In the Round Spring 2024 (10.1) Lee Lozano’s Revolution, or Quitting Art at the End of the 1960s Chloë Julius
In the Round Fall 2023 (9.2) “It Happened”: Sophie Calle and Greg Shephard’s Road Trip Film Laura Elizabeth Shea
Exhibition Review Fall 2023 (9.2) Celia Álvarez Muñoz: Breaking the Binding Reviewed by Alexandro Segade
In the Round Spring 2023 (9.1) Pos(t)ing Online, or the Other Side of the Glass for Looking Marissa Vigneault
In the Round Spring 2023 (9.1) Self-Portraits and Photocopies: Anita Steckel’s Feminist Collage Rachel Middleman
In the Round Spring 2023 (9.1) Producing and Consuming the Image of the Female Artist Ellery E. Foutch
Feature Article Fall 2022 (8.2) From Center to Periphery: The Lifespan of New York City’s Tenth Street Studio Building and the Canon of American Art Mary Okin with Celie Mitchard
Colloquium Fall 2022 (8.2) Mr. President, How Long Must We Wait for Liberty? The Female Body and Society Patricia Cronin
Colloquium Fall 2022 (8.2) Beyond the Line: Bessie Harvey’s Visual Commentary on the Persistence of the Black Maternity Crisis in the United States Frederica Simmons
Colloquium Fall 2022 (8.2) Art and Reproductive Rights in the Wake of Dobbs v. Jackson Keri Watson, Katherine Jentleson
Colloquium Fall 2022 (8.2) The Cultural Invisibility of Reproductive Health Kristin Taylor, Karen Irvine
Feature Article Spring 2022 (8.1) “The Sunflower’s Bloom of Women’s Equality”: New Contexts for Mary Cassatt’s La Femme au tournesol Nicole Georgopulos
In the Round Fall 2021 (7.2) The Art of Flocking: Sapphire and Crystals, Education, Community Building and Collaboration Joanna Gardner-Huggett
In the Round Fall 2021 (7.2) Institutional Time: Judy Chicago’s Career Through the Lens of Art Education Sally Brown
Feature Article Fall 2021 (7.2) Commemoration of an Epoch: Monuments to the Women’s Suffrage Movement in the United States Sierra Rooney
In the Round Fall 2021 (7.2) An Interview with Art Educator Professor Johnnie Mae Maberry, Tougaloo College Lynnette Gilbert
In the Round Fall 2021 (7.2) Women Artists and Teaching: An Intersectional View Liz Kim, Amy von Lintel
In the Round Spring 2021 (7.1) Returning to Dialectics of Isolation : The Non-Aligned Movement, Imperial Feminism, and a Third Way Sadia Shirazi
Book Review Spring 2020 (6.1) Against Our Will: Sexual Trauma in American Art Since 1970 Reviewed by Lesley Shipley
Feature Article Fall 2019 (5.2) Mikva Dreams: Judaism, Feminism, and Maintenance in the Art of Mierle Laderman Ukeles David Sperber
Book Review Spring 2019 (5.1) Radical Eroticism: Women, Art, and Sex in the 1960s Reviewed by Miriam Kienle
Exhibition Review Fall 2018 (4.2) Faith Ringgold: Paintings and Story Quilts, 1964–2017 Reviewed by Debra Hanson
Book Review Fall 2018 (4.2) American Women Artists, 1935–1970: Gender, Culture, and Politics Reviewed by Rachel Middleman
Exhibition Review Spring 2018 (4.1) Judithe Hernández and Patssi Valdez: One Path Two Journeys and Laura Aguilar: Show and Tell Reviewed by Charlene Villaseñor Black
Exhibition Review Spring 2018 (4.1) Radical Women: Latin American Art, 1960–1985 Reviewed by Alison Fraunhar
Feature Article Fall 2017 (3.2) Florine Stettheimer, the Department Store, and the Spaces of Display, New York 1916–1926 Heather Hole
Exhibition Review Fall 2016 (2.2) O’Keeffe, Stettheimer, Torr, Zorach: Women Modernists in New York Reviewed by Heather Hole
