Feature Article Fall 2017 (3.2) City, River, Mountain: Wayne Thiebaud’s California Margaretta M. Lovell
Feature Article Fall 2017 (3.2) Mosquitoes, Malaria, and Cold Butter: Discourses of Hygiene and Health in the Panama Canal Zone in the Early Twentieth Century Sarah J. Moore
Exhibition Review Fall 2017 (3.2) Soul of a Nation: Art in the Age of Black Power Reviewed by Levi Prombaum
Exhibition Review Fall 2017 (3.2) The Wall of Respect: Vestiges, Shards and the Legacy of Black Power and Eugene Eda’s Doors for Malcolm X College Reviewed by Marissa H. Baker
In the Round Fall 2017 (3.2) Feeding the Conscience: Philanthropic Food Distribution and Difference in the Popular Press Lauren Freese
Book Review Summer 2017 (3.1) Barnstorming the Prairies: How Aerial Vision Shaped the Midwest Reviewed by Andrea M. Truitt
Book Review Summer 2017 (3.1) A Strange Mixture: The Art and Politics of Painting Pueblo Indians Reviewed by Emily C. Burns
Book Review Summer 2017 (3.1) Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene Reviewed by Amy Werbel
Exhibition Review Summer 2017 (3.1) Post Black Folk Art in America 1930–1980–2016 Reviewed by Elaine Y. Yau
Book Review Fall 2016 (2.2) Ellsworth Kelly: Catalogue Raisonné of Paintings, Reliefs, and Sculpture, Vol. 1, 1940-1953 Reviewed by Godfre Leung
Exhibition Review Fall 2016 (2.2) O’Keeffe, Stettheimer, Torr, Zorach: Women Modernists in New York Reviewed by Heather Hole
Exhibition Review Fall 2016 (2.2) Leap Before You Look: Black Mountain College 1933–1957 Reviewed by Virginia Reynolds Badgett
Book Review Summer 2016 (2.1) Democratic Art: The New Deal Influence on American Culture Reviewed by Caroline M. Riley
Book Review Summer 2016 (2.1) American Studio Ceramics, Innovation and Identity, 1940 to 1979 Reviewed by Jennifer A. Zwilling
Exhibition Review Summer 2016 (2.1) Art of Jazz: FORM / PERFORMANCE / NOTES Reviewed by Kelsey Gustin
Research Note Summer 2016 (2.1) Fata Morgana: Jean-André Castaigne, the American Indian, and American Artistic Aspirations in France Emily C. Burns
Book Review Fall 2015 (1.2) Revolution of the Eye: Modern Art and the Birth of American Television Reviewed by Hayan Kim
Book Review Winter 2015 (1.1) They Seek a City: Chicago and the Art of Migration, 1910–1950 Reviewed by Amy Galpin
Feature Article Winter 2015 (1.1) The Language of Line: Chinese Writing, German Speech, and the Visual Poetics of John Winkler’s San Francisco Chinatown Etchings, 1916–1921 Louise Siddons
Feature Article Winter 2015 (1.1) “Art” Smith, Flying at Night, and the 1915 San Francisco World’s Fair Noelle Belanger, M. Elizabeth Boone
Book Review Winter 2015 (1.1) Sculpting Doughboys: Memory, Gender, and Taste in America’s World War I Memorials Reviewed by Jenny Carson
