Fall 2021 (7.2) Archives - Panorama

Features

A map of the United States displays numerous red figures, representing suffragists, at various cities connected by blue lines, illustrating the widespread network of the women's suffrage movement.

Commemoration of an Epoch: Monuments to the Women’s Suffrage Movement in the United States

April 13, 2022 / Feature Article

Painting of three turkey buzzards flying over a landscape, seen from above

Andrew Wyeth and Birds of War

April 13, 2022 / Feature Article

Drawing of emaciated figures moving toward a distant building in an apocalyptic landscape

Art, Dance, and Social Justice: Franziska Boas, Dorothy Dehner, and David Smith at Bolton Landing, 1944–1949

April 13, 2022 / Feature Article

Special Section

A network diagram illustrating individuals and organizations connected to Women's Video Festivals from 1972 to 1976.

Toward a More Inclusive Digital Art History

Johnathan W. Hardy, Diana Seave Greenwald

In the Round

Cora Stafford Spellman's painting depicts a rural Texas highway intersection with prominent road signs pointing to Denton and McKinney, set against fields and distant farm buildings under a pale sky.

Women Artists and Teaching: An Intersectional View

Liz Kim, Amy von Lintel

Postcard with graphic brown designs against a while background advertising 1973 Mbari exhibition at the Selma Burke Art Center

“The Art of Living”: Selma Burke’s Progressive Art Pedagogies from the New Deal to the Black Arts Movement

Rebecca Giordano

Painting of a nude androgynous figure shooting red liquid out of their right index finger. Behind their outstretched arm is a blue shadow.

Institutional Time: Judy Chicago’s Career Through the Lens of Art Education

Sally Brown

Photograph of square building with colorful mural and a crowd of people looking at it

The Art of Flocking: Sapphire and Crystals, Education, Community Building and Collaboration

Joanna Gardner-Huggett

Abstract painting of a swirl of colors

An Interview with Art Educator Professor Johnnie Mae Maberry, Tougaloo College

Lynnette Gilbert

Painting of a woman in a blue shirt emerging from the roof of a small house, with lush cactuses above and below, against a hot pink background

Teaching and Creating Art in the Borderlands: A Conversation with Santa C. Barraza

Mary Thomas

Color photograph of a handmade basketry vessel in shades of blue-green and gold

An Interview with Black Ash Basket Makers Kelly Church and Reneé Wasson Dillard

Melynda Seaton

Research Notes

Animated photograph showing two slightly different views of a building ruined by fire

Views of Chicago: Picturing the Ruins of the Great Fire

Christina Michelon

An artist paints a vibrant mural on a yellow wall in Puerto Rico, featuring a black and white flag, raised fists, and text memorializing 4,645 hurricane victims.

Problem Portraits: Francisco Oller in the Age of US Imperialism

Natalia Ángeles Vieyra

Colloquium

Catholic clergy in vestments, observed by people of different races

When and Where Does Colonial America End?

Emily Casey

Animal hide with shell decorations in the form of a human figure flanked by animals

Where Is Imperial (British) America?

Janine Yorimoto Boldt

Color photograph of a seventeenth-century powder horn

Contact, and Contact Again: Reflections on an Eighteenth-Century Powderhorn

Jennifer Y. Chuong, Kailani Polzak

Catholic clergy in vestments, observed by people of different races

The Pervasive Nature of Colonialism and Our Disciplinary Attachment to It

Natalia Vargas Márquez

Outstretched animal hide with drawn decorations on the interior, arranged in concentric circles

Transformation on the Plains: The Extermination of the Buffalo and a Way of Life

Darienne Turner

Cover of a playbill featuring a black-and-white lithograph of a Black man from the shoulders up

The Decolonization of John Sloan

Gwendolyn DuBois Shaw

Book Reviews

A black and white photograph shows two hands holding large clumps of raw cotton.

Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World

C.C. McKee

An abstract image featuring a dense, rhythmic pattern of vertical, light-colored, tapering lines that crisscross and overlap against a dark background.

Domesticating the Invisible: Form and Environmental Anxiety in Postwar America

Ila Nicole Sheren

A self-portrait painting by Horace Pippin.

Horace Pippin, American Modern

Rebecca VanDiver

Book cover for Aesthetic Painting in Britain and America, showing two women in flowing dresses at leisure

Aesthetic Painting in Britain and America: Collectors, Art Worlds, Networks

Adrienne Baxter Bell

The cover for the Guide to Historic Artists’ Homes & Studios by the National Trust for Historic Preservation, featuring text and the upper part of a historic building.

Guide to Historic Artists’ Homes & Studios and At First Light: Two Centuries of Maine Artists, Their Homes and Studios

Emily D. Shapiro

Exhibition Reviews

Museum gallery entrance to an exhibition with sign reading JOSHUA JONHSON PORTRAITIST OF EARLY AMERICAN BALTIMORE

Joshua Johnson: Portraitist of Early American Baltimore

Anne Verplanck

A wall display for the exhibition "Virginia Arcadia: The Natural Bridge in American Art," featuring a historical painting of the natural rock arch.

Virginia Arcadia: The Natural Bridge in American Art

Debra Hanson

Painting of a bleak, wintery townscape with a lone figure resting against a fencepost, looking toward the horizon

Extra Ordinary: Magic, Mystery and Imagination in American Realism

Kéla B. Jackson

Interior view of a corner of a museum gallery with a work of art on the right side of the corner and an empty frame on the other side

Jacob Lawrence: The American Struggle

Janell B. Pryor

Wall shelf holding three piles of loose thread: red, white, and navy blue

Sonya Clark: Tatter, Bristle, and Mend

Jordana Moore Saggese