Fall 2020 (6.2) Archives

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Special Anniversary Issue (Issue 6.2)

Five Years of Panorama—Forty Years of AHAA

Editors’ Reflections on the First Five Years of Panorama

Who Will We Be? The Association of Historians of American Art on its Fortieth Anniversary

Re-Reading American Photographs

José María Mora and the Migrant Surround in American Portrait Photography

Undocumented Migration and Political Community in Susan Meiselas’s Crossings Photographs

A “Russianesque Camera Artist”: Margaret Bourke-White’s American-Soviet Photography

Siŋté Máza (Iron Tail)’s Photographic Opportunities: The Transit of Lakȟóta Performance and Arts

Apsáalooke Bacheeítuuk in Washington, DC: A Case Study in Re-Reading Nineteenth-Century Delegation Photography

Reading and Re-Reading Ansel Adams’s My Camera in the National Parks

Frank Speck in N’Daki Menan: Anthropological Photography in an Extractive Zone

“Photographic Weather”: A Posthumanist Approach to Western Survey Photography

Material Matters: The Transatlantic Trade in Photographic Materials during the Nineteenth Century

Daguerreotypes and Humbugs: Pwan-Ye-Koo, Racial Science, and the Circulation of Ethnographic Images around 1850

The Story of Edward Hill and the African Groom at Shirley Plantation

Traversing Two Cultures: A Portrait of William McIntosh, Southern Slave Owner and Lower Creek Chief

“The Time Has Now Gone by When Things of This Nature Are to Be Hidden from the Public”: Mediating Bodily and Archival Violence

Wyeth in Taiwan

Self-Criticality

Museums, Academy and Call-out Culture: A Defense

It’s Time to Share

Decolonizing Decolonization

Refusing the Call for Recognition

Animals, Anthropocentrism, and Antiracism in American Art

Out of Time, Out of Mind

Becoming Mary Sully: Toward an American Indian Abstract

Lincoln Kirstein’s Modern

Talk Back: Be a Generalist!

Race Experts: Sculpture, Anthropology, and the American Public in Malvina Hoffman’s Races of Mankind

Art for People’s Sake: Artists and Community in Black Chicago, 1965–1975

Stick to the Skin: African American and Black British Art, 1965–2015

Riffs and Relations: African American Artists and the European Modernist Tradition

Vida Americana: Mexican Muralists Remake American Art, 1925–1945

The Levee: A Photographer in the American South

Follies: Architectural Whimsy in the Garden and Mark Dion: Follies