In the Round Spring 2024 (10.1) “No Art” Protests: Restricting and Withdrawing Artistic Labor Downtown Tom Day
In the Round Spring 2024 (10.1) Lee Lozano’s Revolution, or Quitting Art at the End of the 1960s Chloë Julius
In the Round Spring 2024 (10.1) The Artistic Life and Afterlives of William James Stillman Diana Strazdes
In the Round Fall 2023 (9.2) In Search of Asian-ness in America: Situating Wing Young Huie’s Photographic Road Trip Peter Han-Chih Wang
In the Round Fall 2023 (9.2) “It Happened”: Sophie Calle and Greg Shephard’s Road Trip Film Laura Elizabeth Shea
In the Round Fall 2023 (9.2) Roadside California: Tressa Prisbrey’s Bottle Village, Theme Parks, and Art Tourism in the Golden State Elizabeth Driscoll Smith
In the Round Fall 2023 (9.2) Holy Rollers: Religion and Modern Mobility in the Art of John Steuart Curry Jeffrey Richmond-Moll
In the Round Spring 2023 (9.1) Pos(t)ing Online, or the Other Side of the Glass for Looking Marissa Vigneault
In the Round Spring 2023 (9.1) “Shutterbug?”: Black Women Photographers and the Politics of Self-Representation Emily Brady
In the Round Spring 2023 (9.1) Self-Portraits and Photocopies: Anita Steckel’s Feminist Collage Rachel Middleman
In the Round Spring 2023 (9.1) Producing and Consuming the Image of the Female Artist Ellery E. Foutch
In the Round Fall 2022 (8.2) Interview with the Artist Fabiola Jean-Louis Fabiola Jean-Louis, Hélène Valance, Tatsiana Zhurauliova
In the Round Fall 2022 (8.2) Waiting for Mlle Bourgeoise Noire and the Power of Interruption José B. Segebre Salazar
In the Round Fall 2022 (8.2) Pendant Across Time: John Singleton Copley and John Singer Sargent Caroline Culp
In the Round Fall 2022 (8.2) About Time: Temporality in American Art and Visual Culture Hélène Valance, Tatsiana Zhurauliova
In the Round Spring 2022 (8.1) Beyond Land Acknowledgments Marina Tyquiengco, Layla Bermeo, Tess Lukey
In the Round Spring 2022 (8.1) Arabian Nights in the Mississippi Delta: The Embroideries of Ethel Wright Mohamed Rachel Winter
In the Round Spring 2022 (8.1) Obligations to the Local: Solidarity as Method in LaToya Ruby Frazier’s The Last Cruze Samuel Dylan Ewing
In the Round Spring 2022 (8.1) Of Dreams, Relatives, Spirits and the Peabody Museum of Archaeology and Ethnology at Harvard Anthony Trujillo
In the Round Spring 2022 (8.1) The Tide is Turning: Gullah Vernacular Knowledge and the Ecologies of Lowcountry Basketmaking Molly Robinson
In the Round Fall 2021 (7.2) Teaching and Creating Art in the Borderlands: A Conversation with Santa C. Barraza Mary Thomas
In the Round Fall 2021 (7.2) The Art of Flocking: Sapphire and Crystals, Education, Community Building and Collaboration Joanna Gardner-Huggett
In the Round Fall 2021 (7.2) “The Art of Living”: Selma Burke’s Progressive Art Pedagogies from the New Deal to the Black Arts Movement Rebecca Giordano
In the Round Fall 2021 (7.2) Institutional Time: Judy Chicago’s Career Through the Lens of Art Education Sally Brown
In the Round Fall 2021 (7.2) An Interview with Black Ash Basket Makers Kelly Church and Reneé Wasson Dillard Melynda Seaton
In the Round Fall 2021 (7.2) An Interview with Art Educator Professor Johnnie Mae Maberry, Tougaloo College Lynnette Gilbert
In the Round Fall 2021 (7.2) Women Artists and Teaching: An Intersectional View Liz Kim, Amy von Lintel
In the Round Spring 2021 (7.1) Asian American Art and the Obligation of Museums Aleesa Pitchamarn Alexander
In the Round Spring 2021 (7.1) Un-Disciplining the Archive: Jerome Reyes and Maia Cruz Palileo Ellen Yoshi Tani
In the Round Spring 2021 (7.1) Beyond Conflict, Toward Collaboration: The Korean American Arts Community in New York, 1980s–1990s Eunyoung Park
In the Round Spring 2021 (7.1) Returning to Dialectics of Isolation : The Non-Aligned Movement, Imperial Feminism, and a Third Way Sadia Shirazi
In the Round Spring 2021 (7.1) Commercial Design and Midcentury Asian American Art: The Greeting Cards of Tyrus Wong Karen Fang
In the Round Spring 2021 (7.1) Sadakichi Hartmann’s American Art: Citizenship, Asian America, and Critical Resistance Yinshi Lerman-Tan
In the Round Spring 2021 (7.1) In the Presence of Archival Fugitives: Chinese Women, Souvenir Images, and the 1893 Chicago World’s Fair Z. Serena Qiu
In the Round Spring 2021 (7.1) Asian American Art, Pasts and Futures Marci Kwon, Aleesa Pitchamarn Alexander
In the Round Fall 2020 (6.2) “Photographic Weather”: A Posthumanist Approach to Western Survey Photography Elizabeth Hutchinson
In the Round Fall 2020 (6.2) Reading and Re-Reading Ansel Adams’s My Camera in the National Parks Lauren Johnson
In the Round Fall 2020 (6.2) Daguerreotypes and Humbugs: Pwan-Ye-Koo, Racial Science, and the Circulation of Ethnographic Images around 1850 Michelle Smiley
In the Round Fall 2020 (6.2) Material Matters: The Transatlantic Trade in Photographic Materials during the Nineteenth Century Katherine Mintie
In the Round Fall 2020 (6.2) Apsáalooke Bacheeítuuk in Washington, DC: A Case Study in Re-Reading Nineteenth-Century Delegation Photography Wendy Red Star, Shannon Vittoria
