Research Note Spring 2025 (11.1) “Made To Be Given”: Generosity as Methodology in Arthur Amiotte’s Collaborations Julia Hamer-Light
Digital Dialogues Spring 2025 (11.1) Critiquing the Catalog: The Fine Arts (N) Range of the Library of Congress Classification System, Systemic Bias, and the Potential of Digital Technologies Stefanie Hilles
Research Note Spring 2025 (11.1) Encountering Edmonia Lewis in the Correspondence of Florence Freeman Julia A. Sienkewicz
Colloquium Fall 2024 (10.2) Kay WalkingStick’s Layered Landscapes and Critical Stewardship in American Art History Erin Pauwels
Exhibition Review Fall 2023 (9.2) Jaune Quick-to-See Smith: Memory Map Reviewed by Andrea Vázquez de Arthur
Exhibition Review Fall 2023 (9.2) Shaped by the Loom: Weaving Worlds in the American Southwest Reviewed by Elizabeth S. Hawley
Research Note Spring 2023 (9.1) Interpretation as Introspection: Transforming Narratives of American Art at the Allen Memorial Art Museum Hannah Wirta Kinney, Alexandra Letvin
Research Note Spring 2023 (9.1) Re-reading Wampum: The Penn Treaty Belt and Indeterminate Iconographies Kerr Houston
Book Review Fall 2022 (8.2) Painful Beauty: Tlingit Women, Beadwork, and the Art of Resilience Reviewed by Alison Ariss
Research Note Spring 2022 (8.1) Naming Naquayouma: A Collaborative Approach to American Murals and Indigeneity at the 1937 International Exposition Davida Fernández-Barkan, Phillippa Pitts
In the Round Spring 2022 (8.1) Beyond Land Acknowledgments Marina Tyquiengco, Layla Bermeo, Tess Lukey
In the Round Spring 2022 (8.1) Of Dreams, Relatives, Spirits and the Peabody Museum of Archaeology and Ethnology at Harvard Anthony Trujillo
In the Round Fall 2021 (7.2) Teaching and Creating Art in the Borderlands: A Conversation with Santa C. Barraza Mary Thomas
Colloquium Fall 2021 (7.2) Contact, and Contact Again: Reflections on an Eighteenth-Century Powderhorn Jennifer Y. Chuong, Kailani Polzak
Colloquium Fall 2021 (7.2) Transformation on the Plains: The Extermination of the Buffalo and a Way of Life Darienne Turner
In the Round Fall 2021 (7.2) An Interview with Black Ash Basket Makers Kelly Church and Reneé Wasson Dillard Melynda Seaton
In the Round Fall 2020 (6.2) Apsáalooke Bacheeítuuk in Washington, DC: A Case Study in Re-Reading Nineteenth-Century Delegation Photography Wendy Red Star, Shannon Vittoria
In the Round Fall 2020 (6.2) Siŋté Máza (Iron Tail)’s Photographic Opportunities: The Transit of Lakȟóta Performance and Arts Emily C. Burns
Book Review Fall 2020 (6.2) Becoming Mary Sully: Toward an American Indian Abstract Reviewed by Manon Gaudet
Research Note Fall 2020 (6.2) Traversing Two Cultures: A Portrait of William McIntosh, Southern Slave Owner and Lower Creek Chief Naomi Slipp
In the Round Fall 2020 (6.2) Frank Speck in N’Daki Menan: Anthropological Photography in an Extractive Zone Siobhan Angus
Exhibition Review Spring 2020 (6.1) Nicholas Galanin: Everything We’ve Ever Been, Everything We Are Right Now Reviewed by Karín Aguilar-San Juan
Book Review Fall 2019 (5.2) Proud Raven, Panting Wolf: Carving Alaska’s New Deal Totem Parks Reviewed by Sascha T. Scott
Exhibition Review Spring 2019 (5.1) Art of Native America: The Charles and Valerie Diker Collection Reviewed by Jami Powell
Exhibition Review Spring 2019 (5.1) Nature’s Nation: American Art and Environment Reviewed by Emily Gephart
Book Review Spring 2019 (5.1) Art for an Undivided Earth: The American Indian Movement Generation Reviewed by Louise Siddons
Bully Pulpit Fall 2018 (4.2) Jami Powell, Associate Curator of Native American Art, Hood Museum of Art, Dartmouth College Jami Powell
Bully Pulpit Fall 2018 (4.2) Karen Kramer, Curator of Native American and Oceanic Art and Culture and Director of the Native American Fellowship Program, Peabody Essex Museum Karen Kramer
Bully Pulpit Fall 2018 (4.2) heather ahtone (Choctaw/Chickasaw), Senior Curator, American Indian Cultural Center and Museum, Oklahoma City heather ahtone
Bully Pulpit Fall 2018 (4.2) Textualizing Intangible Cultural Heritage: Querying the Methods of Art History Kathryn Bunn-Marcuse
Book Review Spring 2018 (4.1) Plundered Skulls and Stolen Spirits: Inside the Fight to Reclaim Native America’s Culture Reviewed by Emily Moore
Book Review Spring 2018 (4.1) Officially Indian: Symbols That Define the United States Reviewed by Kristine K. Ronan
Book Review Spring 2018 (4.1) Searching for Mary Schäffer: Women Wilderness Photography Reviewed by Katherine Mintie
Research Note Fall 2017 (3.2) “Kicked About”: Native Culture at Thomas Jefferson’s Monticello Kristine K. Ronan
Book Review Summer 2017 (3.1) A Strange Mixture: The Art and Politics of Painting Pueblo Indians Reviewed by Emily C. Burns
Exhibition Review Fall 2016 (2.2) Indigenous Beauty: Masterworks of American Indian Art from the Diker Collection Reviewed by Laura E. Smith
