making a Little Noise”: Video Art, A Radical Mess Miguel de Baca
In the Round Spring 2019 (5.1) The Love in Labor: Reconsidering Amateurism in Sister Gertrude Morgan’s Performances and Paintings Elaine Y. Yau
In the Round Fall 2018 (4.2) An Interview with the Curators of Thomas Cole’s Journey: Atlantic Crossings William L. Coleman, Elizabeth Mankin Kornhauser, Tim Barringer
In the Round Spring 2018 (4.1) Riff: African American Artists and the European Canon Adrienne L. Childs, Jacqueline Francis
In the Round Spring 2018 (4.1) Introduction: Riff: African American Artists and the European Canon Adrienne L. Childs
In the Round Spring 2018 (4.1) The Wandering Gaze of Carrie Mae Weems’s The Louisiana Project Gwendolyn DuBois Shaw
In the Round Spring 2018 (4.1) Romare Bearden’s “Mauritius” (1969): Wars, Nations, and Everything Else Jacqueline Francis
In the Round Spring 2018 (4.1) Vibrations in the Soul: Moe Brooker’s Sacred Paintings Nikki A. Greene
In the Round Spring 2018 (4.1) “Expressive Camouflage”: Classicism, Race, and Homoerotic Desire in the Male Nudes of Richmond Barthé James Smalls
In the Round Spring 2018 (4.1) African American Artists as Agents of Modernism: A Challenge for American Art John P. Bowles
In the Round Fall 2017 (3.2) “A Harmony in Eggs and Milk”: Gustatory Synesthesia in the Reception of Whistler’s Art Aileen Tsui
In the Round Fall 2017 (3.2) Feeding the Conscience: Philanthropic Food Distribution and Difference in the Popular Press Lauren Freese
In the Round Summer 2017 (3.1) Cemeteries and Sculpture: “Ideal” Material Culture Pedagogy Elise Madeleine Ciregna
In the Round Fall 2016 (2.2) Claiming the Unknown, the Forgotten, the Fallen, the Lost, and the Dispossessed Robert Cozzolino
In the Round Fall 2016 (2.2) Integrating Disruption: Acquiring the Philip J. and Suzanne Schiller Collection of American Social Commentary Art, 1930–1970 M. Melissa Wolfe
In the Round Fall 2016 (2.2) Notes from New York: Names, Networks, and Connectors in Art History Susan Greenberg Fisher
In the Round Summer 2016 (2.1) Art and Invention in the United States Ellery E. Foutch, Hélène Valance
In the Round Summer 2016 (2.1) Creative Combustion: Image, Imagination and the Work of Robert Fulton Elizabeth Bacon Eager
In the Round Summer 2016 (2.1) Capturing “Jove’s Autograph”: Late Nineteenth-Century Lightning Photography and Electrical Agency Laura Turner Igoe
In the Round Summer 2016 (2.1) Interrogating Invention: Electronic Café and the Politics of Technology Cary Levine, Philip Glahn
