
Critiquing the Catalog: The Fine Arts (N) Range of the Library of Congress Classification System, Systemic Bias, and the Potential of Digital Technologies

Cakewalking the Color Line: George Luks, Racial Doublings, and Performance at the Turn of the Twentieth Century

Philly Necrofutures: Digital Curation to Counter the Under-Resourcing of African Collections at the Philadelphia Museum of Art

Looking In, Looking Out: Mapping Chinese Exclusion and Imperial Expansion in a San Francisco Photographic Collage
