Book Review Spring 2022 (8.1) Remade in America: Surrealist Art, Activism and Politics, 1940–1978 Reviewed by Sandra Zalman
Research Note Spring 2022 (8.1) Naming Naquayouma: A Collaborative Approach to American Murals and Indigeneity at the 1937 International Exposition Davida Fernández-Barkan, Phillippa Pitts
In the Round Spring 2022 (8.1) Arabian Nights in the Mississippi Delta: The Embroideries of Ethel Wright Mohamed Rachel Winter
Research Note Fall 2021 (7.2) Problem Portraits: Francisco Oller in the Age of US Imperialism Natalia Ángeles Vieyra
In the Round Fall 2021 (7.2) “The Art of Living”: Selma Burke’s Progressive Art Pedagogies from the New Deal to the Black Arts Movement Rebecca Giordano
In the Round Fall 2021 (7.2) Institutional Time: Judy Chicago’s Career Through the Lens of Art Education Sally Brown
Exhibition Review Fall 2021 (7.2) Extra Ordinary: Magic, Mystery and Imagination in American Realism Reviewed by Kéla B. Jackson
Feature Article Fall 2021 (7.2) Art, Dance, and Social Justice: Franziska Boas, Dorothy Dehner, and David Smith at Bolton Landing, 1944–1949 Paula Wisotzki
In the Round Fall 2021 (7.2) Women Artists and Teaching: An Intersectional View Liz Kim, Amy von Lintel
Exhibition Review Spring 2021 (7.1) Writing the Future: Basquiat and the Hip-Hop Generation Reviewed by Peter R. Kalb
Exhibition Review Spring 2021 (7.1) Frida Kahlo: Appearances Can Be Deceiving Reviewed by Berit Potter
Book Review Spring 2021 (7.1) With Pleasure: Pattern and Decoration in American Art 1972–1985 Reviewed by Anne Swartz
In the Round Spring 2021 (7.1) Beyond Conflict, Toward Collaboration: The Korean American Arts Community in New York, 1980s–1990s Eunyoung Park
In the Round Spring 2021 (7.1) Commercial Design and Midcentury Asian American Art: The Greeting Cards of Tyrus Wong Karen Fang
In the Round Spring 2021 (7.1) Sadakichi Hartmann’s American Art: Citizenship, Asian America, and Critical Resistance Yinshi Lerman-Tan
Research Note Spring 2021 (7.1) “Anglo-Saxon”: Nationalism and Race in the Promotion of Edward Hopper Gail Levin
Book Review Spring 2021 (7.1) Orozco’s American Epic: Myth, History, and the Melancholy of Race Reviewed by Maya Jiménez
Book Review Fall 2020 (6.2) Stick to the Skin: African American and Black British Art, 1965–2015 Reviewed by Ellen Tani
In the Round Fall 2020 (6.2) Reading and Re-Reading Ansel Adams’s My Camera in the National Parks Lauren Johnson
Book Review Fall 2020 (6.2) Art for People’s Sake: Artists and Community in Black Chicago, 1965–1975 Reviewed by Abbe Schriber
In the Round Fall 2020 (6.2) A “Russianesque Camera Artist”: Margaret Bourke-White’s American-Soviet Photography Josie Johnson
In the Round Spring 2020 (6.1) The 1961 Mississippi Freedom Riders’ Mugshots: A Visual Intervention Johnna Margot Henry
In the Round Spring 2020 (6.1) Roaming in the South: Devin Lunsford’s Photographs from the Roadside Peter Han-Chih Wang
In the Round Spring 2020 (6.1) Magic City Modern: A Short History of the Birmingham-Bessemer School Aleesa Pitchamarn Alexander
Exhibition Review Spring 2020 (6.1) Edith Halpert and the Rise of American Art Reviewed by Eliza Butler
Book Review Spring 2020 (6.1) Against Our Will: Sexual Trauma in American Art Since 1970 Reviewed by Lesley Shipley
Book Review Fall 2019 (5.2) Models of Integrity: Art and Law in Post-Sixties America Reviewed by Meryl Bailey
In the Round Fall 2019 (5.2) Bridging the Distance: Teaching and Curating with Mail Art from the Archives of American Art Miriam Kienle
Exhibition Review Fall 2019 (5.2) Constructing the World: Art and Economy 1919–1939 Reviewed by Anna O. Marley
Book Review Fall 2019 (5.2) Cultivating Citizens: The Regionalist Work of Art in the New Deal Era Reviewed by Keri Watson
Feature Article Fall 2019 (5.2) Of Masks, Mockery, and Modernism: Alexander Z. Kruse’s Self-Portrait of an Art Critic Samantha Baskind
In the Round Fall 2019 (5.2) Artistic Journeys: Assignments Engaging Primary Source Materials Janice Simon
In the Round Spring 2019 (5.1) Walk with Me: William Anastasi’s Stenography of the Street Katie Anania
Feature Article Spring 2019 (5.1) The Girl Behind the Counter: Elizabeth Sparhawk-Jones and the Modern Shop Girl Elizabeth Carlson
In the Round Spring 2019 (5.1) “It’s Making a Little Noise”: Video Art, A Radical Mess Miguel de Baca
In the Round Spring 2019 (5.1) The Love in Labor: Reconsidering Amateurism in Sister Gertrude Morgan’s Performances and Paintings Elaine Y. Yau
