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Spring 2021 (7.1)
Editors' Welcome
Issue 7.1
Naomi Slipp
,
Jacqueline Francis
,
Keri Watson
Special Section
Art and Politics in the US Capitol
Wendy Bellion, Anna O. Marley
Time Paused: Reflections on the
Car of History
Michele Cohen
White Supremacy, Lynchings, and Thomas Crawford’s
Statue of Freedom
Vivien Green Fryd
Sights Made and Seen
Jacqueline Francis
Columbus, Conquest, and the Capitol
Natalia Ángeles Vieyra
Politics in the Pantheon: Commemoration, White Supremacy, and National Statuary Hall
Kelvin L. Parnell Jr.
Casting the Republic in White
Christian Ayne Crouch
The Confederate Flag in the Capitol and the Future of Artistic Expression
Amy Werbel
In the Round
Asian American Art, Pasts and Futures
Marci Kwon, Aleesa Pitchamarn Alexander
In the Round
In the Presence of Archival Fugitives: Chinese Women, Souvenir Images, and the 1893 Chicago World’s Fair
Z. Serena Qiu
In the Round
Sadakichi Hartmann’s American Art: Citizenship, Asian America, and Critical Resistance
Yinshi Lerman-Tan
In the Round
Commercial Design and Midcentury Asian American Art: The Greeting Cards of Tyrus Wong
Karen Fang
In the Round
Art, Technology, Crisis: The Work of Carl Cheng
Catherine Damman
In the Round
Returning to
Dialectics of Isolation
: The Non-Aligned Movement, Imperial Feminism, and a Third Way
Sadia Shirazi
In the Round
Beyond Conflict, Toward Collaboration: The Korean American Arts Community in New York, 1980s–1990s
Eunyoung Park
In the Round
Time Goes By, So Slowly: Tina Takemoto’s Queer Futurity
Jenni Sorkin
In the Round
Un-Disciplining the Archive: Jerome Reyes and Maia Cruz Palileo
Ellen Yoshi Tani
In the Round
Beatrice Glow and the Botanical Intimacies of Empire
Hsuan L. Hsu
In the Round
Asian American Art and the Obligation of Museums
Aleesa Pitchamarn Alexander
Research Note
A Research Portal for American Watercolors, Prints, and Drawings 1850–1925: A Source for Obscure Catalogues, Artists’ Societies, and Women Artists
Kathleen A. Foster
Research Note
Nature:
A Nineteenth-Century Engraving Linking Charles Willson Peale, James Akin, and Peale’s Mastodon
Allison M. Stagg
Research Note
New Discovery: Robert S. Duncanson’s
Ruins of Carthage
(1845)
Theresa Leininger-Miller
Research Note
“The Most Perfect Manner”: Paul Weber and the Transnationalism of US Landscapes
Thomas Busciglio-Ritter
Research Note
“Anglo-Saxon”: Nationalism and Race in the Promotion of Edward Hopper
Gail Levin
Colloquium
American Art History in the Time of Crises
Jacqueline Francis, Naomi Slipp, Keri Watson
Colloquium
Aesthetic Anchors: Bridging the Distance during the Pandemic
Crystal L. Keels
Colloquium
Changes in the Air: Reflections on My Pandemic Year
Anuradha Vikram
Colloquium
Museum Work in a Time of Pandemic: Crisis and Creativity
Courtney A. McNeil
Colloquium
Preservation as Privilege
William L. Coleman
Colloquium
Mourning and Museums
Adam M. Thomas
Colloquium
Looking Beyond Scholarship to Community Well-Being
Mark A. Castro
Colloquium
Looking Forward
Taylor Bythewood-Porter
Colloquium
Muholi: Risk and Reward at the Cummer Museum
Andrea Barnwell Brownlee
Colloquium
Ironic Pandemic Relief
Kelli Morgan
Book Review
Restless Enterprise: The Art and Life of Eliza Pratt Greatorex
Reviewed by
Andrea Pappas
Book Review
Moved to Tears: Rethinking the Art of the Sentimental in the United States
Reviewed by
Elizabeth Bacon Eager
Book Review
Frank Duveneck: American Master
Reviewed by
Lisa N. Peters
Book Review
Orozco’s American Epic: Myth, History, and the Melancholy of Race
Reviewed by
Maya Jiménez
Book Review
With Pleasure: Pattern and Decoration in American Art 1972–1985
Reviewed by
Anne Swartz
Book Review
Slavery and the Post-Black Imagination
Reviewed by
Sadé Ayorinde
Book Review
To Describe A Life: Notes from the Intersection of Art and Race Terror
Reviewed by
Richard Hylton
Exhibition Review
Alexander von Humboldt and the United States: Art, Nature, and Culture
Reviewed by
Tara Kaufman
Exhibition Review
Mythmakers: The Art of Winslow Homer and Frederic Remington
Reviewed by
Mark Thistlethwaite
Exhibition Review
Frida Kahlo: Appearances Can Be Deceiving
Reviewed by
Berit Potter
Exhibition Review
Writing the Future: Basquiat and the Hip-Hop Generation
Reviewed by
Peter R. Kalb
Talk Back
Talk Back: But Who Will We Be?
Reviewed by
Kimberly Orcutt
,
Naomi Slipp
,
Jacqueline Francis
,
Keri Watson
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