In the Round Spring 2018 (4.1) The Wandering Gaze of Carrie Mae Weems’s The Louisiana Project Gwendolyn DuBois Shaw
In the Round Spring 2018 (4.1) Romare Bearden’s “Mauritius” (1969): Wars, Nations, and Everything Else Jacqueline Francis
In the Round Spring 2018 (4.1) Vibrations in the Soul: Moe Brooker’s Sacred Paintings Nikki A. Greene
In the Round Spring 2018 (4.1) “Expressive Camouflage”: Classicism, Race, and Homoerotic Desire in the Male Nudes of Richmond Barthé James Smalls
In the Round Spring 2018 (4.1) African American Artists as Agents of Modernism: A Challenge for American Art John P. Bowles
Book Review Spring 2018 (4.1) What Can and Can’t Be Said: Race, Uplift, and Monument Building in the Contemporary South Reviewed by Lauren Kroiz
Book Review Spring 2018 (4.1) Southern Accent: Seeking the American South in Contemporary Art Reviewed by Jennifer Jankauskas
Book Review Fall 2017 (3.2) Consuming Stories: Kara Walker and the Imagining of American Race Reviewed by Vivien Green Fryd
Exhibition Review Fall 2017 (3.2) Soul of a Nation: Art in the Age of Black Power Reviewed by Levi Prombaum
Exhibition Review Fall 2017 (3.2) The Wall of Respect: Vestiges, Shards and the Legacy of Black Power and Eugene Eda’s Doors for Malcolm X College Reviewed by Marissa H. Baker
Exhibition Review Fall 2017 (3.2) We Wanted a Revolution: Black Radical Women, 1965–85 Reviewed by Kim Bobier
Exhibition Review Summer 2017 (3.1) Sojourner Truth, Photography, and the Fight Against Slavery Reviewed by Jackie Clay
Exhibition Review Summer 2017 (3.1) Post Black Folk Art in America 1930–1980–2016 Reviewed by Elaine Y. Yau
Exhibition Review Summer 2016 (2.1) Art of Jazz: FORM / PERFORMANCE / NOTES Reviewed by Kelsey Gustin
Feature Article Summer 2016 (2.1) Kara Walker’s About the title: The Ghostly Presence of Transgenerational Trauma as a “Connective Tissue” Between the Past and Present Vivien Green Fryd
Exhibition Review Fall 2015 (1.2) To Be Sold: Virginia and the American Slave Trade and Purchased Lives: New Orleans and the Domestic Slave Trade, 1808–1865 Reviewed by Rachel Stephens
