Spring 2022 (8.1)

Editor's Welcome: Issue 8.1

Features

Seeing Flora’s Profile as Portrait

Seeing Flora’s Profile as Portrait

/ Feature Article
“The Sunflower’s Bloom of Women’s Equality”: New Contexts for Mary Cassatt’s <em>La Femme au tournesol</em>

“The Sunflower’s Bloom of Women’s Equality”: New Contexts for Mary Cassatt’s La Femme au tournesol

/ Feature Article
Visuality and the Plantationocene: The Panoramas of Regina Agu

Visuality and the Plantationocene: The Panoramas of Regina Agu

/ Feature Article

In the Round

Research Notes

Iconoclasm on Paper: Resistance in the Pages of <em>Narrative of the Life and Adventures of Henry Bibb, an American Slave</em>, 1849

Iconoclasm on Paper: Resistance in the Pages of Narrative of the Life and Adventures of Henry Bibb, an American Slave, 1849

Ellery E. Foutch
“Moral Lessons”: Charles Deas’s The Wounded Pawnee

“Moral Lessons”: Charles Deas’s The Wounded Pawnee

Carol Clark
Black-and-white photograph of a table scattered with newspaper, paintings in a Native American idiom, and art supplies

Naming Naquayouma: A Collaborative Approach to American Murals and Indigeneity at the 1937 International Exposition

Davida Fernández-Barkan, Phillippa Pitts

Colloquium

Film still from Alex Dolores Salerno's film El Dios Acostado. Echo lies on his side facing away from the camera in a clearing in the grass. In front of him are dense green trees and bushes and a few small buildings in the distance. Farther away is a large mountain overlooking the scene. The sky is bright and cloudy. There is a sense of serenity and rest.

Exploring Indisposability: The Entanglements of Crip Art

Jessica A. Cooley, Ann M. Fox
Unsolid Ground/Pile

Unsolid Ground/Pile

Kevin Quiles Bonilla
Mississippi Appendectomy

Mississippi Appendectomy

Heather Lynn Johnson
BRUISED

BRUISED

Pamela Sneed
Abstract photographic composition with black, blue, and white hues, with some red, forming an irregular grid

TEXERE: The Shape of Loss Is a Tapestry

Indira Allegra
Melancholy as Medium

Melancholy as Medium

Jill H. Casid
More from 3AM

More from 3AM

Allison Leigh Holt

Book Reviews

The Word in the Wilderness: Popular Piety and the Manuscript Arts in Early Pennsylvania

The Word in the Wilderness: Popular Piety and the Manuscript Arts in Early Pennsylvania

Christopher M. B. Allison
Gems of Art on Paper: Illustrated American Fiction and Poetry, 1785–1885

Gems of Art on Paper: Illustrated American Fiction and Poetry, 1785–1885

Julie Mellby
Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art

Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art

Elizabeth L. Block
Remade in America: Surrealist Art, Activism and Politics, 1940–1978

Remade in America: Surrealist Art, Activism and Politics, 1940–1978

Sandra Zalman

Exhibition Reviews

Exhibition Reviews in the Time of COVID-19

Exhibition Reviews in the Time of COVID-19

The Panorama Exhibition Reviews Editors
Whistler to Cassatt: American Painters in France

Whistler to Cassatt: American Painters in France

Annette Stott
Georgia O'Keeffe

Georgia O’Keeffe

Beatriz Cordero
Joseph E. Yoakum: What I Saw

Joseph E. Yoakum: What I Saw

Elizabeth Driscoll Smith
Cauleen Smith: Give It or Leave It

Cauleen Smith: Give It or Leave It

Emma Silverman