Spring 2022 (8.1)

Issue 8.1
Editors' Welcome

Issue 8.1

Naomi Slipp, Jacqueline Francis, Keri Watson, Katherine Jentleson
Seeing Flora’s Profile as Portrait
Feature Article

Seeing Flora’s Profile as Portrait

Phillip Troutman, Jennifer Van Horn
“The Sunflower’s Bloom of Women’s Equality”: New Contexts for Mary Cassatt’s <em>La Femme au tournesol</em>
Feature Article

“The Sunflower’s Bloom of Women’s Equality”: New Contexts for Mary Cassatt’s La Femme au tournesol

Nicole Georgopulos
Visuality and the Plantationocene: The Panoramas of Regina Agu
Feature Article

Visuality and the Plantationocene: The Panoramas of Regina Agu

Allison K. Young
Colorful painting of a factory building with its front wall removed, so that the viewer can see the workers inside
In the Round

Art History and the Local

Julia Silverman, Mary McNeil
Obligations to the Local: Solidarity as Method in LaToya Ruby Frazier’s <em>The Last Cruze</em>
In the Round

Obligations to the Local: Solidarity as Method in LaToya Ruby Frazier’s The Last Cruze

Samuel Dylan Ewing
The Tide is Turning: Gullah Vernacular Knowledge and the Ecologies of Lowcountry Basketmaking
In the Round

The Tide is Turning: Gullah Vernacular Knowledge and the Ecologies of Lowcountry Basketmaking

Molly Robinson
Arabian Nights in the Mississippi Delta: The Embroideries of Ethel Wright Mohamed
In the Round

Arabian Nights in the Mississippi Delta: The Embroideries of Ethel Wright Mohamed

Rachel Winter
Of Dreams, Relatives, Spirits and the Peabody Museum of Archaeology and Ethnology at Harvard
In the Round

Of Dreams, Relatives, Spirits and the Peabody Museum of Archaeology and Ethnology at Harvard

Anthony Trujillo
Beyond Land Acknowledgments
In the Round

Beyond Land Acknowledgments

Marina Tyquiengco, Layla Bermeo, Tess Lukey
Iconoclasm on Paper: Resistance in the Pages of <em>Narrative of the Life and Adventures of Henry Bibb, an American Slave</em>, 1849
Research Note

Iconoclasm on Paper: Resistance in the Pages of Narrative of the Life and Adventures of Henry Bibb, an American Slave, 1849

Ellery E. Foutch
“Moral Lessons”: Charles Deas’s The Wounded Pawnee
Research Note

“Moral Lessons”: Charles Deas’s The Wounded Pawnee

Carol Clark
Black-and-white photograph of a table scattered with newspaper, paintings in a Native American idiom, and art supplies
Research Note

Naming Naquayouma: A Collaborative Approach to American Murals and Indigeneity at the 1937 International Exposition

Davida Fernández-Barkan, Phillippa Pitts
Film still from Alex Dolores Salerno's film El Dios Acostado. Echo lies on his side facing away from the camera in a clearing in the grass. In front of him are dense green trees and bushes and a few small buildings in the distance. Farther away is a large mountain overlooking the scene. The sky is bright and cloudy. There is a sense of serenity and rest.
Colloquium

Exploring Indisposability: The Entanglements of Crip Art

Jessica A. Cooley, Ann M. Fox
Unsolid Ground/Pile
Colloquium

Unsolid Ground/Pile

Kevin Quiles Bonilla
Mississippi Appendectomy
Colloquium

Mississippi Appendectomy

Heather Lynn Johnson
BRUISED
Colloquium

BRUISED

Pamela Sneed
Abstract photographic composition with black, blue, and white hues, with some red, forming an irregular grid
Colloquium

TEXERE: The Shape of Loss Is a Tapestry

Indira Allegra
Melancholy as Medium
Colloquium

Melancholy as Medium

Jill H. Casid
More from 3AM
Colloquium

More from 3AM

Allison Leigh Holt
When We Gather
Colloquium

When We Gather

Alex Dolores Salerno
Slow Time, Slow Futurity
Colloquium

Slow Time, Slow Futurity

Ellen Samuels
The Word in the Wilderness: Popular Piety and the Manuscript Arts in Early Pennsylvania
Book Review

The Word in the Wilderness: Popular Piety and the Manuscript Arts in Early Pennsylvania

Reviewed by Christopher M. B. Allison
Gems of Art on Paper: Illustrated American Fiction and Poetry, 1785–1885
Book Review

Gems of Art on Paper: Illustrated American Fiction and Poetry, 1785–1885

Reviewed by Julie Mellby
Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art
Book Review

Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art

Reviewed by Elizabeth L. Block
Remade in America: Surrealist Art, Activism and Politics, 1940–1978
Book Review

Remade in America: Surrealist Art, Activism and Politics, 1940–1978

Reviewed by Sandra Zalman
Exhibition Reviews in the Time of COVID-19
Exhibition Review

Exhibition Reviews in the Time of COVID-19

The Panorama Exhibition Reviews Editors
Whistler to Cassatt: American Painters in France
Exhibition Review

Whistler to Cassatt: American Painters in France

Reviewed by Annette Stott
Georgia O'Keeffe
Exhibition Review

Georgia O’Keeffe

Reviewed by Beatriz Cordero
Joseph E. Yoakum: What I Saw
Exhibition Review

Joseph E. Yoakum: What I Saw

Reviewed by Elizabeth Driscoll Smith
Cauleen Smith: Give It or Leave It
Exhibition Review

Cauleen Smith: Give It or Leave It

Reviewed by Emma Silverman