Book Review Fall 2022 (8.2) Alloys: American Sculpture and Architecture at Midcentury Reviewed by Sydney Skelton Simon
Feature Article Fall 2022 (8.2) Naming, Blaming, and Claiming: The Columbus Monument and the Struggle for Diversity Rights in Syracuse, New York Kristina Borrman
Feature Article Fall 2022 (8.2) From Center to Periphery: The Lifespan of New York City’s Tenth Street Studio Building and the Canon of American Art Mary Okin with Celie Mitchard
Colloquium Fall 2022 (8.2) Beyond the Line: Bessie Harvey’s Visual Commentary on the Persistence of the Black Maternity Crisis in the United States Frederica Simmons
In the Round Fall 2022 (8.2) Waiting for Mlle Bourgeoise Noire and the Power of Interruption José B. Segebre Salazar
In the Round Fall 2022 (8.2) Pendant Across Time: John Singleton Copley and John Singer Sargent Caroline Culp
Feature Article Fall 2022 (8.2) More Than a Museum: The Chinati Foundation, Home of the Brave Max Tolleson
Research Note Fall 2022 (8.2) Turning a Corner: Reexamining Joe Jones’s Anthony, Kansas, Mural through Pandemic Eyes Michaela Rife
Book Review Spring 2022 (8.1) Remade in America: Surrealist Art, Activism and Politics, 1940–1978 Reviewed by Sandra Zalman
Research Note Spring 2022 (8.1) Naming Naquayouma: A Collaborative Approach to American Murals and Indigeneity at the 1937 International Exposition Davida Fernández-Barkan, Phillippa Pitts
In the Round Spring 2022 (8.1) Arabian Nights in the Mississippi Delta: The Embroideries of Ethel Wright Mohamed Rachel Winter
Research Note Fall 2021 (7.2) Problem Portraits: Francisco Oller in the Age of US Imperialism Natalia Ángeles Vieyra
In the Round Fall 2021 (7.2) “The Art of Living”: Selma Burke’s Progressive Art Pedagogies from the New Deal to the Black Arts Movement Rebecca Giordano
In the Round Fall 2021 (7.2) Institutional Time: Judy Chicago’s Career Through the Lens of Art Education Sally Brown
Exhibition Review Fall 2021 (7.2) Extra Ordinary: Magic, Mystery and Imagination in American Realism Reviewed by Kéla B. Jackson
Feature Article Fall 2021 (7.2) Art, Dance, and Social Justice: Franziska Boas, Dorothy Dehner, and David Smith at Bolton Landing, 1944–1949 Paula Wisotzki
In the Round Fall 2021 (7.2) Women Artists and Teaching: An Intersectional View Liz Kim, Amy von Lintel
Exhibition Review Spring 2021 (7.1) Writing the Future: Basquiat and the Hip-Hop Generation Reviewed by Peter R. Kalb
Exhibition Review Spring 2021 (7.1) Frida Kahlo: Appearances Can Be Deceiving Reviewed by Berit Potter
Book Review Spring 2021 (7.1) With Pleasure: Pattern and Decoration in American Art 1972–1985 Reviewed by Anne Swartz
In the Round Spring 2021 (7.1) Beyond Conflict, Toward Collaboration: The Korean American Arts Community in New York, 1980s–1990s Eunyoung Park
In the Round Spring 2021 (7.1) Commercial Design and Midcentury Asian American Art: The Greeting Cards of Tyrus Wong Karen Fang
In the Round Spring 2021 (7.1) Sadakichi Hartmann’s American Art: Citizenship, Asian America, and Critical Resistance Yinshi Lerman-Tan
Research Note Spring 2021 (7.1) “Anglo-Saxon”: Nationalism and Race in the Promotion of Edward Hopper Gail Levin
Book Review Spring 2021 (7.1) Orozco’s American Epic: Myth, History, and the Melancholy of Race Reviewed by Maya Jiménez
Book Review Fall 2020 (6.2) Stick to the Skin: African American and Black British Art, 1965–2015 Reviewed by Ellen Tani
In the Round Fall 2020 (6.2) Reading and Re-Reading Ansel Adams’s My Camera in the National Parks Lauren Johnson
Book Review Fall 2020 (6.2) Art for People’s Sake: Artists and Community in Black Chicago, 1965–1975 Reviewed by Abbe Schriber
In the Round Fall 2020 (6.2) A “Russianesque Camera Artist”: Margaret Bourke-White’s American-Soviet Photography Josie Johnson
In the Round Spring 2020 (6.1) The 1961 Mississippi Freedom Riders’ Mugshots: A Visual Intervention Johnna Margot Henry
In the Round Spring 2020 (6.1) Roaming in the South: Devin Lunsford’s Photographs from the Roadside Peter Han-Chih Wang
In the Round Spring 2020 (6.1) Magic City Modern: A Short History of the Birmingham-Bessemer School Aleesa Pitchamarn Alexander
Exhibition Review Spring 2020 (6.1) Edith Halpert and the Rise of American Art Reviewed by Eliza Butler
Book Review Spring 2020 (6.1) Against Our Will: Sexual Trauma in American Art Since 1970 Reviewed by Lesley Shipley
Book Review Fall 2019 (5.2) Models of Integrity: Art and Law in Post-Sixties America Reviewed by Meryl Bailey
In the Round Fall 2019 (5.2) Bridging the Distance: Teaching and Curating with Mail Art from the Archives of American Art Miriam Kienle
