In the Round Fall 2023 (9.2) “It Happened”: Sophie Calle and Greg Shephard’s Road Trip Film Laura Elizabeth Shea
In the Round Fall 2023 (9.2) Roadside California: Tressa Prisbrey’s Bottle Village, Theme Parks, and Art Tourism in the Golden State Elizabeth Driscoll Smith
In the Round Fall 2023 (9.2) Holy Rollers: Religion and Modern Mobility in the Art of John Steuart Curry Jeffrey Richmond-Moll
Book Review Fall 2023 (9.2) MoMA Goes to Paris in 1938: Building and Politicizing American Art Reviewed by Antje Gamble
Research Note Fall 2023 (9.2) A Collaborative Creation of Home: Recognizing the Multifarious Roles and Representations of Jessie Tanner Laura M. Winn
Book Review Fall 2023 (9.2) Spiritual Moderns: Twentieth-Century American Artists and Religion Reviewed by Elizabeth L. Langhorne
Research Note Spring 2023 (9.1) Archival Assembly: The Black Artists of Oklahoma Project and Art-Historical Infrastructure Olivia von Gries, Robert Bailey
In the Round Spring 2023 (9.1) Self-Portraits and Photocopies: Anita Steckel’s Feminist Collage Rachel Middleman
In the Round Spring 2023 (9.1) “Shutterbug?”: Black Women Photographers and the Politics of Self-Representation Emily Brady
Colloquium Spring 2023 (9.1) Mining Raw Materials: Copyright, Contemporary Art, and False Dichotomies Katherine de Vos Devine
Exhibition Review Spring 2023 (9.1) Souls Grown Deep Like the Rivers: Black Artists from the American South Reviewed by Matthew Holman
In the Round Spring 2023 (9.1) Producing and Consuming the Image of the Female Artist Ellery E. Foutch
Book Review Fall 2022 (8.2) The Art of the Anthropological Diorama: Franz Boas, Arthur C. Parker, and Constructing Authenticity Reviewed by Dore Bowen
Book Review Fall 2022 (8.2) Alloys: American Sculpture and Architecture at Midcentury Reviewed by Sydney Skelton Simon
Feature Article Fall 2022 (8.2) Naming, Blaming, and Claiming: The Columbus Monument and the Struggle for Diversity Rights in Syracuse, New York Kristina Borrman
Feature Article Fall 2022 (8.2) From Center to Periphery: The Lifespan of New York City’s Tenth Street Studio Building and the Canon of American Art Mary Okin with Celie Mitchard
Colloquium Fall 2022 (8.2) Beyond the Line: Bessie Harvey’s Visual Commentary on the Persistence of the Black Maternity Crisis in the United States Frederica Simmons
In the Round Fall 2022 (8.2) Waiting for Mlle Bourgeoise Noire and the Power of Interruption José B. Segebre Salazar
In the Round Fall 2022 (8.2) Pendant Across Time: John Singleton Copley and John Singer Sargent Caroline Culp
Feature Article Fall 2022 (8.2) More Than a Museum: The Chinati Foundation, Home of the Brave Max Tolleson
Research Note Fall 2022 (8.2) Turning a Corner: Reexamining Joe Jones’s Anthony, Kansas, Mural through Pandemic Eyes Michaela Rife
Book Review Spring 2022 (8.1) Remade in America: Surrealist Art, Activism and Politics, 1940–1978 Reviewed by Sandra Zalman
Research Note Spring 2022 (8.1) Naming Naquayouma: A Collaborative Approach to American Murals and Indigeneity at the 1937 International Exposition Davida Fernández-Barkan, Phillippa Pitts
In the Round Spring 2022 (8.1) Arabian Nights in the Mississippi Delta: The Embroideries of Ethel Wright Mohamed Rachel Winter
Research Note Fall 2021 (7.2) Problem Portraits: Francisco Oller in the Age of US Imperialism Natalia Ángeles Vieyra
In the Round Fall 2021 (7.2) “The Art of Living”: Selma Burke’s Progressive Art Pedagogies from the New Deal to the Black Arts Movement Rebecca Giordano
In the Round Fall 2021 (7.2) Institutional Time: Judy Chicago’s Career Through the Lens of Art Education Sally Brown
Exhibition Review Fall 2021 (7.2) Extra Ordinary: Magic, Mystery and Imagination in American Realism Reviewed by Kéla B. Jackson
Feature Article Fall 2021 (7.2) Art, Dance, and Social Justice: Franziska Boas, Dorothy Dehner, and David Smith at Bolton Landing, 1944–1949 Paula Wisotzki
In the Round Fall 2021 (7.2) Women Artists and Teaching: An Intersectional View Liz Kim, Amy von Lintel
Exhibition Review Spring 2021 (7.1) Writing the Future: Basquiat and the Hip-Hop Generation Reviewed by Peter R. Kalb
Exhibition Review Spring 2021 (7.1) Frida Kahlo: Appearances Can Be Deceiving Reviewed by Berit Potter
Book Review Spring 2021 (7.1) With Pleasure: Pattern and Decoration in American Art 1972–1985 Reviewed by Anne Swartz
In the Round Spring 2021 (7.1) Beyond Conflict, Toward Collaboration: The Korean American Arts Community in New York, 1980s–1990s Eunyoung Park
In the Round Spring 2021 (7.1) Commercial Design and Midcentury Asian American Art: The Greeting Cards of Tyrus Wong Karen Fang
In the Round Spring 2021 (7.1) Sadakichi Hartmann’s American Art: Citizenship, Asian America, and Critical Resistance Yinshi Lerman-Tan
Research Note Spring 2021 (7.1) “Anglo-Saxon”: Nationalism and Race in the Promotion of Edward Hopper Gail Levin
