In the Round Spring 2023 (9.1) Pos(t)ing Online, or the Other Side of the Glass for Looking Marissa Vigneault
Book Review Fall 2022 (8.2) Alloys: American Sculpture and Architecture at Midcentury Reviewed by Sydney Skelton Simon
Feature Article Fall 2022 (8.2) Naming, Blaming, and Claiming: The Columbus Monument and the Struggle for Diversity Rights in Syracuse, New York Kristina Borrman
In the Round Fall 2022 (8.2) Interview with the Artist Fabiola Jean-Louis Fabiola Jean-Louis, Hélène Valance, Tatsiana Zhurauliova
Feature Article Fall 2022 (8.2) More Than a Museum: The Chinati Foundation, Home of the Brave Max Tolleson
Feature Article Fall 2021 (7.2) Commemoration of an Epoch: Monuments to the Women’s Suffrage Movement in the United States Sierra Rooney
Special Section Spring 2021 (7.1) Politics in the Pantheon: Commemoration, White Supremacy, and National Statuary Hall Kelvin L. Parnell Jr.
Special Section Spring 2021 (7.1) White Supremacy, Lynchings, and Thomas Crawford’s Statue of Freedom Vivien Green Fryd
Book Review Fall 2020 (6.2) Race Experts: Sculpture, Anthropology, and the American Public in Malvina Hoffman’s Races of Mankind Reviewed by Renée Ater
Book Review Spring 2020 (6.1) Sculpture in Gotham: Art and Urban Renewal in New York City Reviewed by Marin R. Sullivan
Book Review Spring 2020 (6.1) Iconoclasm in New York: Revolution to Reenactment Reviewed by Caroline Culp
In the Round Spring 2018 (4.1) Romare Bearden’s “Mauritius” (1969): Wars, Nations, and Everything Else Jacqueline Francis
In the Round Spring 2018 (4.1) “Expressive Camouflage”: Classicism, Race, and Homoerotic Desire in the Male Nudes of Richmond Barthé James Smalls
Research Note Fall 2017 (3.2) “Kicked About”: Native Culture at Thomas Jefferson’s Monticello Kristine K. Ronan
In the Round Summer 2017 (3.1) Cemeteries and Sculpture: “Ideal” Material Culture Pedagogy Elise Madeleine Ciregna
Feature Article Summer 2017 (3.1) The Thiele Family Monument: Vision of a Heavenly Future Annette Stott
Feature Article Summer 2017 (3.1) Marmorean Ballplayer: Sheriff John McNamee of Brooklyn and His Sculptural Career in Florence Paul H. D. Kaplan
Exhibition Review Summer 2016 (2.1) Measured Perfection: Hiram Powers’ Greek Slave Reviewed by Jenny Carson
Feature Article Fall 2015 (1.2) Dashing for America: Frederic Remington, National Myths, and Art Historical Narratives Margaretta M. Lovell
Book Review Winter 2015 (1.1) Sculpting Doughboys: Memory, Gender, and Taste in America’s World War I Memorials Reviewed by Jenny Carson
