Book Review Spring 2024 (10.1) Speculative Landscapes: American Art and Real Estate in the Nineteenth Century Reviewed by William L. Coleman
Book Review Spring 2024 (10.1) The Forest: A Fable of America in the 1830s Reviewed by Rachael Z. DeLue
Digital Dialogues Spring 2024 (10.1) Art, Bananas, Cash: Learning from Banana Craze Sonia de Laforcade
In the Round Fall 2023 (9.2) Holy Rollers: Religion and Modern Mobility in the Art of John Steuart Curry Jeffrey Richmond-Moll
Exhibition Review Fall 2023 (9.2) Jaune Quick-to-See Smith: Memory Map Reviewed by Andrea Vázquez de Arthur
Feature Article Fall 2023 (9.2) Sensing Pollution: Picturing “Bad Air” in Gilded Age New York Vanessa Meikle Schulman
Book Review Spring 2023 (9.1) The Fruits of Empire: Art, Food, and the Politics of Race in the Age of American Expansion Reviewed by Nika Elder
Exhibition Review Spring 2023 (9.1) Amalia Mesa-Bains: Archeology of Memory Reviewed by Javier Arellano Vences
Feature Article Spring 2023 (9.1) Framing Silver’s Void in Timothy H. O’Sullivan’s Photographs of the Gould & Curry Mine Christine Garnier
Feature Article Spring 2022 (8.1) Visuality and the Plantationocene: The Panoramas of Regina Agu Allison K. Young
In the Round Spring 2022 (8.1) The Tide is Turning: Gullah Vernacular Knowledge and the Ecologies of Lowcountry Basketmaking Molly Robinson
Exhibition Review Spring 2021 (7.1) Alexander von Humboldt and the United States: Art, Nature, and Culture Reviewed by Tara Kaufman
Research Note Spring 2021 (7.1) Nature: A Nineteenth-Century Engraving Linking Charles Willson Peale, James Akin, and Peale’s Mastodon Allison M. Stagg
Exhibition Review Fall 2020 (6.2) Follies: Architectural Whimsy in the Garden and Mark Dion: Follies Reviewed by Kerry Dean Carso
In the Round Fall 2020 (6.2) “Photographic Weather”: A Posthumanist Approach to Western Survey Photography Elizabeth Hutchinson
In the Round Fall 2020 (6.2) Reading and Re-Reading Ansel Adams’s My Camera in the National Parks Lauren Johnson
In the Round Fall 2020 (6.2) Frank Speck in N’Daki Menan: Anthropological Photography in an Extractive Zone Siobhan Angus
Exhibition Review Spring 2020 (6.1) Nicholas Galanin: Everything We’ve Ever Been, Everything We Are Right Now Reviewed by Karín Aguilar-San Juan
Exhibition Review Spring 2019 (5.1) Nature’s Nation: American Art and Environment Reviewed by Emily Gephart
Bully Pulpit Spring 2019 (5.1) Ecocriticism, Environmental Justice, and the Rights of Nature Joni Adamson
Exhibition Review Fall 2018 (4.2) Charting the Divine Plan: The Art of Orra White Hitchcock (1796–1863) Reviewed by Amber Harper
Exhibition Review Fall 2018 (4.2) Thomas Cole: Eden to Empire and Ed Ruscha: Course of Empire Reviewed by David Brody
In the Round Fall 2018 (4.2) An Interview with the Curators of Thomas Cole’s Journey: Atlantic Crossings William L. Coleman, Elizabeth Mankin Kornhauser, Tim Barringer
Book Review Spring 2018 (4.1) Searching for Mary Schäffer: Women Wilderness Photography Reviewed by Katherine Mintie
Feature Article Fall 2017 (3.2) City, River, Mountain: Wayne Thiebaud’s California Margaretta M. Lovell
Feature Article Fall 2017 (3.2) Mosquitoes, Malaria, and Cold Butter: Discourses of Hygiene and Health in the Panama Canal Zone in the Early Twentieth Century Sarah J. Moore
Exhibition Review Summer 2016 (2.1) The Artist’s Garden: American Impressionism and the Garden Movement Reviewed by Robin Veder
Book Review Fall 2015 (1.2) Meaningful Places: Landscape Photographers in the Nineteenth-Century American West Reviewed by Emily L. Voelker
Feature Article Winter 2015 (1.1) Nature Defamiliarized: Picturing New Relationships between Humans and Nonhuman Nature in Northern Landscapes from the American Civil War Maura Lyons
