Site Search Search for: Search Special Section Fall 2023 (9.2) The Nature and Sources of American Art Museum Funding Jeffrey Abt Special Section Fall 2023 (9.2) Who Funds American Art? Everyone Does. Terence Washington Special Section Fall 2023 (9.2) A Response to Barabási and Shekhtman Adam Levine Special Section Fall 2023 (9.2) Who Supports American Art Museums? Introducing a New Dataset and Data Sources about Museum Funding Albert-László Barabási, Louis Shekhtman Exhibition Review Fall 2023 (9.2) Pepe Mar: Myth and Magic Reviewed by David Matteson Research Note Fall 2023 (9.2) Philly Necrofutures: Digital Curation to Counter the Under-Resourcing of African Collections at the Philadelphia Museum of Art Synatra Smith, Hilary Whitham Sánchez Book Review Fall 2023 (9.2) Painting the Inhabited Landscape: Fitz H. Lane and the Global Reach of Antebellum America Reviewed by Katherine Manthorne In the Round Fall 2023 (9.2) “It Happened”: Sophie Calle and Greg Shephard’s Road Trip Film Laura Elizabeth Shea In the Round Fall 2023 (9.2) In Search of Asian-ness in America: Situating Wing Young Huie’s Photographic Road Trip Peter Han-Chih Wang In the Round Fall 2023 (9.2) Roadside California: Tressa Prisbrey’s Bottle Village, Theme Parks, and Art Tourism in the Golden State Elizabeth Driscoll Smith In the Round Fall 2023 (9.2) Holy Rollers: Religion and Modern Mobility in the Art of John Steuart Curry Jeffrey Richmond-Moll Book Review Fall 2023 (9.2) MoMA Goes to Paris in 1938: Building and Politicizing American Art Reviewed by Antje Gamble Research Note Fall 2023 (9.2) Looking In, Looking Out: Mapping Chinese Exclusion and Imperial Expansion in a San Francisco Photographic Collage Kevin Hong Exhibition Review Fall 2023 (9.2) Jaune Quick-to-See Smith: Memory Map Reviewed by Andrea Vázquez de Arthur Editors' Welcome Fall 2023 (9.2) Issue 9.2 (Fall 2023) Keri Watson, Katherine Jentleson, Jenni Sorkin Exhibition Review Fall 2023 (9.2) Hear Me Now: The Black Potters of Old Edgefield, South Carolina Reviewed by Jill Vaum Rothschild Exhibition Review Fall 2023 (9.2) Celia Álvarez Muñoz: Breaking the Binding Reviewed by Alexandro Segade Research Note Fall 2023 (9.2) A Collaborative Creation of Home: Recognizing the Multifarious Roles and Representations of Jessie Tanner Laura M. Winn Book Review Fall 2023 (9.2) All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake Reviewed by Elaine Y. Yau Book Review Fall 2023 (9.2) The Medicine of Art: Disease and the Aesthetic Object in Gilded Age America Reviewed by Isabel L. Taube Exhibition Review Fall 2023 (9.2) The Art of Jean LaMarr Reviewed by Eleanor Kane, Alexander Kreisel Book Review Fall 2023 (9.2) Spiritual Moderns: Twentieth-Century American Artists and Religion Reviewed by Elizabeth L. Langhorne Exhibition Review Fall 2023 (9.2) Shaped by the Loom: Weaving Worlds in the American Southwest Reviewed by Elizabeth S. Hawley Special Section Fall 2023 (9.2) Against the Private Museum Nizan Shaked Feature Article Fall 2023 (9.2) Sensing Pollution: Picturing “Bad Air” in Gilded Age New York Vanessa Meikle Schulman In the Round Fall 2023 (9.2) On The Road Reconsidered: Art, Identity, and the Highway David Smucker Special Section Fall 2023 (9.2) Reflecting on “Toward a More Inclusive Digital Art History” Diana Seave Greenwald Book Review Spring 2023 (9.1) Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design Reviewed by Jennifer Rittner Exhibition Review Spring 2023 (9.1) Maya Lin: A Study of Water Reviewed by Morgan J. Brittain Digital Dialogues Spring 2023 (9.1) A Conversation on the Joaquín Torres-García Catalogue Raisonné Susanna V. Temkin, Cecilia de Torres
Special Section Fall 2023 (9.2) Who Supports American Art Museums? Introducing a New Dataset and Data Sources about Museum Funding Albert-László Barabási, Louis Shekhtman
Research Note Fall 2023 (9.2) Philly Necrofutures: Digital Curation to Counter the Under-Resourcing of African Collections at the Philadelphia Museum of Art Synatra Smith, Hilary Whitham Sánchez
Book Review Fall 2023 (9.2) Painting the Inhabited Landscape: Fitz H. Lane and the Global Reach of Antebellum America Reviewed by Katherine Manthorne
In the Round Fall 2023 (9.2) “It Happened”: Sophie Calle and Greg Shephard’s Road Trip Film Laura Elizabeth Shea
In the Round Fall 2023 (9.2) In Search of Asian-ness in America: Situating Wing Young Huie’s Photographic Road Trip Peter Han-Chih Wang
In the Round Fall 2023 (9.2) Roadside California: Tressa Prisbrey’s Bottle Village, Theme Parks, and Art Tourism in the Golden State Elizabeth Driscoll Smith
In the Round Fall 2023 (9.2) Holy Rollers: Religion and Modern Mobility in the Art of John Steuart Curry Jeffrey Richmond-Moll
Book Review Fall 2023 (9.2) MoMA Goes to Paris in 1938: Building and Politicizing American Art Reviewed by Antje Gamble
Research Note Fall 2023 (9.2) Looking In, Looking Out: Mapping Chinese Exclusion and Imperial Expansion in a San Francisco Photographic Collage Kevin Hong
Exhibition Review Fall 2023 (9.2) Jaune Quick-to-See Smith: Memory Map Reviewed by Andrea Vázquez de Arthur
Editors' Welcome Fall 2023 (9.2) Issue 9.2 (Fall 2023) Keri Watson, Katherine Jentleson, Jenni Sorkin
Exhibition Review Fall 2023 (9.2) Hear Me Now: The Black Potters of Old Edgefield, South Carolina Reviewed by Jill Vaum Rothschild
Exhibition Review Fall 2023 (9.2) Celia Álvarez Muñoz: Breaking the Binding Reviewed by Alexandro Segade
Research Note Fall 2023 (9.2) A Collaborative Creation of Home: Recognizing the Multifarious Roles and Representations of Jessie Tanner Laura M. Winn
Book Review Fall 2023 (9.2) All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake Reviewed by Elaine Y. Yau
Book Review Fall 2023 (9.2) The Medicine of Art: Disease and the Aesthetic Object in Gilded Age America Reviewed by Isabel L. Taube
Book Review Fall 2023 (9.2) Spiritual Moderns: Twentieth-Century American Artists and Religion Reviewed by Elizabeth L. Langhorne
Exhibition Review Fall 2023 (9.2) Shaped by the Loom: Weaving Worlds in the American Southwest Reviewed by Elizabeth S. Hawley
Feature Article Fall 2023 (9.2) Sensing Pollution: Picturing “Bad Air” in Gilded Age New York Vanessa Meikle Schulman
Special Section Fall 2023 (9.2) Reflecting on “Toward a More Inclusive Digital Art History” Diana Seave Greenwald
Book Review Spring 2023 (9.1) Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design Reviewed by Jennifer Rittner
Digital Dialogues Spring 2023 (9.1) A Conversation on the Joaquín Torres-García Catalogue Raisonné Susanna V. Temkin, Cecilia de Torres
