Site Search Search for: Search News Fall 2024 (10.2) Panorama seeking Research Notes editor Digital Dialogues Fall 2024 (10.2) Zombie Humanism, Generative AI Images, and Photography Helen Lewandowski Research Note Fall 2024 (10.2) Janet Sobel’s All Over, Everywhere Natalie Dupêcher Book Review Fall 2024 (10.2) Glorious Lessons: John Trumbull, Painter of the American Revolution Reviewed by Paul Staiti Special Anniversary Issue Fall 2024 (10.2) Americanist Questionnaire Jenni Sorkin, Mia L. Bagneris, Maggie A. Cao, Sarah Burns, Adrienne L. Childs, Robert (Bob) Cozzolino, Erika Doss, Jennifer Greenhill, Eleanor Harvey, Amy Von Lintel, Elaine Yau, Sylvia Yount Editors' Welcome Fall 2024 (10.2) Tenth Anniversary Issue (10.2) Keri Watson, Katherine Jentleson, Jenni Sorkin, Cyle Metzger Research Note Fall 2024 (10.2) In the Aggregate: Women Artists, Museum Work, and the Paths We Tread Annelise K. Madsen Book Review Fall 2024 (10.2) Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770 Reviewed by Elizabeth Bacon Eager Digital Dialogues Fall 2024 (10.2) Closer to Mainstream: Dorothy Liebes Goes Digital Analisa Coats Sato Special Anniversary Issue Fall 2024 (10.2) A Look Back: Thirty Years of AmArt-L Keidra Daniels Navaroli Colloquium Fall 2024 (10.2) Douglass’s Pictures, Julien’s Lessons Dina Murokh Colloquium Fall 2024 (10.2) Canyon: Robert Rauschenberg’s Declaration of Independence Jonathan Frederick Walz Colloquium Fall 2024 (10.2) Teaching and/as/in Marie Watt’s Sewing Circles Charlotte Hecht, M. Stang Colloquium Fall 2024 (10.2) Kay WalkingStick’s Layered Landscapes and Critical Stewardship in American Art History Erin Pauwels Colloquium Fall 2024 (10.2) Red, Fried, and Blue: Kiyan Williams Remakes the Flag Adria Gunter Colloquium Fall 2024 (10.2) Norman Parish’s Historical Gyrations Michael Lobel News Fall 2024 (10.2) AHAA Recap: What Does the Future Hold for American Art History? Taylor Rose Payer Exhibition Review Fall 2024 (10.2) Pacita Abad Reviewed by Marissa Vigneault Exhibition Review Fall 2024 (10.2) Janet Sobel: All Over Reviewed by Sandra Zalman Exhibition Review Fall 2024 (10.2) Sargent Claude Johnson Reviewed by Christine Garnier Exhibition Review Fall 2024 (10.2) Georgia O’Keeffe: “My New Yorks” Reviewed by Lee Ann Custer Exhibition Review Fall 2024 (10.2) Framing Freedom: The Harriet Hayden Albums Reviewed by Anne Strachan Cross Book Review Fall 2024 (10.2) Reclaiming the Americas: Latinx Art and the Politics of Territory Reviewed by Mary K. Coffey Book Review Fall 2024 (10.2) The Awe of the Arctic: A Visual History Reviewed by Katherine Manthorne Colloquium Fall 2024 (10.2) American Artists x American Symbols Katherine Jentleson Colloquium Fall 2024 (10.2) How Free is Free? Ben Shahn, the Statue of Liberty, and the History of American Art Frances K. Pohl Exhibition Review Spring 2024 (10.1) Dawoud Bey: Elegy Reviewed by Sharayah L. Cochran In the Round Spring 2024 (10.1) “No Art” Protests: Restricting and Withdrawing Artistic Labor Downtown Tom Day Exhibition Review Spring 2024 (10.1) Han Reviewed by Ashley E. Kim Duffey Exhibition Review Spring 2024 (10.1) Marking an Era: Celebrating Self Help Graphics & Art at 50 Reviewed by Margot Yale
Digital Dialogues Fall 2024 (10.2) Zombie Humanism, Generative AI Images, and Photography Helen Lewandowski
Book Review Fall 2024 (10.2) Glorious Lessons: John Trumbull, Painter of the American Revolution Reviewed by Paul Staiti
Special Anniversary Issue Fall 2024 (10.2) Americanist Questionnaire Jenni Sorkin, Mia L. Bagneris, Maggie A. Cao, Sarah Burns, Adrienne L. Childs, Robert (Bob) Cozzolino, Erika Doss, Jennifer Greenhill, Eleanor Harvey, Amy Von Lintel, Elaine Yau, Sylvia Yount
Editors' Welcome Fall 2024 (10.2) Tenth Anniversary Issue (10.2) Keri Watson, Katherine Jentleson, Jenni Sorkin, Cyle Metzger
Research Note Fall 2024 (10.2) In the Aggregate: Women Artists, Museum Work, and the Paths We Tread Annelise K. Madsen
Book Review Fall 2024 (10.2) Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770 Reviewed by Elizabeth Bacon Eager
Digital Dialogues Fall 2024 (10.2) Closer to Mainstream: Dorothy Liebes Goes Digital Analisa Coats Sato
Special Anniversary Issue Fall 2024 (10.2) A Look Back: Thirty Years of AmArt-L Keidra Daniels Navaroli
Colloquium Fall 2024 (10.2) Canyon: Robert Rauschenberg’s Declaration of Independence Jonathan Frederick Walz
Colloquium Fall 2024 (10.2) Kay WalkingStick’s Layered Landscapes and Critical Stewardship in American Art History Erin Pauwels
News Fall 2024 (10.2) AHAA Recap: What Does the Future Hold for American Art History? Taylor Rose Payer
Exhibition Review Fall 2024 (10.2) Framing Freedom: The Harriet Hayden Albums Reviewed by Anne Strachan Cross
Book Review Fall 2024 (10.2) Reclaiming the Americas: Latinx Art and the Politics of Territory Reviewed by Mary K. Coffey
Colloquium Fall 2024 (10.2) How Free is Free? Ben Shahn, the Statue of Liberty, and the History of American Art Frances K. Pohl
In the Round Spring 2024 (10.1) “No Art” Protests: Restricting and Withdrawing Artistic Labor Downtown Tom Day
Exhibition Review Spring 2024 (10.1) Marking an Era: Celebrating Self Help Graphics & Art at 50 Reviewed by Margot Yale
