Site Search Search for: Search Colloquium Spring 2023 (9.1) Beyond Copyright: How Does Law Impact Art? Wendy Katz, Lauren van Haaften-Schick In the Round Spring 2023 (9.1) Producing and Consuming the Image of the Female Artist Ellery E. Foutch News Fall 2022 (8.2) Call for Submissions: Research Notes Book Review Fall 2022 (8.2) The Art of the Anthropological Diorama: Franz Boas, Arthur C. Parker, and Constructing Authenticity Reviewed by Dore Bowen Book Review Fall 2022 (8.2) Alloys: American Sculpture and Architecture at Midcentury Reviewed by Sydney Skelton Simon Digital Dialogues Fall 2022 (8.2) Panorama’s 🆕 Section: Digital Dialogues Tracy Stuber, Jennifer Way Book Review Fall 2022 (8.2) Painful Beauty: Tlingit Women, Beadwork, and the Art of Resilience Reviewed by Alison Ariss Exhibition Review Fall 2022 (8.2) Wayne Thiebaud: A Celebration, 1920–2021 and Wayne Thiebaud 100: Paintings, Prints, and Drawing Reviewed by Elaine O’Brien Book Review Fall 2022 (8.2) Muybridge and Mobility Reviewed by David Wall Book Review Fall 2022 (8.2) “The Spanish Element in Our Nationality”: Spain and America at the World’s Fairs and Centennial Celebrations, 1876–1915 Reviewed by Vanesa Rodríguez-Galindo News Fall 2022 (8.2) Art and Narrative: The 2022 AHAA Seventh Biennial Symposium Lauren Caskey Feature Article Fall 2022 (8.2) Naming, Blaming, and Claiming: The Columbus Monument and the Struggle for Diversity Rights in Syracuse, New York Kristina Borrman Feature Article Fall 2022 (8.2) From Center to Periphery: The Lifespan of New York City’s Tenth Street Studio Building and the Canon of American Art Mary Okin with Celie Mitchard Editors' Welcome Fall 2022 (8.2) Issue 8.2 Naomi Slipp, Jacqueline Francis, Keri Watson, Katherine Jentleson Exhibition Review Fall 2022 (8.2) Sargent, Whistler & Venetian Glass: American Artists and the Magic of Murano Reviewed by Emily C. Burns In the Round Fall 2022 (8.2) Interview with the Artist Fabiola Jean-Louis Fabiola Jean-Louis, Hélène Valance, Tatsiana Zhurauliova Colloquium Fall 2022 (8.2) Note to Self: An Artist’s Reflections on Black Girlhood Kéla B. Jackson Colloquium Fall 2022 (8.2) Mr. President, How Long Must We Wait for Liberty? The Female Body and Society Patricia Cronin Colloquium Fall 2022 (8.2) Essential Labor Michelle Millar Fisher Colloquium Fall 2022 (8.2) Beyond the Line: Bessie Harvey’s Visual Commentary on the Persistence of the Black Maternity Crisis in the United States Frederica Simmons In the Round Fall 2022 (8.2) Ecstatic Time Andrew Witt In the Round Fall 2022 (8.2) Indigenous Temporal Enmeshment in Akwesasne Notes Margaret J. Schmitz In the Round Fall 2022 (8.2) Waiting for Mlle Bourgeoise Noire and the Power of Interruption José B. Segebre Salazar In the Round Fall 2022 (8.2) Pendant Across Time: John Singleton Copley and John Singer Sargent Caroline Culp Book Review Fall 2022 (8.2) Elevate the Masses: Alexander Gardner, Photography, and Democracy in Nineteenth-Century America Reviewed by Shalon Parker Exhibition Review Fall 2022 (8.2) Cathy Lu: Interior Garden Reviewed by Sara Morris Colloquium Fall 2022 (8.2) Art and Reproductive Rights in the Wake of Dobbs v. Jackson Keri Watson, Katherine Jentleson Feature Article Fall 2022 (8.2) More Than a Museum: The Chinati Foundation, Home of the Brave Max Tolleson Research Note Fall 2022 (8.2) “American” Photographs Abroad: Traveling with Lewis Hine Natalie Zelt Research Note Fall 2022 (8.2) Asserting Agency: Meta Vaux Warrick Fuller’s Scrapbook Erika Schneider
Colloquium Spring 2023 (9.1) Beyond Copyright: How Does Law Impact Art? Wendy Katz, Lauren van Haaften-Schick
In the Round Spring 2023 (9.1) Producing and Consuming the Image of the Female Artist Ellery E. Foutch
Book Review Fall 2022 (8.2) The Art of the Anthropological Diorama: Franz Boas, Arthur C. Parker, and Constructing Authenticity Reviewed by Dore Bowen
Book Review Fall 2022 (8.2) Alloys: American Sculpture and Architecture at Midcentury Reviewed by Sydney Skelton Simon
Book Review Fall 2022 (8.2) Painful Beauty: Tlingit Women, Beadwork, and the Art of Resilience Reviewed by Alison Ariss
Exhibition Review Fall 2022 (8.2) Wayne Thiebaud: A Celebration, 1920–2021 and Wayne Thiebaud 100: Paintings, Prints, and Drawing Reviewed by Elaine O’Brien
Book Review Fall 2022 (8.2) “The Spanish Element in Our Nationality”: Spain and America at the World’s Fairs and Centennial Celebrations, 1876–1915 Reviewed by Vanesa Rodríguez-Galindo
Feature Article Fall 2022 (8.2) Naming, Blaming, and Claiming: The Columbus Monument and the Struggle for Diversity Rights in Syracuse, New York Kristina Borrman
Feature Article Fall 2022 (8.2) From Center to Periphery: The Lifespan of New York City’s Tenth Street Studio Building and the Canon of American Art Mary Okin with Celie Mitchard
Editors' Welcome Fall 2022 (8.2) Issue 8.2 Naomi Slipp, Jacqueline Francis, Keri Watson, Katherine Jentleson
Exhibition Review Fall 2022 (8.2) Sargent, Whistler & Venetian Glass: American Artists and the Magic of Murano Reviewed by Emily C. Burns
In the Round Fall 2022 (8.2) Interview with the Artist Fabiola Jean-Louis Fabiola Jean-Louis, Hélène Valance, Tatsiana Zhurauliova
Colloquium Fall 2022 (8.2) Mr. President, How Long Must We Wait for Liberty? The Female Body and Society Patricia Cronin
Colloquium Fall 2022 (8.2) Beyond the Line: Bessie Harvey’s Visual Commentary on the Persistence of the Black Maternity Crisis in the United States Frederica Simmons
In the Round Fall 2022 (8.2) Waiting for Mlle Bourgeoise Noire and the Power of Interruption José B. Segebre Salazar
In the Round Fall 2022 (8.2) Pendant Across Time: John Singleton Copley and John Singer Sargent Caroline Culp
Book Review Fall 2022 (8.2) Elevate the Masses: Alexander Gardner, Photography, and Democracy in Nineteenth-Century America Reviewed by Shalon Parker
Colloquium Fall 2022 (8.2) Art and Reproductive Rights in the Wake of Dobbs v. Jackson Keri Watson, Katherine Jentleson
Feature Article Fall 2022 (8.2) More Than a Museum: The Chinati Foundation, Home of the Brave Max Tolleson
