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Features

Close-up of inscription on fig. 13, reading "Mark and Dave"

Disability and Creativity: David Drake’s Vessels and the Art of Collaborative Craft

June 18, 2025 / Feature Article

In the Round

Blackness, the Ashcan School, and Modern American Art

Blackness, the Ashcan School, and Modern American Art

Jordana Moore Saggese, Gwendolyn DuBois Shaw

Cakewalking the Color Line: George Luks, Racial Doublings, and Performance at the Turn of the Twentieth Century

Cakewalking the Color Line: George Luks, Racial Doublings, and Performance at the Turn of the Twentieth Century

Meaghan M. Walsh

Murky, monochromatic drawing in browns and grays of young mean on a city street facing off and throwing objects at one another.

The Real and Imagined Black-Built Environment of the Ashcan School

Jessica Larson

Oil painting of urban street scene, with elevated train tracks and storefronts converging in one-point perspective. Several figures gather in front of a theater marquee on the left, including men in dark suits, a woman in a white shift carrying a pail, and several more women with furs and hats.

Locating Blackness in John Sloan’s Neighborhood Scene

Lee Ann Custer

John Sloan’s Slow Awakening

John Sloan’s Slow Awakening

John Fagg

Can’t Get Enough: The Logics of Evidence, Anti-Blackness, and American Art History

Can’t Get Enough: The Logics of Evidence, Anti-Blackness, and American Art History

Alexis L. Boylan

Research Notes

Encountering Edmonia Lewis in the Correspondence of Florence Freeman

Encountering Edmonia Lewis in the Correspondence of Florence Freeman

Julia A. Sienkewicz

Paperwork: Bureaucracy and Legibility in a WPA Portrait

Paperwork: Bureaucracy and Legibility in a WPA Portrait

Robin Owen Joyce

Abstract design in stripes of bright blue, red, yellow and deep black. Hanging over the stripes are three intricately beaded strips with tassels; the center one has a large red plume placed over the wide blue stripe.

“Made To Be Given”: Generosity as Methodology in Arthur Amiotte’s Collaborations

Julia Hamer-Light

Digital Dialogues

Critical Cataloging: Researching American Art History on Its Own Terms

Critical Cataloging: Researching American Art History on Its Own Terms

Tracy Stuber, Jennifer Way

Critiquing the Catalog: The Fine Arts (N) Range of the Library of Congress Classification System, Systemic Bias, and the Potential of Digital Technologies

Critiquing the Catalog: The Fine Arts (N) Range of the Library of Congress Classification System, Systemic Bias, and the Potential of Digital Technologies

Stefanie Hilles

Critical Cataloging, or Why Collection Descriptions Should Be Reviewed

Critical Cataloging, or Why Collection Descriptions Should Be Reviewed

Martien de Vletter

The Incluseum Metadata Schema: An Ongoing Learning Journey

Rose Paquet

Considering Asian American Collections and Critical Cataloging

Considering Asian American Collections and Critical Cataloging

Christina Ayson-Plank, Rihoko Ueno

A Conversation on Critical Cataloging

A Conversation on Critical Cataloging

Bree Midavaine, Rosalie Hooper, Sophia Meyers

Book Reviews

Beyond Vanity: The History and Power of Hairdressing

Beyond Vanity: The History and Power of Hairdressing

Sarah Gold McBride

The Everyday Life of Memorials

The Everyday Life of Memorials

Martyna Ewa Majewska

The Art of Remembering: Essays on African American Art and History

The Art of Remembering: Essays on African American Art and History

James Smalls

The Harlem Renaissance and Transatlantic Modernism

The Harlem Renaissance and Transatlantic Modernism

Maya Harakawa

Re-Envisioning the Everyday: American Genre Scenes, 1905–1945

Re-Envisioning the Everyday: American Genre Scenes, 1905–1945

Justin Wolff

Exhibition Reviews

Poke in the Eye: Art of the West Coast Counterculture

Poke in the Eye: Art of the West Coast Counterculture

Jacqueline Witkowski

For Dear Life: Art, Medicine, and Disability

For Dear Life: Art, Medicine, and Disability

Suzanne Hudson