Digital Dialogues Fall 2024 (10.2) Zombie Humanism, Generative AI Images, and Photography Helen Lewandowski
Exhibition Review Fall 2024 (10.2) Framing Freedom: The Harriet Hayden Albums Reviewed by Anne Strachan Cross
Exhibition Review Spring 2024 (10.1) A Movement in Every Direction: Legacies of the Great Migration Reviewed by Chloe Ming
Research Note Spring 2024 (10.1) Louis Carlos Bernal’s Photographs of TV Screens and Domestic Interiors Jennifer Wingate
Digital Dialogues Spring 2024 (10.1) The Florence Arquin Slide Project: Art, Pan-Americanism, and the Digital Humanities Emily A. Fenichel, Camila Afanador-Llach
In the Round Fall 2023 (9.2) In Search of Asian-ness in America: Situating Wing Young Huie’s Photographic Road Trip Peter Han-Chih Wang
Research Note Fall 2023 (9.2) Looking In, Looking Out: Mapping Chinese Exclusion and Imperial Expansion in a San Francisco Photographic Collage Kevin Hong
Book Review Spring 2023 (9.1) Rare Merit: Women in Photography in Canada, 1840–1940 Reviewed by Elizabeth Anne Cavaliere
In the Round Spring 2023 (9.1) Pos(t)ing Online, or the Other Side of the Glass for Looking Marissa Vigneault
In the Round Spring 2023 (9.1) “Shutterbug?”: Black Women Photographers and the Politics of Self-Representation Emily Brady
Feature Article Spring 2023 (9.1) Framing Silver’s Void in Timothy H. O’Sullivan’s Photographs of the Gould & Curry Mine Christine Garnier
In the Round Fall 2022 (8.2) Waiting for Mlle Bourgeoise Noire and the Power of Interruption José B. Segebre Salazar
Book Review Fall 2022 (8.2) Elevate the Masses: Alexander Gardner, Photography, and Democracy in Nineteenth-Century America Reviewed by Shalon Parker
In the Round Spring 2022 (8.1) Obligations to the Local: Solidarity as Method in LaToya Ruby Frazier’s The Last Cruze Samuel Dylan Ewing
Research Note Fall 2021 (7.2) Views of Chicago: Picturing the Ruins of the Great Fire Christina Michelon
In the Round Spring 2021 (7.1) In the Presence of Archival Fugitives: Chinese Women, Souvenir Images, and the 1893 Chicago World’s Fair Z. Serena Qiu
Special Section Spring 2021 (7.1) White Supremacy, Lynchings, and Thomas Crawford’s Statue of Freedom Vivien Green Fryd
Special Section Spring 2021 (7.1) The Confederate Flag in the Capitol and the Future of Artistic Expression Amy Werbel
In the Round Fall 2020 (6.2) “Photographic Weather”: A Posthumanist Approach to Western Survey Photography Elizabeth Hutchinson
In the Round Fall 2020 (6.2) Reading and Re-Reading Ansel Adams’s My Camera in the National Parks Lauren Johnson
In the Round Fall 2020 (6.2) Daguerreotypes and Humbugs: Pwan-Ye-Koo, Racial Science, and the Circulation of Ethnographic Images around 1850 Michelle Smiley
In the Round Fall 2020 (6.2) Material Matters: The Transatlantic Trade in Photographic Materials during the Nineteenth Century Katherine Mintie
In the Round Fall 2020 (6.2) Apsáalooke Bacheeítuuk in Washington, DC: A Case Study in Re-Reading Nineteenth-Century Delegation Photography Wendy Red Star, Shannon Vittoria
In the Round Fall 2020 (6.2) Siŋté Máza (Iron Tail)’s Photographic Opportunities: The Transit of Lakȟóta Performance and Arts Emily C. Burns
In the Round Fall 2020 (6.2) Undocumented Migration and Political Community in Susan Meiselas’s Crossings Photographs Sarah Bassnett
In the Round Fall 2020 (6.2) Frank Speck in N’Daki Menan: Anthropological Photography in an Extractive Zone Siobhan Angus
In the Round Fall 2020 (6.2) José María Mora and the Migrant Surround in American Portrait Photography Erin Pauwels
In the Round Fall 2020 (6.2) A “Russianesque Camera Artist”: Margaret Bourke-White’s American-Soviet Photography Josie Johnson
In the Round Spring 2020 (6.1) The 1961 Mississippi Freedom Riders’ Mugshots: A Visual Intervention Johnna Margot Henry
In the Round Spring 2020 (6.1) Roaming in the South: Devin Lunsford’s Photographs from the Roadside Peter Han-Chih Wang
Research Note Spring 2020 (6.1) A Portrait on the Move: Photography, Literature, and Transatlantic Exchanges in the Nineteenth Century Katherine Mintie
In the Round Spring 2018 (4.1) The Wandering Gaze of Carrie Mae Weems’s The Louisiana Project Gwendolyn DuBois Shaw
Book Review Spring 2018 (4.1) Searching for Mary Schäffer: Women Wilderness Photography Reviewed by Katherine Mintie
Book Review Fall 2017 (3.2) Enduring Truths: Sojourner’s Shadows and Substance Reviewed by Rachel Stephens
Book Review Fall 2017 (3.2) The Early American Daguerreotype: Cross-Currents in Art and Technology Reviewed by Ellen Handy
Book Review Summer 2017 (3.1) Barnstorming the Prairies: How Aerial Vision Shaped the Midwest Reviewed by Andrea M. Truitt
Exhibition Review Summer 2017 (3.1) Sojourner Truth, Photography, and the Fight Against Slavery Reviewed by Jackie Clay
