Colloquium Fall 2024 (10.2) Canyon: Robert Rauschenberg’s Declaration of Independence Jonathan Frederick Walz
Book Review Spring 2024 (10.1) When Eero Met His Match: Aline Louchheim Saarinen and the Making of an Architect Reviewed by Annmarie Adams
Feature Article Spring 2024 (10.1) Peripheral Prints: Karamu House and the Rise of African American Art in the Midwest Erin Benay
Book Review Fall 2023 (9.2) MoMA Goes to Paris in 1938: Building and Politicizing American Art Reviewed by Antje Gamble
Book Review Fall 2023 (9.2) Spiritual Moderns: Twentieth-Century American Artists and Religion Reviewed by Elizabeth L. Langhorne
Book Review Spring 2023 (9.1) Mid-Century Modernism and the American Body: Race, Gender, and the Politics of Power in Design Reviewed by Jennifer Rittner
Exhibition Review Spring 2023 (9.1) Souls Grown Deep Like the Rivers: Black Artists from the American South Reviewed by Matthew Holman
Exhibition Review Spring 2022 (8.1) Whistler to Cassatt: American Painters in France Reviewed by Annette Stott
Book Review Spring 2022 (8.1) Remade in America: Surrealist Art, Activism and Politics, 1940–1978 Reviewed by Sandra Zalman
Exhibition Review Fall 2021 (7.2) Extra Ordinary: Magic, Mystery and Imagination in American Realism Reviewed by Kéla B. Jackson
Feature Article Fall 2021 (7.2) Art, Dance, and Social Justice: Franziska Boas, Dorothy Dehner, and David Smith at Bolton Landing, 1944–1949 Paula Wisotzki
Exhibition Review Spring 2021 (7.1) Frida Kahlo: Appearances Can Be Deceiving Reviewed by Berit Potter
Exhibition Review Spring 2020 (6.1) Edith Halpert and the Rise of American Art Reviewed by Eliza Butler
Book Review Fall 2019 (5.2) Cultivating Citizens: The Regionalist Work of Art in the New Deal Era Reviewed by Keri Watson
Feature Article Fall 2019 (5.2) Of Masks, Mockery, and Modernism: Alexander Z. Kruse’s Self-Portrait of an Art Critic Samantha Baskind
In the Round Fall 2019 (5.2) Artistic Journeys: Assignments Engaging Primary Source Materials Janice Simon
Feature Article Spring 2019 (5.1) The Girl Behind the Counter: Elizabeth Sparhawk-Jones and the Modern Shop Girl Elizabeth Carlson
Exhibition Review Fall 2018 (4.2) Arte Diseño Xicágo: Mexican Inspiration from the World’s Columbian Exposition to the Civil Rights Era Reviewed by Mia Lopez
Research Note Fall 2018 (4.2) Looking for Love: Identifying Robert Rauschenberg’s Collage Elements in a Lost, Early Work Greg Allen
Book Review Fall 2018 (4.2) American Women Artists, 1935–1970: Gender, Culture, and Politics Reviewed by Rachel Middleman
Book Review Fall 2018 (4.2) The Other American Moderns: Matsura, Ishigaki, Noda, Hayakawa Reviewed by Diana Linden
In the Round Spring 2018 (4.1) Introduction: Riff: African American Artists and the European Canon Adrienne L. Childs
In the Round Spring 2018 (4.1) African American Artists as Agents of Modernism: A Challenge for American Art John P. Bowles
Exhibition Review Spring 2018 (4.1) California Mexicana, Myth and Mirage, and Found in Translation Reviewed by Patrick Frank
Exhibition Review Spring 2018 (4.1) Painted in Mexico, Visual Voyages: Images of Latin American Nature, and Modern Masters from Latin America Reviewed by Anna O. Marley
Exhibition Review Spring 2018 (4.1) Radical Women: Latin American Art, 1960–1985 Reviewed by Alison Fraunhar
Feature Article Fall 2017 (3.2) Florine Stettheimer, the Department Store, and the Spaces of Display, New York 1916–1926 Heather Hole
Book Review Summer 2017 (3.1) Barnstorming the Prairies: How Aerial Vision Shaped the Midwest Reviewed by Andrea M. Truitt
Exhibition Review Summer 2017 (3.1) William Merritt Chase: A Modern Master Reviewed by Christina Michelon
Book Review Summer 2017 (3.1) Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene Reviewed by Amy Werbel
Exhibition Review Fall 2016 (2.2) O’Keeffe, Stettheimer, Torr, Zorach: Women Modernists in New York Reviewed by Heather Hole
