Research Note Spring 2021 (7.1) Nature: A Nineteenth-Century Engraving Linking Charles Willson Peale, James Akin, and Peale’s Mastodon Allison M. Stagg
In the Round Fall 2020 (6.2) Apsáalooke Bacheeítuuk in Washington, DC: A Case Study in Re-Reading Nineteenth-Century Delegation Photography Wendy Red Star, Shannon Vittoria
In the Round Fall 2020 (6.2) “Photographic Weather”: A Posthumanist Approach to Western Survey Photography Elizabeth Hutchinson
In the Round Fall 2020 (6.2) Daguerreotypes and Humbugs: Pwan-Ye-Koo, Racial Science, and the Circulation of Ethnographic Images around 1850 Michelle Smiley
In the Round Fall 2020 (6.2) Material Matters: The Transatlantic Trade in Photographic Materials during the Nineteenth Century Katherine Mintie
Research Note Fall 2020 (6.2) “The Time Has Now Gone by When Things of This Nature Are to Be Hidden from the Public”: Mediating Bodily and Archival Violence Anne Strachan Cross
In the Round Spring 2020 (6.1) The Architects of Reconstruction: Alcès Family Portraits as Emblems of Afro-Creole Leadership Wendy Castenell
In the Round Spring 2020 (6.1) “Whatever is un-Virginian is Wrong!”: The Loyal Slave Trope in Civil War Richmond and the Origins of the Lost Cause Rachel Stephens
Bully Pulpit Spring 2020 (6.1) Be Fruitful and Multiply: Food, National Expansion, and the Art of Empire Shana Klein
Exhibition Review Spring 2020 (6.1) Rufus Porter’s Curious World: Art and Invention in America, 1815–1860 Reviewed by Diana Jocelyn Greenwold
Book Review Spring 2020 (6.1) The Commerce of Vision: Optical Culture and Perception in Antebellum America Reviewed by Catherine Holochwost
Book Review Fall 2019 (5.2) The Trans-Mississippi and International Expositions of 1898–1899: Art, Anthropology, and Popular Culture at the Fin de Siècle Reviewed by Kimberly Orcutt
Book Review Fall 2019 (5.2) Selling Andrew Jackson: Ralph E. W. Earl and the Politics of Portraiture Reviewed by Alba Campo Rosillo
Book Review Fall 2019 (5.2) The End of Landscape in Nineteenth-Century America Reviewed by Melissa Geisler Trafton
In the Round Fall 2019 (5.2) Artistic Journeys: Assignments Engaging Primary Source Materials Janice Simon
Feature Article Fall 2018 (4.2) “A Kind of Traveling Gazette”: Edward Lamson Henry’s The Latest Village Scandal, Gossip, and History at the Dawn of Sensational Journalism Nicole J. Williams
Book Review Fall 2018 (4.2) Lust on Trial: Censorship and the Rise of American Obscenity in the Age of Anthony Comstock Reviewed by Mary Campbell
Exhibition Review Fall 2018 (4.2) Thomas Cole: Eden to Empire and Ed Ruscha: Course of Empire Reviewed by David Brody
Exhibition Review Fall 2018 (4.2) Frederic Church: A Painter’s Pilgrimage and Costume & Custom: Middle Eastern Threads at Olana Reviewed by Katherine Manthorne
Research Note Fall 2018 (4.2) The Paintings Left Behind: Two New Paintings by Mary Cassatt from Seville M. Elizabeth Boone
Research Note Fall 2018 (4.2) Playing the Race Card: Thomas Le Clear’s High, Jack, Game Tanya Sheehan
Research Note Spring 2018 (4.1) “If You Can Read This . . .”: Winslow Homer’s The Gulf Stream and the Viewing of His Pictures Marc Simpson
Feature Article Fall 2017 (3.2) Mosquitoes, Malaria, and Cold Butter: Discourses of Hygiene and Health in the Panama Canal Zone in the Early Twentieth Century Sarah J. Moore
Book Review Fall 2017 (3.2) The American School: Artists and Status in the Late Colonial and Early National Era Reviewed by Marie-Stéphanie Delamaire
In the Round Fall 2017 (3.2) Feeding the Conscience: Philanthropic Food Distribution and Difference in the Popular Press Lauren Freese
Exhibition Review Summer 2017 (3.1) Sojourner Truth, Photography, and the Fight Against Slavery Reviewed by Jackie Clay
Exhibition Review Summer 2017 (3.1) William Merritt Chase: A Modern Master Reviewed by Christina Michelon
Research Note Summer 2017 (3.1) “It’s in My Mind”: William Merritt Chase and the Imagination James Glisson
Feature Article Summer 2017 (3.1) The Thiele Family Monument: Vision of a Heavenly Future Annette Stott
Feature Article Summer 2017 (3.1) Marmorean Ballplayer: Sheriff John McNamee of Brooklyn and His Sculptural Career in Florence Paul H. D. Kaplan
Exhibition Review Summer 2016 (2.1) NANITCH: Early Photographs of British Columbia from the Langmann Collection Reviewed by M. Elizabeth Boone
Exhibition Review Summer 2016 (2.1) Measured Perfection: Hiram Powers’ Greek Slave Reviewed by Jenny Carson
In the Round Summer 2016 (2.1) Creative Combustion: Image, Imagination and the Work of Robert Fulton Elizabeth Bacon Eager
In the Round Summer 2016 (2.1) Capturing “Jove’s Autograph”: Late Nineteenth-Century Lightning Photography and Electrical Agency Laura Turner Igoe
Exhibition Review Fall 2015 (1.2) To Be Sold: Virginia and the American Slave Trade and Purchased Lives: New Orleans and the Domestic Slave Trade, 1808–1865 Reviewed by Rachel Stephens
Exhibition Review Fall 2015 (1.2) Shooting Lincoln: Photography and the 16th President Reviewed by Corey Piper
Book Review Fall 2015 (1.2) Samuel F.B. Morse’s Gallery of the Louvre and the Art of Invention Reviewed by Guy Jordan
Book Review Fall 2015 (1.2) Meaningful Places: Landscape Photographers in the Nineteenth-Century American West Reviewed by Emily L. Voelker
Feature Article Fall 2015 (1.2) Dashing for America: Frederic Remington, National Myths, and Art Historical Narratives Margaretta M. Lovell
Book Review Winter 2015 (1.1) Transporting Visions: The Movement of Images in Early America Reviewed by Austin Porter
Book Review Winter 2015 (1.1) Manufacturing the Modern Patron in Victorian California: Cultural Philanthropy, Industrial Capital and Social Authority Reviewed by Emily Handlin
Feature Article Fall 2015 (1.2) By Which Melancholy Occurrence: The Disaster Prints of Nathaniel Currier, 1835–1840 Genoa Shepley
