Critiquing the Catalog: The Fine Arts (N) Range of the Library of Congress Classification System, Systemic Bias, and the Potential of Digital Technologies
Cakewalking the Color Line: George Luks, Racial Doublings, and Performance at the Turn of the Twentieth Century
Philly Necrofutures: Digital Curation to Counter the Under-Resourcing of African Collections at the Philadelphia Museum of Art
Looking In, Looking Out: Mapping Chinese Exclusion and Imperial Expansion in a San Francisco Photographic Collage

