Spring 2021 (7.1)

Issue 7.1
Editors' Welcome

Issue 7.1

Naomi Slipp, Jacqueline Francis, Keri Watson
Talk Back: But Who Will We Be?
Talk Back

Talk Back: But Who Will We Be?

Kimberly Orcutt, Naomi Slipp, Jacqueline Francis, Keri Watson
Art and Politics in the US Capitol
Special Section

Art and Politics in the US Capitol

Wendy Bellion, Anna O. Marley
Time Paused: Reflections on the <em>Car of History</em>

Time Paused: Reflections on the Car of History

Michele Cohen
White Supremacy, Lynchings, and Thomas Crawford’s <em>Statue of Freedom</em>

White Supremacy, Lynchings, and Thomas Crawford’s Statue of Freedom

Vivien Green Fryd
Sights Made and Seen

Sights Made and Seen

Jacqueline Francis
Columbus, Conquest, and the Capitol

Columbus, Conquest, and the Capitol

Natalia Ángeles Vieyra
Politics in the Pantheon: Commemoration, White Supremacy, and National Statuary Hall

Politics in the Pantheon: Commemoration, White Supremacy, and National Statuary Hall

Kelvin L. Parnell Jr.
Casting the Republic in White

Casting the Republic in White

Christian Ayne Crouch
The Confederate Flag in the Capitol and the Future of Artistic Expression

The Confederate Flag in the Capitol and the Future of Artistic Expression

Amy Werbel
Asian American Art, Pasts and Futures
In the Round

Asian American Art, Pasts and Futures

Marci Kwon, Aleesa Pitchamarn Alexander
In the Presence of Archival Fugitives: Chinese Women, Souvenir Images, and the 1893 Chicago World’s Fair
In the Round

In the Presence of Archival Fugitives: Chinese Women, Souvenir Images, and the 1893 Chicago World’s Fair

Z. Serena Qiu
Sadakichi Hartmann’s American Art: Citizenship, Asian America, and Critical Resistance
In the Round

Sadakichi Hartmann’s American Art: Citizenship, Asian America, and Critical Resistance

Yinshi Lerman-Tan
Commercial Design and Midcentury Asian American Art: The Greeting Cards of Tyrus Wong
In the Round

Commercial Design and Midcentury Asian American Art: The Greeting Cards of Tyrus Wong

Karen Fang
Art, Technology, Crisis: The Work of Carl Cheng
In the Round

Art, Technology, Crisis: The Work of Carl Cheng

Catherine Damman
Returning to <em>Dialectics of Isolation</em> : The Non-Aligned Movement, Imperial Feminism, and a Third Way
In the Round

Returning to Dialectics of Isolation : The Non-Aligned Movement, Imperial Feminism, and a Third Way

Sadia Shirazi
Beyond Conflict, Toward Collaboration: The Korean American Arts Community in New York, 1980s–1990s
In the Round

Beyond Conflict, Toward Collaboration: The Korean American Arts Community in New York, 1980s–1990s

Eunyoung Park
Time Goes By, So Slowly: Tina Takemoto’s Queer Futurity
In the Round

Time Goes By, So Slowly: Tina Takemoto’s Queer Futurity

Jenni Sorkin
Un-Disciplining the Archive: Jerome Reyes and Maia Cruz Palileo
In the Round

Un-Disciplining the Archive: Jerome Reyes and Maia Cruz Palileo

Ellen Yoshi Tani
Beatrice Glow and the Botanical Intimacies of Empire
In the Round

Beatrice Glow and the Botanical Intimacies of Empire

Hsuan L. Hsu
Asian American Art and the Obligation of Museums
In the Round

Asian American Art and the Obligation of Museums

Aleesa Pitchamarn Alexander
A Research Portal for American Watercolors, Prints, and Drawings 1850–1925: A Source for Obscure Catalogues, Artists’ Societies, and Women Artists
Research Note

A Research Portal for American Watercolors, Prints, and Drawings 1850–1925: A Source for Obscure Catalogues, Artists’ Societies, and Women Artists

Kathleen A. Foster
<em>Nature:</em> A Nineteenth-Century Engraving Linking Charles Willson Peale, James Akin, and Peale’s Mastodon
Research Note

Nature: A Nineteenth-Century Engraving Linking Charles Willson Peale, James Akin, and Peale’s Mastodon

Allison M. Stagg
New Discovery: Robert S. Duncanson’s <em>Ruins of Carthage</em> (1845)
Research Note

New Discovery: Robert S. Duncanson’s Ruins of Carthage (1845)

Theresa Leininger-Miller
“The Most Perfect Manner”: Paul Weber and the Transnationalism of US Landscapes
Research Note

“The Most Perfect Manner”: Paul Weber and the Transnationalism of US Landscapes

Thomas Busciglio-Ritter
“Anglo-Saxon”: Nationalism and Race in the Promotion of Edward Hopper
Research Note

“Anglo-Saxon”: Nationalism and Race in the Promotion of Edward Hopper

Gail Levin
American Art History in the Time of Crises
Colloquium

American Art History in the Time of Crises

Jacqueline Francis, Naomi Slipp, Keri Watson
Aesthetic Anchors: Bridging the Distance during the Pandemic
Colloquium

Aesthetic Anchors: Bridging the Distance during the Pandemic

Crystal L. Keels
Changes in the Air: Reflections on My Pandemic Year
Colloquium

Changes in the Air: Reflections on My Pandemic Year

Anuradha Vikram
Museum Work in a Time of Pandemic: Crisis and Creativity
Colloquium

Museum Work in a Time of Pandemic: Crisis and Creativity

Courtney A. McNeil
Preservation as Privilege
Colloquium

Preservation as Privilege

William L. Coleman
Mourning and Museums
Colloquium

Mourning and Museums

Adam M. Thomas
Looking Beyond Scholarship to Community Well-Being
Colloquium

Looking Beyond Scholarship to Community Well-Being

Mark A. Castro
Looking Forward
Colloquium

Looking Forward

Taylor Bythewood-Porter
Muholi: Risk and Reward at the Cummer Museum
Colloquium

Muholi: Risk and Reward at the Cummer Museum

Andrea Barnwell Brownlee
Ironic Pandemic Relief
Colloquium

Ironic Pandemic Relief

Kelli Morgan
Restless Enterprise: The Art and Life of Eliza Pratt Greatorex
Book Review

Restless Enterprise: The Art and Life of Eliza Pratt Greatorex

Reviewed by Andrea Pappas
Moved to Tears: Rethinking the Art of the Sentimental in the United States
Book Review

Moved to Tears: Rethinking the Art of the Sentimental in the United States

Reviewed by Elizabeth Bacon Eager
Frank Duveneck: American Master
Book Review

Frank Duveneck: American Master

Reviewed by Lisa N. Peters
Orozco’s American Epic: Myth, History, and the Melancholy of Race
Book Review

Orozco’s American Epic: Myth, History, and the Melancholy of Race

Reviewed by Maya Jiménez
With Pleasure: Pattern and Decoration in American Art 1972–1985
Book Review

With Pleasure: Pattern and Decoration in American Art 1972–1985

Reviewed by Anne Swartz
Slavery and the Post-Black Imagination
Book Review

Slavery and the Post-Black Imagination

Reviewed by Sadé Ayorinde
To Describe A Life: Notes from the Intersection of Art and Race Terror
Book Review

To Describe A Life: Notes from the Intersection of Art and Race Terror

Reviewed by Richard Hylton
Alexander von Humboldt and the United States: Art, Nature, and Culture
Exhibition Review

Alexander von Humboldt and the United States: Art, Nature, and Culture

Reviewed by Tara Kaufman
Mythmakers: The Art of Winslow Homer and Frederic Remington
Exhibition Review

Mythmakers: The Art of Winslow Homer and Frederic Remington

Reviewed by Mark Thistlethwaite
Frida Kahlo: Appearances Can Be Deceiving
Exhibition Review

Frida Kahlo: Appearances Can Be Deceiving

Reviewed by Berit Potter
Writing the Future: Basquiat and the Hip-Hop Generation
Exhibition Review

Writing the Future: Basquiat and the Hip-Hop Generation

Reviewed by Peter R. Kalb