Book Review Spring 2025 (11.1) Beyond Vanity: The History and Power of Hairdressing Reviewed by Sarah Gold McBride
In the Round Spring 2025 (11.1) Cakewalking the Color Line: George Luks, Racial Doublings, and Performance at the Turn of the Twentieth Century Meaghan M. Walsh
Research Note Spring 2024 (10.1) Louis Carlos Bernal’s Photographs of TV Screens and Domestic Interiors Jennifer Wingate
Research Note Spring 2024 (10.1) The Republic of the Spirit: Thomas Cole’s The Voyage of Life in Two Novels by Edith Wharton Jessica Skwire Routhier
Digital Dialogues Spring 2024 (10.1) Art, Bananas, Cash: Learning from Banana Craze Sonia de Laforcade
In the Round Fall 2023 (9.2) Roadside California: Tressa Prisbrey’s Bottle Village, Theme Parks, and Art Tourism in the Golden State Elizabeth Driscoll Smith
Research Note Fall 2023 (9.2) Looking In, Looking Out: Mapping Chinese Exclusion and Imperial Expansion in a San Francisco Photographic Collage Kevin Hong
Book Review Spring 2023 (9.1) Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design Reviewed by Jennifer Rittner
Book Review Spring 2023 (9.1) The Fruits of Empire: Art, Food, and the Politics of Race in the Age of American Expansion Reviewed by Nika Elder
In the Round Spring 2023 (9.1) Producing and Consuming the Image of the Female Artist Ellery E. Foutch
Book Review Spring 2022 (8.1) Gems of Art on Paper: Illustrated American Fiction and Poetry, 1785–1885 Reviewed by Julie Mellby
Book Review Spring 2022 (8.1) The Word in the Wilderness: Popular Piety and the Manuscript Arts in Early Pennsylvania Reviewed by Christopher M. B. Allison
Research Note Spring 2022 (8.1) Iconoclasm on Paper: Resistance in the Pages of Narrative of the Life and Adventures of Henry Bibb, an American Slave, 1849 Ellery E. Foutch
Feature Article Spring 2022 (8.1) “The Sunflower’s Bloom of Women’s Equality”: New Contexts for Mary Cassatt’s La Femme au tournesol Nicole Georgopulos
In the Round Spring 2021 (7.1) Commercial Design and Midcentury Asian American Art: The Greeting Cards of Tyrus Wong Karen Fang
Research Note Spring 2021 (7.1) Nature: A Nineteenth-Century Engraving Linking Charles Willson Peale, James Akin, and Peale’s Mastodon Allison M. Stagg
