Fall 2020 (6.2)

Special Anniversary Issue (Issue 6.2)
Editors' Welcome

Special Anniversary Issue (Issue 6.2)

John P. Bowles, Naomi Slipp, Jacqueline Francis
Five Years of <em>Panorama</em>—Forty Years of AHAA
Special Section

Five Years of Panorama—Forty Years of AHAA

Editors’ Reflections on the First Five Years of <em>Panorama</em>

Editors’ Reflections on the First Five Years of Panorama

Sarah Burns, Jennifer Jane Marshall, M. Elizabeth Boone, Lauren Lessing, Austen Barron Bailly, Jacqueline Francis, Jessica Skwire Routhier, Naomi Slipp
Who Will We Be? The Association of Historians of American Art on its Fortieth Anniversary

Who Will We Be? The Association of Historians of American Art on its Fortieth Anniversary

Jeffrey Richmond-Moll, Louise Siddons, David M. Sokol, Wanda M. Corn, Teresa A. Carbone, Peter John Brownlee, Ellery Foutch, Gwendolyn DuBois Shaw, Alicia Harris
Re-Reading American Photographs
In the Round

Re-Reading American Photographs

Monica Bravo, Emily Voelker
José María Mora and the Migrant Surround in American Portrait Photography
In the Round

José María Mora and the Migrant Surround in American Portrait Photography

Erin Pauwels
Undocumented Migration and Political Community in Susan Meiselas’s Crossings Photographs
In the Round

Undocumented Migration and Political Community in Susan Meiselas’s Crossings Photographs

Sarah Bassnett
A “Russianesque Camera Artist”: Margaret Bourke-White’s American-Soviet Photography
In the Round

A “Russianesque Camera Artist”: Margaret Bourke-White’s American-Soviet Photography

Josie Johnson
Siŋté Máza (Iron Tail)’s Photographic Opportunities: The Transit of Lakȟóta Performance and Arts
In the Round

Siŋté Máza (Iron Tail)’s Photographic Opportunities: The Transit of Lakȟóta Performance and Arts

Emily C. Burns
Apsáalooke Bacheeítuuk in Washington, DC: A Case Study in Re-Reading Nineteenth-Century Delegation Photography
In the Round

Apsáalooke Bacheeítuuk in Washington, DC: A Case Study in Re-Reading Nineteenth-Century Delegation Photography

Wendy Red Star, Shannon Vittoria
Reading and Re-Reading Ansel Adams’s <em>My Camera in the National Parks</em>
In the Round

Reading and Re-Reading Ansel Adams’s My Camera in the National Parks

Lauren Johnson
Frank Speck in N’Daki Menan: Anthropological Photography in an Extractive Zone
In the Round

Frank Speck in N’Daki Menan: Anthropological Photography in an Extractive Zone

Siobhan Angus
"Photographic Weather”: A Posthumanist Approach to Western Survey Photography
In the Round

“Photographic Weather”: A Posthumanist Approach to Western Survey Photography

Elizabeth Hutchinson
Material Matters: The Transatlantic Trade in Photographic Materials during the Nineteenth Century
In the Round

Material Matters: The Transatlantic Trade in Photographic Materials during the Nineteenth Century

Katherine Mintie
Daguerreotypes and Humbugs: Pwan-Ye-Koo, Racial Science, and the Circulation of Ethnographic Images around 1850
In the Round

Daguerreotypes and Humbugs: Pwan-Ye-Koo, Racial Science, and the Circulation of Ethnographic Images around 1850

Michelle Smiley
The Story of Edward Hill and the African Groom at Shirley Plantation
Research Note

The Story of Edward Hill and the African Groom at Shirley Plantation

Janine Yorimoto Boldt
Traversing Two Cultures: A Portrait of William McIntosh, Southern Slave Owner and Lower Creek Chief
Research Note

Traversing Two Cultures: A Portrait of William McIntosh, Southern Slave Owner and Lower Creek Chief

Naomi Slipp
“The Time Has Now Gone by When Things of This Nature Are to Be Hidden from the Public”: Mediating Bodily and Archival Violence
Research Note

“The Time Has Now Gone by When Things of This Nature Are to Be Hidden from the Public”: Mediating Bodily and Archival Violence

Anne Strachan Cross
Wyeth in Taiwan
Research Note

Wyeth in Taiwan

ShiPu Wang
Self-Criticality
Colloquium

Self-Criticality

Anne Monahan, Isabel Taube
Museums, Academy and Call-out Culture: A Defense
Colloquium

Museums, Academy and Call-out Culture: A Defense

Nizan Shaked
It’s Time to Share
Colloquium

It’s Time to Share

Eddie Chambers
Decolonizing Decolonization
Colloquium

Decolonizing Decolonization

Rafael Cardoso
Refusing the Call for Recognition
Colloquium

Refusing the Call for Recognition

Susette Min
Animals, Anthropocentrism, and Antiracism in American Art
Colloquium

Animals, Anthropocentrism, and Antiracism in American Art

Annie Ronan
Out of Time, Out of Mind
Colloquium

Out of Time, Out of Mind

Ann Reynolds
Becoming Mary Sully: Toward an American Indian Abstract
Book Review

Becoming Mary Sully: Toward an American Indian Abstract

Reviewed by Manon Gaudet
Lincoln Kirstein’s Modern
Book Review

Lincoln Kirstein’s Modern

Reviewed by Clara Barnhart
Talk Back: Be a Generalist!
Talk Back

Talk Back: Be a Generalist!

Reviewed by Jenni Sorkin
Race Experts: Sculpture, Anthropology, and the American Public in Malvina Hoffman’s <em>Races of Mankind</em>
Book Review

Race Experts: Sculpture, Anthropology, and the American Public in Malvina Hoffman’s Races of Mankind

Reviewed by Renée Ater
Art for People’s Sake: Artists and Community in Black Chicago, 1965–1975
Book Review

Art for People’s Sake: Artists and Community in Black Chicago, 1965–1975

Reviewed by Abbe Schriber
Stick to the Skin: African American and Black British Art, 1965–2015
Book Review

Stick to the Skin: African American and Black British Art, 1965–2015

Reviewed by Ellen Tani
Riffs and Relations: African American Artists and the European Modernist Tradition
Exhibition Review

Riffs and Relations: African American Artists and the European Modernist Tradition

Reviewed by Anna O. Marley
Vida Americana: Mexican Muralists Remake American Art, 1925–1945
Exhibition Review

Vida Americana: Mexican Muralists Remake American Art, 1925–1945

Reviewed by James Oles
The Levee: A Photographer in the American South
Exhibition Review

The Levee: A Photographer in the American South

Reviewed by Theresa Leininger-Miller
Follies: Architectural Whimsy in the Garden <em>and</em> Mark Dion: Follies
Exhibition Review

Follies: Architectural Whimsy in the Garden and Mark Dion: Follies

Reviewed by Kerry Dean Carso