Book Review Spring 2023 (9.1) Rare Merit: Women in Photography in Canada, 1840–1940 Reviewed by Elizabeth Anne Cavaliere
In the Round Spring 2023 (9.1) Pos(t)ing Online, or the Other Side of the Glass for Looking Marissa Vigneault
In the Round Spring 2023 (9.1) “Shutterbug?”: Black Women Photographers and the Politics of Self-Representation Emily Brady
Feature Article Spring 2023 (9.1) Framing Silver’s Void in Timothy H. O’Sullivan’s Photographs of the Gould & Curry Mine Christine Garnier
In the Round Fall 2022 (8.2) Waiting for Mlle Bourgeoise Noire and the Power of Interruption José B. Segebre Salazar
Book Review Fall 2022 (8.2) Elevate the Masses: Alexander Gardner, Photography, and Democracy in Nineteenth-Century America Reviewed by Shalon Parker
In the Round Spring 2022 (8.1) Obligations to the Local: Solidarity as Method in LaToya Ruby Frazier’s The Last Cruze Samuel Dylan Ewing
Research Note Fall 2021 (7.2) Views of Chicago: Picturing the Ruins of the Great Fire Christina Michelon
In the Round Spring 2021 (7.1) In the Presence of Archival Fugitives: Chinese Women, Souvenir Images, and the 1893 Chicago World’s Fair Z. Serena Qiu
Special Section Spring 2021 (7.1) White Supremacy, Lynchings, and Thomas Crawford’s Statue of Freedom Vivien Green Fryd
Special Section Spring 2021 (7.1) The Confederate Flag in the Capitol and the Future of Artistic Expression Amy Werbel
In the Round Fall 2020 (6.2) Apsáalooke Bacheeítuuk in Washington, DC: A Case Study in Re-Reading Nineteenth-Century Delegation Photography Wendy Red Star, Shannon Vittoria
In the Round Fall 2020 (6.2) “Photographic Weather”: A Posthumanist Approach to Western Survey Photography Elizabeth Hutchinson
In the Round Fall 2020 (6.2) Reading and Re-Reading Ansel Adams’s My Camera in the National Parks Lauren Johnson
In the Round Fall 2020 (6.2) Daguerreotypes and Humbugs: Pwan-Ye-Koo, Racial Science, and the Circulation of Ethnographic Images around 1850 Michelle Smiley
In the Round Fall 2020 (6.2) Material Matters: The Transatlantic Trade in Photographic Materials during the Nineteenth Century Katherine Mintie
In the Round Fall 2020 (6.2) Undocumented Migration and Political Community in Susan Meiselas’s Crossings Photographs Sarah Bassnett
In the Round Fall 2020 (6.2) Siŋté Máza (Iron Tail)’s Photographic Opportunities: The Transit of Lakȟóta Performance and Arts Emily C. Burns
In the Round Fall 2020 (6.2) Frank Speck in N’Daki Menan: Anthropological Photography in an Extractive Zone Siobhan Angus
In the Round Fall 2020 (6.2) José María Mora and the Migrant Surround in American Portrait Photography Erin Pauwels
In the Round Fall 2020 (6.2) A “Russianesque Camera Artist”: Margaret Bourke-White’s American-Soviet Photography Josie Johnson
In the Round Spring 2020 (6.1) The 1961 Mississippi Freedom Riders’ Mugshots: A Visual Intervention Johnna Margot Henry
In the Round Spring 2020 (6.1) Roaming in the South: Devin Lunsford’s Photographs from the Roadside Peter Han-Chih Wang
Research Note Spring 2020 (6.1) A Portrait on the Move: Photography, Literature, and Transatlantic Exchanges in the Nineteenth Century Katherine Mintie
In the Round Spring 2018 (4.1) The Wandering Gaze of Carrie Mae Weems’s The Louisiana Project Gwendolyn DuBois Shaw
Book Review Spring 2018 (4.1) Searching for Mary Schäffer: Women Wilderness Photography Reviewed by Katherine Mintie
Book Review Fall 2017 (3.2) Enduring Truths: Sojourner’s Shadows and Substance Reviewed by Rachel Stephens
Book Review Fall 2017 (3.2) The Early American Daguerreotype: Cross-Currents in Art and Technology Reviewed by Ellen Handy
Book Review Summer 2017 (3.1) Barnstorming the Prairies: How Aerial Vision Shaped the Midwest Reviewed by Andrea M. Truitt
Exhibition Review Summer 2017 (3.1) Sojourner Truth, Photography, and the Fight Against Slavery Reviewed by Jackie Clay
Book Review Fall 2016 (2.2) Ellsworth Kelly: Catalogue Raisonné of Paintings, Reliefs, and Sculpture, Vol. 1, 1940-1953 Reviewed by Godfre Leung
Book Review Summer 2016 (2.1) Coney Island: Visions of an American Dreamland, 1861-2008 Reviewed by Christopher C. Oliver
Exhibition Review Summer 2016 (2.1) NANITCH: Early Photographs of British Columbia from the Langmann Collection Reviewed by M. Elizabeth Boone
In the Round Summer 2016 (2.1) Capturing “Jove’s Autograph”: Late Nineteenth-Century Lightning Photography and Electrical Agency Laura Turner Igoe
In the Round Summer 2016 (2.1) Interrogating Invention: Electronic Café and the Politics of Technology Cary Levine, Philip Glahn
Exhibition Review Fall 2015 (1.2) Shooting Lincoln: Photography and the 16th President Reviewed by Corey Piper
Exhibition Review Fall 2015 (1.2) Coney Island: Visions of an American Dreamland, 1861–2008 Reviewed by Adam M. Thomas
Book Review Fall 2015 (1.2) Meaningful Places: Landscape Photographers in the Nineteenth-Century American West Reviewed by Emily L. Voelker
